izis
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Trinajsta izdaja mednarodnega festivala sodobne in intermedijske umetnosti IZIS se je v Kopru začela v petek, 17. oktobra, in je trajala do nedelje, 2. novembra. Začetki festivala segajo v leto 2013, ko se je združila iniciativa umetnikov, kulturnih producentov in pesnikov iz Istre, in se je skozi leta razširil v kinodvorane, galerije, javne prostore in industrijska poslopja. Festival je skozi objektiv vključenih umetniških del raziskoval vpliv tehnologije na kulturo, družbo in naravo ter prikazoval mednarodno prepoznavne avdio-vizualne in novomedijske umetnosti; pretekle edicije so nosile naslove, kot so Samo nadzor, Osnovni delci, Cevi in Fuck Off Illusion. Letos je festival potekal na več koprskih prizoriščih – Galeriji Loža, galeriji palače Gravisi-Buttorai, utrdbi Bastion in v samostoječih kontejnerjih na razgledni točki nad Bastionom – in nosi naslov Konec sporočila / Fine del Messaggio / End of Message. Tema festivala raziskuje informacijski hrup in (ne)zmožnosti komuniciranja v času komunikacijskega kapitalizma, ko sporočila pogosto ostajajo brez naslovnika, se manipulirajo ali reproducirajo s stroji in umetno inteligenco. Festival preučuje zlomljeno, prekinjeno in manipulirano komunikacijo, vpliv novih medijev, algoritmov in generativne umetne inteligence na razumevanje sveta ter opozarja na materialne in ekološke posledice množične produkcije informacij, od elektronskih odpadkov do ogljičnega odtisa infrastrukture.
The thirteenth edition of the international festival of contemporary and intermedia arts IZIS, organized by the Cultural and Educational Association PiNA, began on Friday, October 17, and ran until Sunday, November 2. The festival traces its origins to 2013, when an initiative of artists, cultural producers, and poets from Istria came together, and over the years it expanded into cinemas, galleries, public spaces, and industrial venues. Through the lens of included artworks, the festival explored the impact of technology on culture, society, and nature, presenting internationally recognized audio-visual and new media art; past editions have carried titles such as Samo nadzor, Osnovni delci, Cevi, and Fuck Off Illusion. This year, the festival took place across several venues in Koper – Galerija Loža, the gallery of Gravisi-Buttorai Palace, Bastion fortress, and freestanding containers on the viewpoint above Bastion – and is titled End of Message / Konec sporočila / Fine del Messaggio. The festival’s theme explores informational noise and the (in)capacity for communication in the age of communication capitalism, where messages often remain without an intended recipient, are manipulated, or reproduced by machines and artificial intelligence. It examines broken, interrupted, and manipulated communication, the influence of new media, algorithms, and generative AI on how we understand the world, and highlights the material and ecological consequences of mass information production, from electronic waste to the carbon footprint of infrastructure.
Pogovori/Conversations:
Sara Bezovšek & Dorijan ŠiškoIrena Borić (kuratorka festivala/curator)Ana Markežič (projektna sodelavka PiNe in laboratorija HEKA)
Likovna kritika: Jernej Čuček Gerbec & Adrijan Praznik
The thirteenth edition of the international festival of contemporary and intermedia arts IZIS, organized by the Cultural and Educational Association PiNA, began on Friday, October 17, and ran until Sunday, November 2. The festival traces its origins to 2013, when an initiative of artists, cultural producers, and poets from Istria came together, and over the years it expanded into cinemas, galleries, public spaces, and industrial venues. Through the lens of included artworks, the festival explored the impact of technology on culture, society, and nature, presenting internationally recognized audio-visual and new media art; past editions have carried titles such as Samo nadzor, Osnovni delci, Cevi, and Fuck Off Illusion. This year, the festival took place across several venues in Koper – Galerija Loža, the gallery of Gravisi-Buttorai Palace, Bastion fortress, and freestanding containers on the viewpoint above Bastion – and is titled End of Message / Konec sporočila / Fine del Messaggio. The festival’s theme explores informational noise and the (in)capacity for communication in the age of communication capitalism, where messages often remain without an intended recipient, are manipulated, or reproduced by machines and artificial intelligence. It examines broken, interrupted, and manipulated communication, the influence of new media, algorithms, and generative AI on how we understand the world, and highlights the material and ecological consequences of mass information production, from electronic waste to the carbon footprint of infrastructure.
Pogovori/Conversations:
Sara Bezovšek & Dorijan ŠiškoIrena Borić (kuratorka festivala/curator)Ana Markežič (projektna sodelavka PiNe in laboratorija HEKA)
Likovna kritika: Jernej Čuček Gerbec & Adrijan Praznik
PODCAST
PODCAST
EMFAZNA ZALEDJA: IZIS (Irena Borić, Sara Bezovšek & Dorijan Šiško, Ana Markežič)
Likovna kritika
Likovna kritika
O festvalu pišeta umetnik, likovni kritik in urednik Jernej Čuček Gerbec ter umetnik in kurator Adrijan Praznik
Kritiški pose(la)dek
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