Publications 

Basu, Argha and Priyanka Tripathi (2025) “A Decolonial Reading of the Dystopian Narratives About Feticide and Infanticide in Hindi Films,” Kritika Kultura: No. 47, Article 20. https://doi.org/10.13185/1656-152X.2196

Bhattacharjee, P., Priyanka Tripathi, & Gupta, R. "Traversing through transmedia: dynamism of augmented reality comics and gender-based violence in Ram Devineni’s Priya series." Journal of Graphic Novels and Comics, 2025, 1–24. https://doi.org/10.1080/21504857.2025.2494863  

Sharma, Navin, and Priyanka Tripathi. “Sexual Harassment in Rural Workplaces in India and the Human Rights Discourse: A Case Study of Select Hindi Films.” The International Journal of Human Rights, 2025.  https://doi.org/10.1080/13642987.2025.2460183 

Mohanty, Sikha, and Priyanka Tripathi. “To Be Deviant or Not to Be: Exploring Bar Dancers’ Narratives in Indian Documentaries.” Deviant Behavior, 2025. https://doi.org/10.1080/01639625.2025.2466735 

Mohanty, Sikha, and Priyanka Tripathi. “Ye Bazaar Ek Kabristan Hai (This Market is A Graveyard): Representation of Public Women in Hindi Cinema Post Enactment of SITA (1956)” South Asian Review, 2025. https://doi.org/10.1080/02759527.2025.2508627  

Priyanka Tripathi, and Lazzari, L. "Introduction to the Special Issue: Reproductive Justice across Disciplines and Demographics." Journal of International Women's Studies, 2025, 27(1), 1.  https://vc.bridgew.edu/jiws/vol27/iss1/1 

N, Parvathy, and Priyanka Tripathi. “Initiating an Epistemic Rupture: Exploring Contraceptive Awareness in Janhit Mein Jaari (2022) and Chhatriwali (2023).” Journal of International Women's Studies, 2025.  https://vc.bridgew.edu/jiws/vol27/iss1/11 

Anand, Ujjwal, & Priyanka Tripathi . "Silence as a Sensory Agency: A Counternarrative Analysis of Silence in Sundar Sarukkai’s 'Following a Prayer.'" Humanities & Social Sciences Reviews, (2025), 13(1), 01-08. https://doi.org/10.18510/hssr.2025.1311 

N, Parvathy, and Priyanka Tripathi. "'Breaking' the Silence and 'Fighting' Back: Changing Representations of Female Response to Gender-Based Violence in Select Malayalam Films." Gender Studies, 2024, 23(1), 120-139. https://doi.org/10.2478/genst-2024-0008 

Dey, Debashrita, and Priyanka Tripathi. "Aging, Alzheimer's, and Precarity: Comprehending Vulnerabilities and Care Approaches in Select Indian Fictional Narratives." SARE, 2024, 61(1), 49-79. https://doi.org/10.22452/sare.vol61no1.5 

Kashyap, Soumya, and Priyanka Tripathi. ‘"Are you pregnant? If not, why not?’: Artificial Reproductive Technology and the Trauma of Infertility." Medical Humanities, 2024.https://doi.org/10.1136/medhum-2023-012690 

Dandapat, Sridipa, and Priyanka Tripathi. “From Drains and Gutters: Picturing Caste and Childhood amid Manual Scavenging.”  Child Lit Educ, 2024. https://doi.org/10.1007/s10583-024-09593-9 

Nadamala, Bhagya Shree, and Priyanka Tripathi. “Breaking Barriers, Forging Paths: A Conversation on Gender, Caste and Sexuality.” International Feminist Journal of Politics, 2024. https://doi.org/10.1080/14616742.2024.2384753 

Nadamala, Bhagya Shree, and Priyanka Tripathi. “Towards Inclusivity: Dalit Women’s Representation in Contemporary Telugu Cine-scapes.” Feminist Review, 137(1), 2024. https://doi.org/10.1177/01417789241250296  

Kashyap, Soumya, and Priyanka Tripathi. “Agency, Voice and Choice”: Reflecting on Assisted Reproductive Technologies through Select Indian Films.” Contemporary South Asia, 2024. https://doi.org/10.1080/09584935.2024.2375717 

Sharma, Navin, and Priyanka Tripathi. “Scripting Justice: Intersecting Law, Culture, and Gender in Hindi Cinema’s Portrayal of Domestic Violence.” HyperCultura, 2024. 

