Euclidean Sequencer Pro 2.1 Download

Alternative takes on the classic step sequencer format have long been popular in the modular realm, and as modular has risen in popularity in recent years many of these ideas have begun to seep into more mainstream hardware and software tools.

Compose polyrhythms and polymeters fast and intuitively. Create evolving melodic or percussive algorithmic rhythms. This is a 4 voice sequencer that allows for a lot of customization. It comes bundled with a second MIDI device "euclidean out" which enables routing any of the 4 voices to any MIDI track in Live. "Euclidean sequencer pro" is the successor of the euclidean sequencer including many new features(see key differences below).

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*In sequencer mode you can MIDI monitor all notes edited in the sequencer. Toggle monitoring on/off by clicking on the new headphones button.

*Added semitone up/down transposition buttons for the sequencer mode.

I discovered euclidean rhythms fairly recently and I have to say the concept has blown my mind. As someone with little to no formal music theory/rhythm knowledge, this crossover between mathematics and music is very inspiring and one of the reasons why I got into eurorack in the first place. Anyway...

As much as I like more traditional x0x style sequencing, I think euclidean sequencing deserves a fully fledged offering in eurorack and there is a bit of a gap in the market right now. To my mind the two best euclidean sequencers available right now are Pam's and Euclidean Circles. My views on their pros/cons and what the perfect euclidean sequencer would look like:

Not very playable or immediate, to put it mildly. This is a more general criticism of Pam's given the single knob and amount of menu diving. For some purposes this is not a deal breaker but part of the appeal of euclidean sequencing for me is how immediate it is and having to menu dive kills that

Big circles with lots of blinking lights. No but seriously, super easy to dial in rhythms vs. Pam's and having access to 3 outputs at once is great. This alone makes it the best euclidean sequencer out there in my view

The big circles. Yes, I know I listed that as a pro but from an ergonomics/live performance perspective I actually think the circles are not a great use of space despite how pretty they are. In my head I think of euclidean rhythms in the x,x notation (for instance 3 triggers on 7 steps) and as the step count goes up I find myself having to count the lights to remind myself how many triggers/steps I'm on. This is actually something that Pam's does better even if you can only see one parameter at a time

Each of the 4 outputs visible on the panel should have a small screen showing 3 digits (perhaps one bigger screen with 4 lines) for each of the euclidean variables (number of triggers, number of steps and rotation). This would make it much easier to track what's happening with each output and quickly adjust. Next to the screen there should be 3x4 ratcheted dials (3 for each of the 4 outputs) for each of those parameters to allow for simultaneous editing of the euclidean variables

Hello. Today I learned about Euclidean rhythms and it really intrigued me. I wanted to share this Euclidean sequencer JS plugin I stumbled upon. I like it, because it helps me create interesting drum patterns.

As far as a I know, the only other Euclidean rhythm sequencer is the Euclidean sequencer PRO for Ableton. The Reaper plugin isn't as feature rich, but you can use many of them and automate their velocities with a square LFO to hit accent notes.

There are a plethora of options available for those interested in utilizing euclidean sequencing in their music production. Among the most notable offerings include the Constellation by Acid Rain Technology, a powerful gate sequencer based on euclidean rhythms, and the Temps Utile by After Later Audio, a multi-function module that includes a euclidean sequencer preset. Additionally, the Endorphin.es Running Order Polyrhythmic Polymetric Sequencer includes euclidean sequencing as one of its many sequencer options. For those who prefer a standalone option, the Polyend Play also offers the ability to program sequences using a euclidean fill option.

Euclidean sequencing is a powerful tool for music producers as it allows for the creation of complex and captivating rhythms. The principles of euclidean geometry serve as the foundation for these rhythms, resulting in patterns that are both mesmerizing and unique. By utilizing euclidean sequencing, music producers can add an extra layer of depth and intrigue to their tracks, setting them apart from their contemporaries. Have fun and happy patching!

