Ahmed, Sara. Queer Phenomenology: Orientations, Objects, Others. Duke University Press, 2003.
Albright, Ann Cooper, and David Gere. Taken by Surprise: a Dance Improvisation Reader. Wesleyan University Press, 2003.
Barad, Karen (2007). Meeting the universe halfway: quantum physics and the entanglement of matter and meaning. Durham, N.C.: Duke University Press.
Barad, K. (2003). Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter. Signs: Journal of Women in Culture and Society, 28(3), pp.801–831.
Barrett, E. and Bolt, B. (2010). Practice as research : approaches to creative arts enquiry. London: I.B. Tauris.
Berg, A.-J. (2021). Malou Juelskjær, Helle Plauborg og Stine W. Adrian: Dialogues on Agential Realism: Engaging in Worldings through Research Practice. Tidsskrift for kjønnsforskning, 45(01), pp.64–66.
Birringer, J. (2013). What score? Pre-choreography and post-choreography. International Journal of Performance Arts & Digital Media, 9(1), pp.7–13.
Braun, V. and Clarke, V. (2006) 'Using thematic analysis in psychology', Qualitative Research in Psychology, 3(2). pp. 77-101.
Burgess, L. and Addison, N. (2007). Conditions for Learning: Partnerships for Engaging Secondary Pupils with Contemporary Art. International Journal of Art & Design Education, [online] 26(2), pp.185–198. Available at: https://core.ac.uk/download/pdf/83354.pdf [Accessed 20 Sep. 2020].
Burrows, Jonathan. A Choreographer’s Handbook. Routledge, 2010.
Burrows, J. (2000). Time, Motion, Symbol, Line. [online] “Eye Magazine.” Available at: www.eyemagazine.com/feature/article/time-motion-symbol-line.
Cage, J. (1987). Extract from “Silence”, now, sculpture musicale. Contemporary Music Review, 1(2), pp.1–8.
Colebrook, C. (2005). How can we tell the Dancer from the Dance?: The Subject of Dance and the Subject of Philosophy. Topoi, 24(1), pp.5–14.
Collection, Welcome. “Thinking with the Body: Choreographic Thinking Tools | Wayne McGregor | Random Dance.” YouTube, 13 Oot. 2014.
Copeland, Roger, and Marshall Cohen. What is Dance? Oxford University Press, 2009.
“Eye Magazine.” Eye Magazine | Feature | Time, Motion, Symbol, Line, www.eyemagazine.com/feature/article/time-motion-symbol-line.
Foucault, Michael. The Archaeology of Knowledge and Discourse on Language. Routledge, 2002.
Foucault, M. (1988). Technologies of the self : a seminar with Michel Foucault. Amherst: The University Of Massachusetts Press.
Fraleigh, Sondra Horton (1995). Dance and the lived body. Pittsburgh Pa.: University Of Pittsburgh Press.
Fraleigh, Sondra Horton and Hanstein, P. (1999). Researching dance : evolving modes of inquiry. Pittsburgh, Pa.: University Of Pittsburgh Press.
Fraleigh, S. (1991). A Vulnerable Glance: Seeing Dance through Phenomenology. Dance Research Journal, 23(1), p.11.
Fraleigh, S. (2000). Consciousness Matters. Dance Research Journal, 32(1), p.54.
French, S. (2010). M. Polanyi, The Tacit Dimension, with foreword by Amartya Sen; Chicago: University of Chicago Press, 2009, pp.157–158.
Fusaroli, R., Demuru, P. and Borghi, A.M. (2009). The Intersubjectivity of Embodiment. Cognitive Semiotics, [online] 4(1), pp.1–5. Available at: https://pure.au.dk/ws/files/47919167/0_Intro.pdf [Accessed 2 Feb. 2020].
Goodman, N. (1970). Languages of Art, an Approach to a Theory of Symbols. The Art Bulletin, 52(2), p.223.
Harman, G. 2018. Object-Oriented Ontology: A New Theory of Everything. Penguin UK.
Husserl, E. and Churchill, J.S. (1966). The Phenomenology of Internal Time-Consciousness. The Philosophical Quarterly, 16(63), p.185.
Ingold, T. (2008). Bindings against Boundaries: Entanglements of Life in an Open World. Environment and Planning A: Economy and Space, 40(8), pp.1796–1810.
Iversen, M. (2010). Chance. London: Whitechapel Gallery ; Cambridge, Mass.