Dandapat, Sridipa, and Priyanka Tripathi. “Negotiating Adivasi Identity: A Multimodal Analysis of Indian Picturebook the Why-Why Girl (2003).” Children’s Literature Association Quarterly, 2024 (forthcoming)

Dey, Debashrita, and Priyanka Tripathi. “‘Abhi Toh Main Jawan Hoon’ (For I am Forever Young): Reflections on the Agentic Cinematic Portrayals/ Presence of Zohra Sehgal in British Indian films.” Journal of Postcolonial Writing, 2024. https://doi.org/10.1080/17449855.2024.2329924

Dey, Debashrita, and Priyanka Tripathi. “‘Robbed out of mind’: Reflections on Alzheimer's and gendered subjectivity in select Indian literary narrative.” Journal of Aging Studies 68 (101211), 2024. https://doi.org/10.1016/j.jaging.2024.101211

Dey, Debashrita, and Priyanka Tripathi. “Media Representations of Dis/ability in Sports: A Review of the Film Ghoomer.” Media Asia, 2024. DOI: 10.1080/01296612.2024.2304972

N, Parvathy, and Priyanka Tripathi. “Female Fandom and the Anxieties of Agency: A Feminist Reading of the Indian Female Fan in Guddi (1971).” Feminist Encounters: A Journal of Critical Studies in Culture and Politics, 8(1), 23, 2024. http://dx.doi.org/10.20897/femenc/14234

N, Parvathy, and Priyanka Tripathi. “Narrator Matters: Consent and Date Rape in Satyaprem Ki Katha.” Economic and Political Weekly¸ 59(8), 2024. https://www.epw.in/journal/2024/8/postscript/narrator-matters.html

 Basu, Argha, and Priyanka Tripathi. “In Search of Redemption: Approaching Dalit Masculinities in Article 15 (2019) and Jai Bhim (2021).” Intersections: Gender and Sexuality in Asia and the Pacific, 50, 2023.  https://doi.org/10.25911/6732-5S67

Basu, Argha, and Priyanka Tripathi. “Philosophy and Morality in Practice through Media Texts: Review of the Web Series Kaala Paani.” Media Asia, 2023. https://doi.org/10.1080/01296612.2023.2290781

Talukdar, Amrita, and Priyanka Tripathi. “‘With a Home Nowhere, I Belong Everywhere’: Travel as a Heterotopic Space of Feminist Resistance in Shivya Nath’s the Shooting Star (2018).” Gender Studies, 22 (1), 2023, pp. 72–88. https://doi.org/10.2478/genst-2023-0006

Tripathi, Priyanka. “Reproductive Justice Discourse vis-à-vis Abortion Law in India: A Critical Review.” Space and Culture, India, vol. 10, no. 4, 2023, pp. 6–17. https://doi.org/10.20896/saci.v10i4.1301e

Tripathi, Priyanka. “Cartographies of Sexual Violence from Delhi to Hathras: An Intersectional Feminist Understanding.” Gender, Place & Culture, vol. 30, no. 7, 2023, pp. 946–68. https://doi.org/10.1080/0966369X.2022.2085674 

Sharma, Navin, and Priyanka Tripathi. “From Orthodoxy to the Universal Logic of Human Rights: A Case Study of Film Thappad (The Slap).” Gender Studies, vol. 22, no. 1, 2023, pp. 126–43, https://doi.org/10.2478/genst-2023-0009

Dandapat, Sridipa, and Priyanka Tripathi. “Rethinking Resilience: Addressing Dalit Childhood in Selected Indian Picturebooks.” Contemporary Voice of Dalit, 2023. https://doi.org/10.1177/2455328X221150164

Basu, Argha, and Priyanka Tripathi. “Beyond Reproduction: An Epistemological Search for a ‘Woman’ in Manjula Padmanabhan’s Escape and The Island of Lost Girls.” Acta UniversitatisSapientiae, Philologica, vol. 15, no. 1, 2023, pp. 37-53. https://doi.org/10.2478/ausp-2023-0003 

