Embedded Files
The Artist's Creative Process: "I am fascinated with the range of possibilities using polymer clay, the primary material I use in my handcrafted jewelry. As a painter first, I approach my jewelry pieces in much the same way. I love using color in my artwork to create mood and I apply that same approach in my jewelry, as I focus on one-of-a-kind pieces. Each jewelry piece is the culmination of a myriad of steps. Depending on the type of piece I create, I may or may not begin with a specific idea. When I allow the clay to evolve in the process, I also enjoy incorporating the unexpected imagery and patterns that emerge into my jewelry pieces."
Carol
The Steps:
First, the artist begins by selecting colors that will be incorporated in the piece.
Next, the clay is conditioned to so it can be mixed with other colors and/or formed into shapes. Once formed, the clay must be baked to cure and harden the material.
After the curing process, the artist decides what type of finish will be used on the piece. Polymer clay does not require a special coating, and sometimes sanding and buffing is sufficient to achieve a soft luster. When a glossy surface is desired, a top coat of clear polymer liquid clay is added to the surface, and the piece is baked once more. Following this stage, the individual pieces are then assembled, and ready to be adopted.
Materials: Polymer clay, hardened and cured through baking. Enhancement beads or materials added to a piece of jewelry, are made stone, metal, ceramic, plastic and polymer clay. All findings are nickel free, and include brass, copper, silver plate, gold plate and stainless. Leather cords are used with pendants.
THEME NECKLACES:
The Native American Series: This series reflects folklore, that transcends time, and place. The process for this series is different than other polymer pieces created by the artist, and involves the transfer of an image to the surface of unbaked clay.
First: Each item begins with a black and white design. Once printed, color is then added and digitally scanned. The scanned designs are shrunk several times, to fit onto a small pendant, with careful consideration to not loose the fine detail.
Second: The clay is prepared for the transfer of the image. It must be conditioned, and formed.
Third: The resized design must be transferred from the paper to the surface of the clay. This is a delicate process, requiring time and care. Unfortunately, this step frequently fails, and needs to be repeated.
Forth: Once the image is successfully transferred, the surface is carefully textured to age the surface but not disturb the design.
Fifth: After the piece is baked, the design in the clay is now permanent. Stains or finishes can be applied if desired.
Lastly, the multi-step process is now complete. The artist then decides how the pendant will be strung, and creates earrings to complete the set.
FOR MORE INFORMATION
ethnook@gmail.com
Page updated
Google Sites
Report abuse