A building full of secrets. A key that will unleash them all.
The K Apartments for Ladies in Tokyo conceals a sinister past behind each door; a woman who has buried a child; a scavenger driven mad by ill-health; a wife mysteriously guarding her late husband’s manuscripts; a talented violinist tortured by her own guilt. The master key, which opens the door to all 150 rooms, links their tangled stories.
But now it has been stolen, and dirty tricks are afoot, for a deadly secret lies buried beneath the building. And when it is revealed, there will be murder.
My Rating:
☆☆☆
Date Read: July 7-14, 2023
Initial Publication Date: January 1962
Translation Published: November 2021
Author Origin: Japan (Tokyo)
Awarded the Edogawa Rampo Prize upon publication.
Major Characters:
Katsuko Tojo, older receptionist at the K Apartments for Ladies
Kaneko Tamura, younger receptionist at the K Apartments
Chikako Uena, depressed former schoolteacher
Toyoto Munekata, professor guarding her late husband's manuscripts
Noriko Ishiyama, building eccentric also known as Mrs. Bladderwrack
Suwa Yatabe, violinist
Yoneko Kimura, retired schoolteacher and avid letter-writer
I saw this described by another Goodreads reviewer as “less a thriller than a multiple arc character study”, which I’d wholeheartedly agree with. Much less a mystery, too, and more an examination of events in the various characters’ lives as they relate to the stolen Master Key. Characters are mentioned as background names in one chapter, only to become the POV character and main focus of the next. I wish I had created a list of the characters as they were introduced, along with their histories and other memorable features, because I often found myself recognizing a name had been mentioned earlier but needing to flip back to remember who she was, exactly.
I also saw this one described as a Japanese Noir, though only after having read it, so I did not go into it imagining it as such. While the book didn’t have that overt Noir feeling that Togawa’s The Lady Killer or Natsuo Kirino’s Out did, in retrospect I suppose it did have some of the usual tropes - crime, a present haunted by the past - but without that sense of atmosphere I associate with Noir, it didn’t much feel like one to me.
Overall, I think I prefer this novel, her debut, over The Lady Killer.