Sharma, Navin, and Priyanka Tripathi. “Colonial Civilizing Mission, Indigenous Resistance, and Witch-hunting in Anvita Dutt’s Bulbbul (2020).” AlterNative: An International Journal of Indigenous Peoples, vol. 19, no. 2, 2023, pp. 398-406. https://doi.org/10.1177/11771801231170270

Sharma, Navin, and Priyanka Tripathi. “State Surveillance and Media: Review of the Web Series Khakee: The Bihar Chapter.” Media Asia, 2023, pp. 1-5. https://doi.org/10.1080/01296612.2023.2176999

Sharma, Navin, and Priyanka Tripathi. “Human Rights and Literature: A Study of The Seven Moons of Maali Almeida.” SARE: Southeast Asian Review of English, vol. 60, no. 1, 2023, pp. 171-91. https://doi.org/10.22452/sare.vol60no1.10

N, Parvathy, and Priyanka Tripathi. “Representation of Aged Female Fans in Select Malayalam Films: An Intersectional Feminist Perspective.” Quarterly Review of Film and Video, 2023, pp. 1-16. https://doi.org/10.1080/10509208.2023.2225400 

N, Parvathy, and Priyanka Tripathi. “Stardom and Media Trial: Review of the Film Selfiee.” Media Asia, 2023, pp.1-5. https://doi.org/10.1080/01296612.2023.2189364 

N, Parvathy, and Priyanka Tripathi. “Locating Epistemic (Dis)Privilege of Female Fans in Select Indian Narratives.” Feminist Media Studies, 2023. pp.1-14. https://doi.org/10.1080/14680777.2022.2161000

Dey, Debashrita, and Priyanka Tripathi. “Art and Feminine Iconography: Locating the Aesthetic/Profane Body in the Bharat Mata Paintings.” National Identities, vol. 25, no. 2, 2023, pp. 137–54. https://doi.org/10.1080/14608944.2022.2079119

Dey, Debashrita, and Priyanka Tripathi. “Spousal Bereavement and Media Intervention: Review of the Film Goodbye.” Media Asia, vol. 50, no. 4, 2023, pp. 655–61. https://doi.org/10.1080/01296612.2022.2161183

Basu, Argha, and Priyanka Tripathi. “An Essence of Postmodern Truth(s): Analyzing “Motherhood” in Red Clocks by Leni Zumas.” Forum for World Literature Studies, vol. 15, no. 2, 2023. https://fwls.org/uploads/soft/230717/1-230GG24I8.pdf 

Basu, Argha, and Priyanka Tripathi. "Indigenous Epistemology, Media, and the Representation of Women in Kantara." Journal of International Women's Studies, vol. 25, no. 4, 2023. https://vc.bridgew.edu/jiws/vol25/iss4/22/  

Kashyap, Soumya, and Priyanka Tripathi. “Assisted Reproductive Technology (Regulation) Act (2021): Critique and Contestations.” Asian Bioethics Review, Springer, vol. 15, no. 3, 2023. https://doi.org/10.1007/s41649-023-00253-6

Basu, Argha, and Priyanka Tripathi. “Calibrating the ‘Feminine’ and the ‘Speculative’ in Selective Short Stories of Vandana Singh.” Critique: Studies in Contemporary Fiction, pp. 512–524, 2022. https://doi.org/10.1080/00111619.2022.2057213

Basu, Argha, and Priyanka Tripathi. “Sex-Selective Abortion and Media: Review of the Film Jayeshbhai Jordaar.” Media Asia, pp. 1–4, 2022. https://doi.org/10.1080/01296612.2022.2116536

Basu, Argha, and Priyanka Tripathi. “Comprehending the Bleeding Body: Epistemological Violence and (Un) Tabooing Menstruation in Selective Media Texts in India.” Journal of International Women's Studies, August 2022 Issue. https://vc.bridgew.edu/cgi/viewcontent.cgi?article=2992&context=jiws

Kashyap, Soumya, and Priyanka Tripathi. “Assisted Reproductive Technology (Regulation) Act (2021): Critique and Contestations.” Asian Bioethics Review, Springer, vol. 15, no. 3, 2023. https://doi.org/10.1007/s41649-023-00253-6

Dandapat, Sridipa, and Priyanka Tripathi. “Making Men out of Boys: Revisiting Connell through Twenty First-Century Indian Picturebooks.” Boyhood Studies, vol. 15, no. 1-2, 2022, pp. 80–93, https://doi.org/10.3167/bhs.2022.15010205

