There are classic children's stories that we think you and your family will love, including Hairy Maclary from Donaldson's Dairy by Lynley Dodd to Owl Babies by Martin Waddell and Patrick Benson, along with newer favourites such as Chris Haughton's Oh No, George! and Everybunny Dance! by Ellie Sandall.
Our storybooks and games are free to use, however some older devices aren't able to support them. You can also watch our Storytime playlist on YouTube read by the likes of Ore Oduba, Adam Buxton, Fearne Cotton and many more.
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Looking for something fun as a family? Enjoy storytime with our free online books and videos, play games, win prizes, test your knowledge in our book-themed quizzes, or even learn how to draw some of your favourite characters.
Children's literature or juvenile literature includes stories, books, magazines, and poems that are created for children. Modern children's literature is classified in two different ways: genre or the intended age of the reader, from picture books for the very young to young adult fiction.
Children's literature can be traced to traditional stories like fairy tales, that have only been identified as children's literature in the eighteenth century, and songs, part of a wider oral tradition, that adults shared with children before publishing existed. The development of early children's literature, before printing was invented, is difficult to trace. Even after printing became widespread, many classic "children's" tales were originally created for adults and later adapted for a younger audience. Since the fifteenth century much literature has been aimed specifically at children, often with a moral or religious message. Children's literature has been shaped by religious sources, like Puritan traditions, or by more philosophical and scientific standpoints with the influences of Charles Darwin and John Locke.[2] The late nineteenth and early twentieth centuries are known as the "Golden Age of Children's Literature" because many classic children's books were published then.
In the nineteenth century, a few children's titles became famous as classroom reading texts. Among these were the fables of Aesop and Jean de la Fontaine and Charles Perraults's 1697 Tales of Mother Goose.[20] The popularity of these texts led to the creation of a number of nineteenth-century fantasy and fairy tales for children which featured magic objects and talking animals.[20]
Another influence on this shift in attitudes came from Puritanism, which stressed the importance of individual salvation. Puritans were concerned with the spiritual welfare of their children, and there was a large growth in the publication of "good godly books" aimed squarely at children.[11] Some of the most popular works were by James Janeway, but the most enduring book from this movement, still read today, especially in modernised versions, is The Pilgrim's Progress (1678) by John Bunyan.[21]
Hornbooks also appeared in England during this time, teaching children basic information such as the alphabet and the Lord's Prayer.[22] These were brought from England to the American colonies in the mid-seventeenth century.
The modern children's book emerged in mid-18th-century England.[26] A growing polite middle-class and the influence of Lockean theories of childhood innocence combined to create the beginnings of childhood as a concept. In an article for the British Library, professor MO Grenby writes, "in the 1740s, a cluster of London publishers began to produce new books designed to instruct and delight young readers. Thomas Boreman was one. Another was Mary Cooper, whose two-volume Tommy Thumb's Pretty Song Book (1744) is the first known nursery rhyme collection. But the most celebrated of these pioneers is John Newbery, whose first book for the entertainment of children was A Little Pretty Pocket-Book."[27]
E. T. A. Hoffmann's tale "The Nutcracker and the Mouse King" was published in 1816 in a German collection of stories for children, Kinder-Mrchen.[37] It is the first modern short story to introduce bizarre, odd and grotesque elements in children's literature and thereby anticipates Lewis Carroll's tale, Alice's Adventures in Wonderland.[38] There are not only parallels concerning the content (the weird adventures of a young girl in a fantasy land), but also the origin of the tales as both are dedicated and given to a daughter of the author's friends.
