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Baptismal font
Baptismal font
Parish of Saint Nicholas of Bari - Mendicino
Every cut of the surface represents a fascinating encounter between geometry and plastic sculpture. This interaction brings to life a dynamic force, manifesting at the point where the two expressions converge, generating a harmony that invites contemplation and introspection.
THE ALTAR - Parish of Saint Nicholas of Bari - Mendicino
The altar, conceived as a sculptural work, always finds its place within an architectural structure, seeking to harmonize with the surrounding space. The arrangement designed by the architects reveals a precise intention: each element must integrate fluidly into the context, respecting and enhancing the existing architectural characteristics.
Each place, with its peculiarities and context, determines the choice of materials used, influencing both the type of marble and the type of stone.
The choice of different materials is not incidental; it reflects a dialogue between the solidity of marble and the lightness of light that penetrates through the sculptural forms.
THEOTOKOS - Loppiano, (FI) Italy
PANAMA
Ultimately, each cut, material, and form contribute to a broader narrative that transcends mere aesthetics to become an experience of spirituality and connection with the divine. The altar is not just a functional element but a symbol of the relationship between the sacred and the profane, between the human and the transcendent.
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