Dey, Debashrita, and Priyanka Tripathi. “Ageing Identities and Narratives of Loss: (Re)Contextualising Cognitive Degeneration in ‘Reel’ Space and ‘Real’ Lives.” Jindal Global Law Review, vol. 13, 2022, pp. 329–46. https://doi.org/10.1007/s41020-022-00179-4

Dey, Debashrita, and Priyanka Tripathi. “The Embodied Feminine Self: (Re) Constructing the Ageist Discourse in Select Indian Television Advertisements.” Quarterly Review of Film and Video, 2022, pp. 1–17. https://doi.org/10.1080/10509208.2022.2097574

Dey, Debashrita, and Priyanka Tripathi. “‘Queen of Misery’ Nirupa Roy: Re-Reading the Filmic Mother of 1980s Through Alternate Care Dynamics.” Quarterly Review of Film and Video, 2022, pp. 1–17. https://doi.org/10.1080/10509208.2022.2154526

Dey, Debashrita, and Priyanka Tripathi. “Compromised Well-Being: Implications on Female Geriatric Abuse during the COVID-19 Crisis in India.” International Journal of Human Rights in Healthcare, 2022, pp. 197-209. https://doi.org/10.1108/IJHRH-02-2022-0008

Vijay, Febin, and Priyanka Tripathi. “Contesting Gender Aesthetics: A Feminocentric Approach to Crime Writing in Select Novels of Kishwar Desai.” Forum for World Literature Studies, vol. 14, no. 2, 2022, pp. 251-264. https://www.fwls.org/uploads/soft/220719/1-220G9145336.pdf

Vijay, Febin, and Priyanka Tripathi. “Appropriating a Hostile Genre: Feminist Concerns in Contemporary Indian Women’s Crime Fiction.” The IUP Journal of English Studies, vol. 17, no. 2, 2022, pp. 140-155

Kashyap, Soumya, and Priyanka Tripathi. “Interview: Rohini S Rajagopal on Fighting Stigma, Shame, and Secrecy Attached to Infertility Treatment.” First Post, 2022. https://www.firstpost.com/art-and-culture/rohini-s-rajagopal-on-fighting-stigma-shame-and-secrecy-attached-to-infertility-treatment-10801341.html

Kashyap, Soumya, and Priyanka Tripathi. “Janhit mein Jaari: Zee5 Movie is an Important but Unbalanced Call for Indians to Use Contraception.” Feminism in India, 2022. https://feminisminindia.com/2022/08/24/janhit-mein-jaari-zee5-movie-is-an-important-but-unbalanced-call-for-indians-to-use-contraception/

Kashyap, Soumya, and Priyanka Tripathi. “The Surrogacy (Regulation) Act, 2021: A Critique.” Asian Bioethics Review (Springer), 2022. https://doi.org/10.1007/s41649-022-00222-5

Kashyap, Soumya, and Priyanka Tripathi. “‘We're Just Business. We're Not People': Revisiting Surrogacy through Amulya Malladi's A House for Happy Mothers.” Journal of Gender Studies, 2022, pp. 1-14, https://doi.org/10.1080/09589236.2022.2041408

Kashyap, Soumya, and Priyanka Tripathi. “Woman First: Exploring the Precarity of Motherhood in One Part Woman (2010) and Parched (2015).” Quarterly Review of Film and Video, 2022, pp. 1-19. https://doi.org/10.1080/10509208.2022.2065874

Kashyap, Soumya, and Priyanka Tripathi. “Beyond Baby-making: Review of the Film Mimi (2021).” Media Asia, 2022. https://doi.org/10.1080/01296612.2022.2045829

Bhattacharjee, Partha, and Priyanka Tripathi. “Spit bubbles, speech bubbles, and COVID-19: Creating comics in the age of post-infection India.” Journal of Visual Communication in Medicine, vol. 45, no. 3, 2022, pp. 205–220, https://doi.org/10.1080/17453054.2022.2037408

Bhattacharjee, Partha, and Priyanka Tripathi. “Penning the Pain of Partition: Refugee Camp Narratives in Indian Comics.” Studies in Comics, vol. 12, no. 2, 2022, pp. 179–200, https://doi.org/10.1386/stic_00062_1