I'd like 4 of the standard 'circular' euclidean sequencers (that you see in nearly all versions of anything euclidean in the Reaktor user library) and a way of each one conforming to 4 separate notes of a chord.

Hey Guys. here's a toy for you guys to play with. Its 8 separate Euclidean sequencers that output whatever note is selected in software keyboards 1-8 or on external keyboards receiving on midi channels 1-8. Just tweak Step, Length or DIV Knobs to adjust number of pulses, sequence length and clock division (in respect to ableton link tempo) to create Rhythmic variation. Make sure receiving Synth accepts midi on omni channel as each sequence is sending on a seperate midi channel. this can be changed by tweaking the channel setting on each keyboard.

wanted to map the Step, Length and Clock division knobs of each of the 8 sequencer chains to a column on the Launchcontrol XL so i could experiment with euclidean based Poly-rhythmic melodies without having to even look at the screen at all.

That's what I was thinking, since he's figured out how to do the CV conversion or whatever from the LCXL to zmors. I looked into this about a year back but never got down to figuring it out, so will be curious your progress. I downloaded your patch too, very cool. If you double tap on the Out Cable you can set Offset/Bias - think you were asking about that above. Not sure about the MIDI learn on the sequencer parameters, nothing picked up for me when I tried to set the available ones on the sequencer to the LCXL. GL!

I'm having so much fun messing around. I'm curious. @Ocsprey @Jocphone

Any idea how I might chain each euclidian sequencer to play in sequence ? Was wondering If i could achieve even more complex patterns that way. I'm thinking Maybe the cv step sequencer. Need to figure out how to do this.... so many experiments so little time

@gonekrazy3000 said:

I'm having so much fun messing around. I'm curious. @Ocsprey @Jocphone

Happy about the news, I was eager to learn more about Euclidean sequencers (because my knowledge at the time was non-existent). As per usual, the Internet provided all the answers in a matter of minutes.

To make things more interesting, HY-ESG substitutes the standard grid-based step sequencer with a Euclidean sequencer, unleashing the age-old rhythm-generating powers of ancient Greek mathematical algorithms in the comfort of your DAW. !

The Modulation section is where things can get crazy, in the best of ways. HY-ESG offers three modulation sources, each capable of running in LFO or S&H modes. These can modulate the ADSR envelope, the mix knob, and yes, the sequencer controls, too.

Say to monotonous sounds and to ever-evolving complex rhythms that will spark a philosophical debate about the creative limitations and other negative implications of grid-based sequencers in modern-day music production software.

The plugin features a Euclidean step sequencer, ADSR envelope, three modulation units with two modes, undo/redo functionality, a bypass switch, and a preset manager. The interface is freely resizable.

This seems like a missed opportunity as being able to restart (and therefore control) the Euclidean sequencer with gates would make it a lot more powerful. Muting gates can be done quite easily with a VCA. Restarting the sequence is pretty much impossible outside of Hermod. At the very least it could be an option within the Euclid menu (Gate = Restart / Continue).

I always try to explore the edges of things. When pre-11 Ableton Live wasn't into probability, I published lots of MaxForLive devices showing some ways of adding probability, and Ableton seem to have taken the hint in Live 11! One other thing that I have always been interested in is unusual timing - my Probably sequencer includes probabilistic micro-timing per note, which is kind of tricky to get your head around. But recently, I've been playing with the opposite of the many Euclidean sequencers that are available in MaxForLive circles. So here's a non-Euclidean, Non-Linear, 4-section step sequencer/toolkit for you to explore elastic time and polyrhythms. I say 'toolkit' very deliberately here, because this isn't an M4L device that you just drop into a track and make cool drum sounds or 'bleepy' sequencer riffs, - rather it requires experimentation, recording of the output, retiming, and more. Once again, it is giving you 'modular'-style functionality in a DAW - although I don't know of any direct hardware equivalent modules for Eurorack et al... ff782bc1db