Jackson Pollock: Paintings have a life of their own · SFMOMA. 2015. Available at: http://www.sfmoma.org/watch/jackson-pollock-paintings-have-a-life-of-their-own/ [Accessed: 5 August 2023].
Juelskjær, M., Plauborg, H. and Adrian, S.W. 2020. Dialogues on Agential Realism: Engaging in Worldings through Research Practice. Routledge.
Kennedy, J.F., Mason, J. and Kennedy, J.F. (1962). Creative America. Text by John F. Kennedy [and others]. Photographs by Magnum. Editor-in-chief and publisher: Jerry Mason. New York: Published For The National Cultural Center By The Ridge Press.
Laban, Rudolf Von and Ullmann, L. (2011). The mastery of movement. Alton, Hampshire: Dance Books.
Laban, R. and Ullmann, L. (2011). Choreutics. Alton: Dance Books Ltd.
Leavy, P. 2015. Method Meets Art, Second Edition: Arts-Based Research Practice. Guilford Publications.
Lefebvre, H. (1991). The production of space. Malden, Ma ; Oxford: Blackwell.
Lepecki, A. (2012). Moving as Thing: Choreographic Critiques of the Object. October, 140, pp.75–90.
Max Van Manen (2016). Phenomenology of practice : meaning-giving methods in phenomenological research and writing. Abingdon, Oxon ; New York: Routledge/Taylor & Francis Group.
Manning, E. and Massumi, B. 2014. Thought in the Act: Passages in the Ecology of Experience. U of Minnesota Press.
McCormack, D.P. 2013. Refrains for Moving Bodies: Experience and Experiment in Affective Spaces. Duke University Press.
Merleau-Ponty, M. and Landes, D.A. (2014). Phenomenology of perception. London: Routledge.
Minton, Sandra (1997). Choreography. A basic approach using improvisation (2.ed.). Human Kinetics.
Newlove, J. and Dalby, J. (2004). Laban for all. London: Nick Hern ; New York.
O’Sullivan, S. (2009). From Stuttering and Stammering to the Diagram: Deleuze, Bacon and Contemporary Art Practice. Deleuze Studies, 3(2), pp.247–258.
Pollock, J. (n.d.). Jackson Pollock: Paintings have a life of their own. [online] SFMOMA. Available at: http://www.sfmoma.org/watch/jackson-pollock-paintings-have-a-life-of-their-own/ [Accessed 12 Jan. 2021].
Polanyi, M. and Sen, A. 2009. The Tacit Dimension. University of Chicago Press.
Popper, Karl and Notturno, M.A. (1996). Knowledge and the body-mind problem In defence of interaction. London [Etc.] Routledge.
Preston-Dunlop, V. and Sanchez-Colberg, A. (2010). Dance and the performative : a choreological perspective : Laban and beyond. Alton Dance Books.
Ravn, S. and Rouhiainen, L. (2012). Dance spaces : practices of movement. Odense: University Press Of Southern Denmark ; Portland, Or.
Rosenberg, H. (1970). The tradition of the new. London: Paladin.
Rosenberg, S. (2017). Trisha Brown : choreography as visual art. Middletown, Connecticut: Wesleyan University Press Copyright.
Rothfield, P. (2013). Beyond Habit, the Cultivation of Corporeal Difference. Parrhesia, 18, pp.100–112.
Sanchez-Colberg, A. (1998). Space Is the Place: A Reconsideration of Laban’s Principles of Space for Contemporary Choreographic Education and Choreographic Practice.
Sheets-Johnstone, M. (2015). The phenomenology of dance. Philadelphia: Temple University Press.
TED 2012. A Choreographer’s Creative Process in Real Time. YouTube . Available at: http://www.youtube.com/watch?v=KPPxXeoIzRY [Accessed: 5 August 2023].
Teicher, H. 2002. Trisha Brown--dance and Art in Dialogue, 1961-2001.
Tuan, Y.-F. (1977). Space and place: The perspective of experience. Minneapolis, Mn: University Of Minnesota Press.
Vannini, P. 2015. Non-Representational Methodologies: Re-Envisioning Research. Routledge.
Weber, N.F., Asbaghi, P.T. and Albers, A. 1999. Anni Albers: Peggy Guggenheim Collection, Venice, March 24 - May 24, 1999 The Jewish Museum, New York, February 27 - June 4, 2000. Guggenheim Museum.