Bhattacharjee, Partha, and Priyanka Tripathi. “Performance beyond the Panel: (S)exploitation and Trafficking in Ram Devineni’s Priya and the Lost Girls.” Journal of Gender Studies (Taylor & Francis), vol. 31, no. 6, 2022, pp. 712-725, https://doi.org/10.1080/09589236.2021.1950660

Bhattacharjee, Partha, Priyanka Tripathi, and Bidisha Pal. ““The problem of gender violence in India… was not a legal problem, but a cultural problem”: a conversation with comics creator Ram Devineni.” Journal of Graphic Novels and Comics (Taylor & Francis), vol. 13, no. 4, 2022, pp. 620 – 631, https://doi.org/10.1080/21504857.2021.1918736

Bhattacharjee, Partha, and Priyanka Tripathi. “Integrating Medical Education with Graphic Narration: Interview with Dr. Priyanga Singh.” Journal of Graphic Novels and Comics (Taylor & Francis), vol. 13, no. 3, 2022, pp. 460–473, https://doi.org/10.1080/21504857.2020.1870513

Bhattacharjee, Partha, and Priyanka Tripathi. ““My methodology is friendship; my lens is feminist”: Interview with Nicola Streeten.” Journal of Graphic Novels and Comics (Taylor & Francis), vol. 13, no. 1, 2022, pp. 149–155, https://doi.org/10.1080/21504857.2020.1863240

Dey, Debashrita, and Priyanka Tripathi. “Reconceptualising the (in) Visible Aging Self of Women in Select Bengali Films.” South Asian Popular Culture, vol. 19, no. 3, 2021, pp. 261–75. https://doi.org/10.1080/14746689.2021.1965312 

Dey, Debashrita, and Priyanka Tripathi. “Understanding The Efficacy of Teleconsultation in Assuaging Abuse against Indian Women during Covid-19 Outbreak.” Journal of Content Community And Communication, vol. 14, no. 8, 2021, pp. 197–209. https://doi.org/10.31620/JCCC.12.21/16

Vijay, Febin, and Priyanka Tripathi. “Interrogating Strategies of Justice and Racial Politics: A Post-colonial Reading of Abir Mukherjee’s A Rising Man.” Rupkatha Journal on Interdisciplinary Studies in Humanities, vol. 13, no. 2, 2021, pp. 1-8. https://doi.org/10.21659/rupkatha.v13n2.20

Das, Chhandita, and Priyanka Tripathi. “Conceptualizing In-Text ‘Kshetra’: Postcolonial Allahabad’s Cultural Geography in Neelum Saran Gour’s Allahabad Aria and Invisible Ink.” Text Matters, vol. 11, 2021, pp. 389-403. https://doi.org/10.18778/2083-2931.11.24

Das, Chhandita, and Priyanka Tripathi. “Exploring the Margins of Kotha Culture: Reconstructing a Courtesan’s life in Neelum Saran Gour’s Requiem in Raga Janki.” CLCWeb: Comparative Literature and Culture, vol. 23, no. 4, 2021. https://doi.org/10.7771/1481-4374.3669

Das, Chhandita, and Priyanka Tripathi. “Place-Identity, People, and Existence: Reorienting Heideggerian ‘Dasein’ towards Postmodern Literary Geography of Allahabad City in Neelum Saran Gour’s Select Narratives.” Interdisciplinary Literary Studies: A Journal of Criticism and Theory (The Pennsylvania State University Press), vol. 23, no. 4, 2021, pp. 463-476. doi: 10.5325/intelitestud.23.4.0463                          

Das, Chhandita, and Priyanka Tripathi. “Through the Lens of Gender: Makeover of ‘Aatmanirbhar Bharat’, Labour Migration and COVID-19 Pandemic.” Indian Journal of Public Administration, 2021, pp. 1–8. doi: 10.1177/00195561211035377  

Das, Chhandita, and Priyanka Tripathi. “Poetics and Politics of Literary Cartography: Secular Allahabad in Neelum Saran Gour’s Invisible Ink and Requiem in Raga Janki.” GeoHumanities, 2021, pp. 1-16. doi: 10.1080/2373566X.2021.1903813

Kashyap, Soumya, and Priyanka Tripathi. "A Grim Future of Mothers-To-Be in Post-COVID India." Feminism in India, 2021. https://feminisminindia.com/2021/08 /12/covid-19-maternalhealth-india/ 

