Who used to live in this crumbling villa on a lonely shore? Bcklin's eerie painting seems to beg the question of the building's history and the circumstances of its ruin. Haunted by the past, this scene also contains premonitions of future peril.

The dark, ruined villa in this painting is made especially mysterious by the strange cypress trees tossed by the wind. A nervous green light flickers through the scene. Influenced by German Romantic art of the early 1800s, Bcklin was preoccupied with dreamlike images suggestive of death.


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Ruins (from Latin  ruina 'a collapse') are the remains of a civilization's architecture. The term refers to formerly intact structures that have fallen into a state of partial or total disrepair over time due to a variety of factors, such as lack of maintenance, deliberate destruction by humans, or uncontrollable destruction by natural phenomena. The most common root causes that yield ruins in their wake are natural disasters, armed conflict, and population decline, with many structures becoming progressively derelict over time due to long-term weathering and scavenging.

There are famous ruins all over the world, with notable sites originating from ancient China, the Indus Valley and other regions of ancient India, ancient Iran, ancient Israel and Judea, ancient Iraq, ancient Greece, ancient Egypt, Roman, ancient India sites throughout the Mediterranean Basin, and Incan and Mayan sites in the Americas. Ruins are of great importance to historians, archaeologists and anthropologists, whether they were once individual fortifications, places of worship, ancient universities,[1] houses and utility buildings, or entire villages, towns, and cities. Many ruins have become UNESCO World Heritage Sites in recent years, to identify and preserve them as areas of outstanding value to humanity.[2]

Ancient cities were often highly militarized and had fortified defensive settlements. In times of war, they were the central focus of armed conflict and would be sacked and ruined in defeat. Delhi, the capital of India, has been destroyed and ransacked seven to ten times and subsequently rebuilt. Every ruler decided to build the city in their own way either overlapping the ruins or next to the ruins. Ruins of seven cities of Delhi can still be traced in the modern-day city.[3]

Entire cities have also been ruined, and some occasionally lost completely, to natural disasters. The ancient Roman city of Pompeii in modern-day Italy was completely destroyed during a volcanic eruption in the 1st century CE, and its uncovered ruins are now preserved as a World Heritage Site. The city of Lisbon in Portugal was also completely destroyed in 1755 by a massive earthquake and tsunami; and the 1906 San Francisco earthquake in the United States had left the city in almost complete ruin.

In Europe, many religious buildings suffered as a result of the politics of the day. In the 16th century, the English monarch Henry VIII set about confiscating the property of monastic institutions in a campaign which became known as the Dissolution of the Monasteries. Many abbeys and monasteries fell into ruin when their assets, including lead roofs, were stripped.

In the 20th century, a number of European historic buildings fell into ruin as a result of taxation policies, which required all structures with roofs to pay substantial property tax. The owners of these buildings, like Fetteresso Castle (now restored) and Slains Castle in Scotland, deliberately destroyed their roofs in protest at, and defiance of, the new taxes. Other decrees of government have had a more direct result, such as the case of Beverston Castle, in which the English parliament ordered significant destruction of the castle to prevent it being used by opposition Royalists. Ireland has encouraged the ruin of grand Georgian houses, seen as symbols of Britain.[citation needed][a]

In the Middle Ages Roman ruins were inconvenient impediments to modern life, quarries for pre-shaped blocks for building projects, or marble to be burnt for agricultural lime, and subjects for satisfying commentaries on the triumph of Christianity and the general sense of the world's decay, in what was assumed to be its last age, before the Second Coming. With the Renaissance, ruins took on new roles among a cultural elite, as examples for a consciously revived and purified architecture all' antica, and for a new aesthetic appreciation of their innate beauty as objects of venerable decay.[9] The chance discovery of Nero's Domus Aurea at the turn of the sixteenth century, and the early excavations at Herculaneum and Pompeii had marked effects on current architectural styles, in Raphael's Rooms at the Vatican and in neoclassical interiors, respectively. The new sense of historicism that accompanied neoclassicism led some artists and designers to conceive of the modern classicising monuments of their own day as they would one day appear as ruins.

