pixxelpoint
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Pixxelpoint v letu 2025 predstavlja že 26. edicijo mednarodnega festivala sodobnih umetniških praks. Od 13. do 23. novembra so na različnih lokacijah pripravili več kot 40 dogodkov. Festival so zasnovali Benjamin Gruner, Francesco Scarel, Katarina Podobnik in Peter Purg. V središču festivala je bilo raziskovanje odtujenosti in iskanje novih poti povezovanja. Festival je odpiral Četrti prostor kot prostor preseganja ustaljenih identitet in digitalnih meja. Obiskovalce je vabil, da zapustijo svojo cono udobja ter se znova povežejo s svojim telesom, čuti in okoljem, drug z drugim. Z ustvarjanjem dialoga med različnimi resničnostmi je festival spodbujal empatijo, odpiral prostor za refleksijo in obnavljal globoko resonanco v času površnosti in preobilja informacij. Kot festival, ki je že četrt stoletja soustvarjal družbo, skupnost in resničnost, si je Pixxelpoint 2025 prizadeval oblikovati nove poudarke v predstavitvi in recepciji (medijske) umetnosti v čezmejni regiji in širše. Ustvarjal je prostoroče, ki so omogočala zadrževanje, izmenjavo, morda tudi kritično samorefleksijo — in ponovno povezovanje na pomenljiv način.
In 2025, Pixxelpoint presented the 26th edition of the international festival of contemporary artistic practices. From November 13 to 23, more than 40 events were organized at various locations. The festival was conceived by Benjamin Gruner, Francesco Scarel, Katarina Podobnik, and Peter Purg. At the heart of the festival was the exploration of alienation and the search for new ways of connecting. The festival opened the Fourth Space as a realm for transcending established identities and digital boundaries. Visitors were invited to leave their comfort zones and reconnect with their bodies, senses, and surroundings, as well as with one another. By creating a dialogue between different realities, the festival fostered empathy, opened a space for reflection, and revived a deep resonance in a time of superficiality and information overload. As a festival that has been co-creating society, community, and reality for a quarter of a century, Pixxelpoint 2025 aimed to establish new emphases in the presentation and reception of (media) art in the cross-border region and beyond. It created open spaces that allowed for pause, exchange, and perhaps even critical self-reflection — and meaningful reconnection.
Pogovori/Conversations:
Likovna kritika: kmalu.
In 2025, Pixxelpoint presented the 26th edition of the international festival of contemporary artistic practices. From November 13 to 23, more than 40 events were organized at various locations. The festival was conceived by Benjamin Gruner, Francesco Scarel, Katarina Podobnik, and Peter Purg. At the heart of the festival was the exploration of alienation and the search for new ways of connecting. The festival opened the Fourth Space as a realm for transcending established identities and digital boundaries. Visitors were invited to leave their comfort zones and reconnect with their bodies, senses, and surroundings, as well as with one another. By creating a dialogue between different realities, the festival fostered empathy, opened a space for reflection, and revived a deep resonance in a time of superficiality and information overload. As a festival that has been co-creating society, community, and reality for a quarter of a century, Pixxelpoint 2025 aimed to establish new emphases in the presentation and reception of (media) art in the cross-border region and beyond. It created open spaces that allowed for pause, exchange, and perhaps even critical self-reflection — and meaningful reconnection.
Pogovori/Conversations:
Juan Duarte
Ivana Tkalčić
Nejc Trampuž
Vitar Drinković
Indiara Di Benedetto
Stefano D’Alessio
pETER Purg
Likovna kritika: kmalu.
PODCAST
PODCAST
EMFAZNA ZALEDJA: PIXXELPOINT (Juan Duarte, Ivana Tkalčić, Nejc Trampuž, Vitar Drinković, Indiara Di Benedetto, Stefano D’Alessio, pETER Purg)
Kritiški pose(la)dek
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