Bhattacharjee, Partha, and Priyanka Tripathi. “Discovering the Self: In Conversation with Dyuti Mittal.” Journal of Graphic Novels and Comics (Taylor & Francis), vol. 12, no. 6, 2021, pp. 1385-1398, https://doi.org/10.1080/21504857.2021.2010998

Bhattacharjee, Partha, and Priyanka Tripathi. “My drawing enables my catharsis...”: In Conversation with Sarah Lightman.” Journal of Graphic Novels and Comics, (Taylor & Francis), vol. 12, no. 5, 2021, pp. 1212-1223. doi.org/10.1080/21504857.2020.1793789

Pal, Bidisha, Partha Bhattacharjee, and Priyanka Tripathi. “Gendered and Casteist Body: Cast(e)ing and Castigating the Female Body in select Bollywood Films.” Journal of International Women’s Studies, vol. 22, no. 10, 2021, pp. 57-67, https://vc.bridgew.edu/jiws/vol22/iss10/6

Dandapat, Sridipa, and Priyanka Tripathi. “Representation of the Adivasis: An Intersectional Study of Gender through Select Indian Picture Books in English.” New Review of Children’s Literature and Librarianship, vol. 26, no. 1-2, 2020, pp. 38–53., https://doi.org/10.1080/13614541.2021.1972750

Das, Chhandita, and Priyanka Tripathi. “Decoding the Postcolonial Geo-Linguistic Sangam in Allahabad: A Study of Neelum Saran Gour’s Requiem in Raga Janki.” IUP Journal of English Studies, vol. 16, no.3, 2020 

Tripathi, Priyanka, and Chhandita Das. “Social Distancing and Sex Workers in India.” Economic & Political Weekly, vol. 55, no. 31, 2020. https://www.epw.in/journal/2020/31/commentary/social-distancing-and-sex-workers-india.html

Das, Chhandita, and Priyanka Tripathi. “Recontextualizing the lives of Courtesans’ in Neelum Saran Gour’s Requiem in Raga Janki and Vikram Sampath’s My Name is Gauhar Jaan.” Indian Literature, vol. 64, no. 315, 2020. https://www.jstor.org/stable/27266700

Das, Chhandita, and Priyanka Tripathi. “Silhouetting The Self and Society: An Interview with Neelum Saran Gour.” English: Journal of the English Association. https://doi.org/10.1093/english/efaa005

Das, Chhandita, and Priyanka Tripathi. “Reconstructing the Changing Urban Landscape beyond Spatio-Temporal Dimensions: Post-colonial ‘Allahabad’ in Neelum Saran Gour’s Invisible Ink.” Rupkatha Journal of Interdisciplinary Studies in Humanities, vol. 12, no. 1, January-March, 2020, pp. 1-8. https://dx.doi.org/10.21659/rupkatha.v12n1.07

Das, Chhandita, and Priyanka Tripathi. “’Female Subjectivity’ within and beyond Victorian ‘Purity: Rereading Thomas Hardy’s Tess of the D’Urbervilles.” Indian Review of World Literature in English, vol. 16, no. 1, January-June, 2020, pp. 1-6. https://worldlitonline.net/2020-january-articles/article-3-16-1.pdf

Bhattacharjee, Partha, and Priyanka Tripathi. “Interview with Argha Manna.” Studies in Comics, vol. 11, no. 2, 2020, pp. 415–431, https://doi.org/10.1386/stic_00038_7

 Bhattacharjee, Partha, and Priyanka Tripathi. “The Social Struggle: Deconstructing the Dalit Subalternity in Omprakash Valmiki’s Joothan: A Dalit's Life.” IUP Journal of English Studies, vol. 14, no. 1, 2019, pp. 34-41

Bhattacharjee, Partha, and Priyanka Tripathi. “Cha(lle)nging the World of Stereotypes: The Proliferation of Postcolonial Comics and Visual Narratives in India.” Postcolonial Studies Association Newsletter, vol. 23, 2019, pp. 10-12

Bhattacharjee, Partha, and Priyanka Tripathi. “When a Violated Body Strikes/Writes Back: Unveiling the Violence in Meena Kandasamy’s When I Hit You: Or, a Portrait of the Writer as a Young Wife.” The Atlantic Literary Review, vol. 20, no. 2, 2019, pp. 47-63

