The grammar of the Marathi language shares similarities with other modern Indo-Aryan languages such as Odia, Gujarati or Punjabi. The first modern book exclusively about the grammar of Marathi was printed in 1805 by Willam Carey.[1][2]

According to this analysis, true postpositions (like -pasun 'from') have a wide range of meanings and can be separated form the noun by clitics like -cya (e.g. ram-a-tag_hash_107___-pasun). Adpositions (like -la), on the other hand, are only used to mark nominal arguments of the verb in terms of their theta roles and cannot be separated from the noun by clitics (*ram-a-tag_hash_108___-la is ungrammatical).[7] Syntactically, the latter behave the same as case markers corresponding to the traditional grammar. In this view, the cases are: nominative (unmarked), accusative/dative (singular -la, plural -na), ergative, which is traditionally called 'instrumental' (sg. -ne, pl. -ni) and genitive/possessive (-tsa, -tse, -ta, -ti).


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The first Marathi translation of the New Testament was published in 1811 by the Serampore press of William Carey.[40] The first Marathi newspaper called Durpan was started by Balshastri Jambhekar in 1832.[41] Newspapers provided a platform for sharing literary views, and many books on social reforms were written. The First Marathi periodical Dirghadarshan was started in 1840. The Marathi language flourished, as Marathi drama gained popularity. Musicals known as Sangeet Natak also evolved.[42] Keshavasut, the father of modern Marathi poetry published his first poem in 1885. The late-19th century in Maharashtra saw the rise of essayist Vishnushastri Chiplunkar with his periodical, Nibandhmala that had essays that criticised social reformers like Phule and Gopal Hari Deshmukh. He also founded the popular Marathi periodical of that era called Kesari in 1881.[43] Later under the editorship of Lokmanya Tilak, the newspaper was instrumental in spreading Tilak's nationalist and social views.[44][45][46] Tilak was also opposed to intercaste marriage, particularly the match where an upper caste woman married a lower caste man.[46] Phule and Deshmukh also started their periodicals, Deenbandhu and Prabhakar, that criticised the prevailing Hindu culture of the day.[47] The 19th century and early 20th century saw several books published on Marathi grammar. Notable grammarians of this period were Tarkhadkar, A.K.Kher, Moro Keshav Damle, and R.Joshi[48]

Marathi grammar shares similarities with other modern Indo-Aryan languages. Jain Acharya Hemachandra is the grammarian of Maharashtri Prakrit. The first modern book exclusively concerning Marathi grammar was printed in 1805 by William Carey.

Marathi is primarily influenced by Prakrit, Maharashtri, and Apabhraa. Formal Marathi draws literary and technical vocabulary from Sanskrit.[100]Marathi has also shared directions, vocabulary, and grammar with languages such as Indian Dravidian languages.[100] Over a period of many centuries, the Marathi language and people have also come into contact with foreign languages such as Persian,[25] Arabic, English, and European romance languages such as French, Spanish, Portuguese and other European languages.[100]

Welcome to the 8th lesson about Marathi grammar. We will first learn about prepositions, negation, questions, adverbs, and pronouns including: personal, object and possessive pronouns. To hear the pronunciation, just click on the sound icon.

Marathi grammar relies on an extensive case declension system, using inflections, similar to those used in the Latin or Russian languages, as a result of its being an Indo-European language, derived from and tied extensively to Sanskrit.

Marathi grammar is similar to other Indo-Aryan languages, such as Punjabi and Gujarati. It has three gender forms: male, female, and neuter gender, making it distinct from many other Indo-Aryan languages. There is no hard-and-fast rule for determining the gender of a noun as in Latin languages, though neuter gender nouns end in a "u" or "e" sound. Adjectives are not inflected (for example: taller, tallest) unless they end with a specified vowel; verbs are, however, inflected with tense (past, present, or future tense). Word order is typically subject-object-verb, or SOV. The English sentence "I eat food" would become "I food eat." Not all sentences require an object, such as the sentence "I eat."

Marathi was written in both Modi and Devanagari script until 1805 when Baptist missionary William Carey of England printed the first grammar book on Marathi using Balbodh Devanagari script, as it was impossible to print books in Modi at the time. In 1810 Carey tried to produce a printed grammar book in Modi, but the Balbodh Devanagari had already been thoroughly embraced for Marathi. Before Carey Modi, the script was primarily used for administration and business. Its writing was quicker and shorter, which made it easier for swiftly communicating. Many of the letters of Modi are truncated versions of Devanagari letters. Devanagari was used predominantly for literature and historical writing.

Before the arrival and work of William Carey, Marathi frequently made use of the shortened Modi script for daily writing tasks. When Carey could not print in Modi, he produced his first books on Marathi grammar and the New Testament of the Christan Bible in Devanagari script. Even though Carey's translations were not of top quality, they were the first of their kind and were quite influential, as the British empire used his work to produce more content in Marathi. When Carey tried to revisit Marathi Modi's writing in 1810 by publishing additional books in Modi, they did not gain much traction. The first Marathi language newspapers were produced in 1832, influential in exchanging literary ideas and inspiring social reformers. To this day, Modi is rarely used anymore in India.

Historically, Marathi derives from Prakit, a precursor to modern Devanagari. Sanskrit and Marathi evolved as sister languages. During the Sultanic period, Marathi was heavily influenced by the Persian language, but due to a concentrated effort, rulers revived Marathi back to its pre-Persian influence. Modi was a shorthand form of Marathi used for business and administrative purposes until 1805. However, it fell out of use when colonial missionaries published the first grammar books and new testaments in the Devanagari script.

Marathi, an Indo-Aryan language, is predominantly spoken in the Indian state of Maharashtra and is the official language of the region. Learning Marathi can be an enriching experience, as it opens the door to a rich culture, history, and literature. To effectively learn Marathi, it is important to have a structured approach that focuses on various aspects of the language, such as grammar, vocabulary, and pronunciation. This article will guide you through the sequence of learning Marathi grammar topics, starting with tenses, verbs, nouns, and moving on to more advanced concepts like conditionals and prepositions.

Finally, practice forming simple and complex sentences using the grammar rules and vocabulary you have learned. Focus on sentence structure, word order, and appropriate use of various grammatical elements to improve your fluency and proficiency in Marathi.

This book is intended for "the adult research student in a hurry." Originally written in 1972, it was revised and refined over the decades that Raeside used it in teaching Marathi at S.O.A.S. Its compact format, its practical approach to grammar, its plentiful translation exercises and increasingly difficult reading passages (with all the translations provided later), and its thorough indexing will make the book extremely useful for experienced students of languages and for teachers looking for clear summaries and examples of the various contortions through which Marathi puts its verbs. For anyone else, the book will probably be too difficult.

This paper examines a long-running debate over Marathi shuddhalekhan, or orthography. Efforts to standardise spelling conventions for Marathi words began in the colonial period and continued through the 1950s. In 1962, the new state of Maharashtra authorised a set of rules for public use. Critics of these revised rules persist, keeping the debate perennial in the public sphere. This paper locates these orthographic debates within colonial-era transformations in Marathi print culture and grammar, and examines the idea of the social and the popular within grammar discourse to examine how and why orthography became a persistent, and controversial issue within Marathi language reform. It explores how seemingly trivial questions at first glance of vowel signs and dots gradually emerge as part of larger ones about literacy, historicity, community and the public sphere. ff782bc1db

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