In the period of Romanticism ruins (mostly of castles) were frequent object for painters, place of meetings of romantic poets, nationalist students etc. (e.g. Bezdz Castle in Bohemia, Hambach Castle in Germany, Devin Castle in Slovakia).

Ruin value (German: Ruinenwert) is the concept that a building be designed such that if it eventually collapsed, it would leave behind aesthetically pleasing ruins that would last far longer without any maintenance at all. Joseph Michael Gandy completed for Sir John Soane in 1832 an atmospheric watercolor of the architect's vast Bank of England rotunda as a picturesquely overgrown ruin, that is an icon of Romanticism.[10][11] Ruinenwert was popularized in the 20th century by Albert Speer while planning for the 1936 Summer Olympics and published as Die Ruinenwerttheorie ("The Theory of Ruin Value").

Ruins remain a popular subject for painting and creative photography[12] and are often romanticized in film and literature, providing scenic backdrops or used as metaphors for other forms of decline or decay. For example, the ruins of Dunstanburgh Castle in England inspired Turner to create several paintings; in 1989 the ruined Dunnottar Castle in Scotland was used for filming of Hamlet.

Moonhouse, in my opinion, is one of the most interesting ruins that is easy to visit on Cedar Mesa. It is estimated to have been constructed about 800 years ago, with a unique design. The ruins namesake room, Moon House, is a room with the moon painted on opposite walls. Access is easy via a relatively short, but stunning hike. The trail descends from the mesa, crosses the canyon, and visits Moon House proper, as well as several other ruins, granaries, and a kiva in the area. Moon House Ruin is one not to be missed in my opinion.

Though it can be visited in an hour or two, I would recommend planning on most of the day. The ruins offer lots to see, and I am surprised to discover something I had not seen before on every trip. There are moki steps, ruins, rock art, and even a baby's foot imprint on the mud of one of the more out the way ruins. Bring a camera and plan on a relaxing day taking in the sights.

From the trailhead, follow the obvious trail north. It is well cairned and reaches the rim of McCloyd Canyon in a few short minutes. The cairns lead a winding path down the slick rock to a step off ledge with a pile of rocks. The ruins are visible across the canyon at this point. Follow the trail as it meanders down to the canyon floor and ascends the other side to Moon House Ruin proper.

From Moonhouse, stay at that level, and follow social trails up the canyon to a small ruin and a kiva. There are more small ruins up the canyon, but many will be stopped by a couple of small dryfalls before then.

Staying at the Moon House level and heading down canyon leads to several other impressive ruins before the ledge becomes impassably narrow. (There are great moki steps at the end of the ledge that were used as a way out of the canyon.)

The ancient ruins tour was great! Our timing was also perfect because we had the site to ourselves since it had just closed for the public as we arrived. Christin was such a wonderful guide, and she was perfect for our group!

Designed by Johann Ferdinand Hetzendorf von Hohenberg and built in 1778, the ensemble is completely integrated into the surrounding landscape as a picturesque garden feature. The fashion for picturesque artificial ruins had started before the middle of the 18th century in England but it had taken several decades for it to spread further afield.

Today, a scenic walking trail leads visitors to the sugar mill ruins, listed on the National Register of Historic Sites. The park has picnic facilities and an interpretive center that tells the plantation's history.

We hope that by following these 10 simple rules, you will feel more confident to efficiently ruin collaborative projects. In fact, these rules are not just for individuals but for funding bodies as well, particularly with respect to writing the policies and regulations that guide the development of proposals and their assessment.

Although these 10 behaviors are the ones that we, the authors, agree are the most effective, based on our misfortunes, there are many other ways to ruin a collaboration! For science (and society), the opportunities to wreck people and their good science are nearly endless.

Hurricane Ian is expected to financially ruin countless people in Florida whose homes were not covered by flood insurance when the storm inundated the region with powerful ocean surges and damaging downpours.

Beneath that almost unfathomable number is a procession of profound human misery. Some three million people have fled Venezuela since 2015, according to the UN. The public health system is in ruins. Life-saving medicines, electricity and clean water are in short supply. Food is scarce. Malnutrition is widespread. be457b7860

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