Bhattacharjee, Partha, and Priyanka Tripathi. ““Traumics”: Genesis and Journey of Trauma Narratives in Comics.” GNOSIS, vol. 5, no. 3, 2019, pp. 26-44

Bhattacharjee, Partha, and Priyanka Tripathi. “‘Disease’ and Visual Rhetorics of Disability: Comics and Autopathography in the Works of Alison Bechdel.” GNOSIS, vol. 5, no. 2, 2019, pp. 263-274

Bhattacharjee, Partha, and Priyanka Tripathi. “Decoding the Visual Rhetoric: Memory and Trauma in Lynda Barry’s One! Hundred! Demons!” World Journal of English Language, vol. 8, no. 2, 2018, pp. 37-42, https://doi.org/10.5430/wjel.v8n2p37

Bhattacharjee, Partha, and Priyanka Tripathi. “Ethnic Tensions and Political Turmoil: Postcolonial Reading of Chimamanda Ngozi Adichie’s Purple Hibiscus.” Language in India, vol. 17, no. 3, 2017, pp. 434 – 446. ISSN 1930-2940 (EBSCO). http://www.languageinindia.com/march2017/priyankapurplehibiscusethnictensions.pdf

Bhattacharjee, Partha, and Priyanka Tripathi. “Silhouetting the Shifting Perspective of Bollywood from ‘Machismo’ to ‘Metrosexuality’.” Journal of English Language and Literature, vol. 8, no. 1, 2017, pp. 575-582. ISSN 2368-2132 (Cornell University Library). doi: http://dx.doi.org/10.17722/jell.v8i1.234

Nadamala, Bhagya Shree, and Priyanka Tripathi. “Contextualizing Caste: Review of the Book The Routledge Companion to Caste and Cinema in India edited by JK Abraham and J. Misrahi-Barak.” Media Asia, 2023, pp. 1-6. https://doi.org/10.1080/01296612.2023.2200336

Nadamala, Bhagya Shree, and Priyanka Tripathi. “Critical Discourse in Telugu ed. by K. Suneetha Rani (review).” South Central Review, vol. 40, no. 2-3, 2023, pp. 165-168. https://doi.org/10.1353/scr.2023.a915866

Kashyap, Soumya, and Priyanka Tripathi. “Book Review of What's a Lemon Squeezer Doing in My Vagina by Rohini S. Rajagopal.” First Post, 2022. https://www.firstpost.com/art-and-culture/book-review-whats-a-lemon-squeezer-doing-in-my-vagina-is-a-harrowing-tale-of-infertility-treatment-in-india-10797121.html

Kashyap, Soumya, and Priyanka Tripathi. “Book Review of the Politics of Precarity: Gendered Subjects and the Health Care Industry in Contemporary Kolkata (2022) by Panchali Ray.” Journal of International Women's Studies, 2022. https://vc.bridgew.edu/jiws/vol23/iss1/25/

Das, Chhandita, and Priyanka Tripathi. “Curating Cartographic Modernity: Politics and Aesthetics” (Review). City: Analysis of Urban Change, Theory, Action, vo. 26, no. 1, 2022, pp. 187-190.  https://doi.org/10.1080/13604813.2022.2029030

Bhattacharjee, Partha, and Priyanka Tripathi. Review of The Cambridge History of the Graphic Novel ed. by Jan Baetens, Hugo Frey, and Stephen E. Tabachnick. South Central Review, vol. 39, no. 2, 2022, pp. 164-166. doi:10.1353/scr.2022.0014

Das, Chhandita, and Priyanka Tripathi. “Writing the City: Looking Within, Looking Without.” English Studies, 2021, pp. 1-3 (Book Review). doi: 10.1080/0013838X.2021.1936968

Das, Chhandita, and Priyanka Tripathi. “Delhi: New Literatures of the Megacity” (Review). The AAG Review of Books, vol. 9, no. 4, 2021, pp. 23-25. https://doi.org/10.1080/2325548X.2021.1960035 

Tripathi, Priyanka, and Partha Bhattacharjee. “Book Review of Urban Comics.” Postcolonial Studies Association Newsletter, December 2020

