Next Event is taking place 22 Oct 9AM to 1PM (Online) - Confirmed speakers so far...
By Orla Walsh
This research explores the use of D&D as a therapeutic tool. Through interviews and thematic analysis, we examined how playing D&D can positively impact mental health by providing opportunities for escapism, self-exploration, creative expression, social support, and routine. Our findings suggest that D&D has the potential to be a valuable therapeutic resource, particularly for those who benefit from expressing themselves through a fantasy setting.
By Hereward Proops
This qualitative research will focus on the elements of relational engagement within tabletop role-playing groups and consider how the co-constructive nature of this form of play benefits the interpersonal relationships between the participating adults. Although there is much known about the benefits of play for children, adult play has been somewhat overlooked as a topic of academic research. Through my PhD research, I hope to explore the dynamics and benefits of human relationships, as well as how one can forge powerful connections through “play”, particularly focusing on the unique collaborative nature of tabletop roleplaying games such as Dungeons & Dragons.
By Vikki Nolan and Sharlene Rudd
There presentation examines the role of tabletop role-playing games (TTRPGs) in research, particularly their application as an innovative therapeutic modality. They present findings from their pilot study on the use of TTRPGs for alleviating social anxiety and introduce a longitudinal study set to commence in January 2025 to further investigate these interventions.
By Jon Norman Mason
In this presentation Jon shares his work with Yr 1 Medicine students, helping them engage with the combination of skills and professional requirements expected of them through the metaphor of D&D character classes and ability scores
By Jon Norman Mason
Jon shared his ongoing research into the origins and development of the characteristics habitually associated with fantasy species: why do we think elves have pointed ears, and no beards? Where did that come from, and (given stories reflect the emotional needs of their tellers and audiences) what does it mean for contemporary culture and society