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Version 2.2 has a new feature which allows you to dynamically toggle the display of verse and chapter numbers, footnote markers, and section headings after you have displayed a bible passage rather than having to decide in advance. These buttons will not remove these text elements if the text is copied from some web browsers into, say, a text editor. To do this click the 'Remove hidden text' button after clicking the required checkboxes, before copying text to the clipboard.

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This is the best bible app out there. It has the word in different languages and versions for online and offline use. It has devotionals for everything you could think of. You can connect with others and ultimately learn about God and his Word.

You will want to get the free reading plan by signing up at ascensionpress.com/bibleinayear. You can find other helpful Bible resources like The Great Adventure Bible and the TGA Bible Timeline Chart on Ascension's website.

While you do not need a copy of The Great Adventure Bible (which uses the Revised Standard Version, Second Catholic Edition for the Biblical texts) to follow along, it is the bible Father Mike Schmitz will use for the podcast. Please note there may be differences in the text if you are using a translation other than the RSV-Second Catholic Edition. Bible translations sometimes differ in word choices, and in chapter and verse numbers, as these are not always standardized between translations.

The Bible in a Year podcast is not a traditional Ascension Bible study. It is a free audio recording of the bible following a reading plan inspired by The Great Adventure Bible Timeline. The readings will be followed by a brief commentary by Father Mike Schmitz.

This hefty Bible had belonged to Van Gogh's father, a Protestant minister. Van Gogh painted it just after his father's death. He placed his own copy of mile Zola's La joie de vivre next to it. That book was a kind of 'bible' for modern life. The books symbolize the different worldviews of Van Gogh and his father.

Vincent described this work to Theo as 'a still life of an open, hence an off-white Bible, bound in leather, against a black background with a yellow-brown foreground, with an additional note of lemon yellow.' He wanted to show that the colour black could be effective. The brothers had previously discussed this question at length.

Theo thought Vincent's canvases were too dark and gloomy. He encouraged his brother to use lighter, brighter tones, as the Impressionists did. ff782bc1db