Kashyap, Soumya, and Priyanka Tripathi. Review Article on Karmakar M. and Parui A. “‘These Were Made-to-Order Babies': Reterritorialised Kinship, Neoliberal Eugenics and Artificial Reproductive Technology in Kishwar Desai's Origins of Love.” Medical Humanities, 46. 3 (2019): 323–332. Journal of Literature and Science Vol. 13, no. 2, 2020

Sridipa Dandapat, Priyanka Tripathi. "(En)Countering Sexual Violence and Gender Dystopia in Manish Jha's Matrubhoomi: A Nation Without Women (2003)." The Routledge Handbook of Indian Indie Cinema, edited by Jayjit Sarkar and Anik Sarkar. Routledge India.   https://www.taylorfrancis.com/chapters/edit/10.4324/9781003612902-31/gendered-body-sridipa-dandapat-priyanka-tripathi 

Tripathi, Priyanka, Partha Bhattacharjee, and Bidisha Pal. “Lament Graphically Drawn: Dynamism of Indian Comics in Sensitizing Child-Abuse inside the House.” Articulating Childhood Trauma: In the Context of War, Sexual Abuse and Disability, edited by Kamayani Kumar, Routledge. https://www.taylorfrancis.com/chapters/edit/10.4324/9781032710600-8/lament-graphically-drawn-priyanka-tripathi-partha-bhattacharjee-bidisha-pal

Bhattacharjee, Partha, and Priyanka Tripathi. “Complex Comics, Complex Trauma: Registration of Traumatized Childhood in the “Autographics” of Phoebe Gloeckner.” BOOM! Splat: Comics and Violence, edited by Jo Davis-McElligatt and Jim Coby (University Press of Mississippi). Link: https://www.upress.state.ms.us/Books/B/BOOM!-SPLAT. https://www.upress.state.ms.us/Books/B/BOOM!-SPLAT

Tripathi, Priyanka. “Reconstructing Motherhood in Ashwiny Iyer Tiwari’s Nil Battey Sannata.” Women Filmmakers in Contemporary Hindi Cinema: Looking through Their Gaze, edited by Aysha Iqbal Viswamohan, Springer International Publishing, 2023, pp. 305-317

Dandapat, Sridipa, and Priyanka Tripathi. “Gendered Body: (En)Countering Sexual Violence and Gender Dystopia in Manish Jha’s Matrubhoomi: A Nation without Women (2003).” A Handbook of Indian Indie Cinema (Routledge, 2022) [Provisionally accepted book chapter]

Tripathi, Priyanka, and Chhandita Das. “Social Distancing and Sex Workers in India 1,” in the book Media, Migrants and the Pandemic in India, edited by Bharat Bhushan, Routledge, 2022, pp. 110-116. ISBN: 9781003291527

Kashyap, Soumya, and Priyanka Tripathi. “Surrogacy or Sale: Reflecting upon Reproductive Justice through The House for Hidden Mothers and A House of Happy Mothers”, in The Palgrave Handbook of Reproductive Justice and Literature Handbook, edited by Beth Widmaier Capo, Laura Lazzari, Springer Nature, 2022. https://www.springerprofessional.de/en/surrogacy-or-sale-reflecting-upon-reproductive-justice-through-t/23474626

Bhattacharjee, Partha, and Priyanka Tripathi. “Bridging the Gutter: Cultural Construction of Gender Sensitivity in Indian Graphic Narratives after Nirbhaya.” Performativity, Cultural Construction, and the Graphic Narrative (Routledge Advances in Comics Studies), edited by Susanna Hoeness-Krupsaw and Leigh Anne Howard, Routledge, 2019, pp. 171-186. https://www.routledge.com/Performativity-Cultural-Construction-and-the-Graphic-Narrative/Howard-Hoeness-Krupsaw/p/book/9780367217969

Bhattacharjee, Partha, and Priyanka Tripathi. “Bridging the Gutter: Cultural Construction of Gender Sensitivity in Indian Graphic Narratives after Nirbhaya.” Performativity, Cultural Construction, and the Graphic Narrative (Routledge Advances in Comics Studies), edited by Susanna Hoeness-Krupsaw and Leigh Anne Howard, Routledge, 2019, pp. 171-186. https://www.routledge.com/Performativity-Cultural-Construction-and-the-Graphic-Narrative/Howard-Hoeness-Krupsaw/p/book/9780367217969