Literature for children had developed as a separate category of literature especially in the Victorian era, with some works becoming internationally known, such as Lewis Carroll's Alice's Adventures in Wonderland (1865) and its sequel Through the Looking-Glass. Another classic of the period is Anna Sewell's animal novel Black Beauty (1877). At the end of the Victorian era and leading into the Edwardian era, author and illustrator Beatrix Potter published The Tale of Peter Rabbit in 1902. Potter went on to produce 23 children's books and become very wealthy. A pioneer of character merchandising, in 1903 she patented a Peter Rabbit doll, making Peter the first licensed character.[42][43] Michael O. Tunnell and James S. Jacobs, professors of children's literature at Brigham Young University, write, "Potter was the first to use pictures as well as words to tell the story, incorporating coloured illustration with text, page for page."[44]
Rudyard Kipling published The Jungle Book in 1894. A major theme in the book is abandonment followed by fostering, as in the life of Mowgli, echoing Kipling's own childhood. In the latter years of the 19th century, precursors of the modern picture book were illustrated books of poems and short stories produced by English illustrators Randolph Caldecott, Walter Crane, and Kate Greenaway. These had a larger proportion of pictures to words than earlier books, and many of their pictures were in colour. Some British artists made their living illustrating novels and children's books, among them Arthur Rackham, Cicely Mary Barker, W. Heath Robinson, Henry J. Ford, John Leech, and George Cruikshank. In the 1890s, some of the best known fairy tales from England were compiled in Joseph Jacobs' English Fairy Tales, including Jack and the Beanstalk, Goldilocks and the Three Bears, The Three Little Pigs, Jack the Giant Killer and Tom Thumb.[45]
The Kailyard School of Scottish writers, notably J. M. Barrie, creator of Peter Pan (1904), presented an idealised version of society and brought fantasy and folklore back into fashion. In 1908, Kenneth Grahame wrote the children's classic The Wind in the Willows and the Scouts founder Robert Baden-Powell's first book, Scouting for Boys, was published. Inspiration for Frances Hodgson Burnett's novel The Secret Garden (1910) was the Great Maytham Hall Garden in Kent. While fighting in the trenches for the British Army in World War I, Hugh Lofting created the character of Doctor Dolittle, who appears in a series of twelve books.
The Golden Age of Children's Literature ended with World War I. The period before World War II was much slower in children's publishing. The main exceptions in England were the publications of Winnie-the-Pooh by A. A. Milne in 1926, the first Mary Poppins book by P. L. Travers in 1934, The Hobbit by J. R. R. Tolkien in 1937, and the Arthurian The Sword in the Stone by T. H. White in 1938.[46] Children's mass paperback books were first released in England in 1940 under the Puffin Books imprint, and their lower prices helped make book buying possible for children during World War II.[47] Enid Blyton's books have been among the world's bestsellers since the 1930s, selling more than 600 million copies. Blyton's books are still enormously popular and have been translated into almost 90 languages. She wrote on a wide range of topics including education, natural history, fantasy, mystery, and biblical narratives and is best remembered today for her Noddy, The Famous Five, The Secret Seven, and The Adventure Series.[48] The first of these children's stories, Five on a Treasure Island, was published in 1942.
Neil Gaiman wrote the dark fantasy novella Coraline (2002). His 2008 fantasy, The Graveyard Book, traces the story of a boy who is raised by the supernatural occupants of a graveyard. In 2001, Terry Pratchett received the Carnegie Medal (his first major award) for The Amazing Maurice and His Educated Rodents.[54] Cressida Cowell's How to Train Your Dragon series were published between 2003 and 2015.[55]
J. K. Rowling's Harry Potter fantasy sequence of seven novels chronicles the adventures of the adolescent wizard Harry Potter. The series began with Harry Potter and the Philosopher's Stone in 1997 and ended with the seventh and final book Harry Potter and the Deathly Hallows in 2007; becoming the best selling book-series in history. The series has been translated into 67 languages,[56][57] so placing Rowling among the most translated authors in history.[58]
The Victorian era saw the development of the genre, with W. H. G. Kingston, R. M. Ballantyne and G. A. Henty specializing in the production of adventure fiction for boys.[60] This inspired writers who normally catered to adult audiences to write for children, a notable example being Robert Louis Stevenson's classic pirate story Treasure Island (1883).[60]
In the years after the First World War, writers such as Arthur Ransome developed the adventure genre by setting the adventure in Britain rather than distant countries. In the 1930s he began publishing his Swallows and Amazons series of children's books about the school-holiday adventures of children, mostly in the English Lake District and the Norfolk Broads. Many of them involve sailing; fishing and camping are other common subjects.[61] Biggles was a popular series of adventure books for young boys, about James Bigglesworth, a fictional pilot and adventurer, by W. E. Johns. Between 1941 and 1961 there were 60 issues with stories about Biggles,[62] and in the 1960s occasional contributors included the BBC astronomer Patrick Moore. Between 1940 and 1947, W. E. Johns contributed sixty stories featuring the female pilot Worrals.[63] Evoking epic themes, Richard Adams's 1972 survival and adventure novel Watership Down follows a small group of rabbits who escape the destruction of their warren and seek to establish a new home. 2351a5e196
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