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oct 22 — third single
spaces between (mzz u)
nov 30 — fourth single
endomorphin
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spaces between
(mzz u)
caught between acceptance and loss
still confused and ever so longing for an answer, what do i do
when
i miss you?
Lift to Experience’s “Falling from Cloud 9” influenced the chords and structure; Title Fight’s “Safe in your skin” inspired the mood and lyrics; Up Dharma Down’s “All Year Round” influenced the bass style; Paramore’s “O Star” & “Conspiracy” influenced the familiar drums sound and arrangement; Paramore’s “Playing God” influenced the harmonizing guitars
strength and glory
an unguarded admission to a strained love—but to be loved should not require to hide.
after all
detaching from your existence might require some time...
but i'm willing to try what life might be outside this forbidden fire.
Erik Satie’s “Gymnopédie No.1” with a touch of Fiona Apple’s “I Know” inspired the melancholic chord progression of the piano and lyrics; Lucy Rose’s “Whatever You Want” shaped the bass and drums’ parts that perfectly complements the piano; Slow Pulp’s “Idaho” (added with reverb) inspired the guitar lead parts; The Rebirth’s “Surrender” & Faye Webster’s “In A Good Way” shaped the violin’s arrangement; Ivy’s “Never Do That Again” brought an idea to add tremolo pianos for the background of the track
Hiatus Kaiyote’s “ Molasses” influenced the vocal style; Sade’s style influenced the feisty lyrics; GoGo Penguin’s “Wave Decay” & Up Dharma Down’s “Sleeptalk” influenced the powerful bass lines; GoGo Penguin’s “Murmuration” also Up Dharma Down’s “Sleeptalk” inspired the piano arrangement; WILLOW’s “big feelings” & Lucy Rose’s “Interlude I” inspired the experimental drum sound and style; Experimental guitars were influenced with some Shoegaze; Lucy Rose’s “Interlude I” also inspired the violins’ movement
does it matter? /
do i matter?
caught in between wanting to stay, and knowing when to leave
this is an invitation to be vulnerable but not weak—surrender to the reality.
Faye Webster's "Hurts Me Too" influenced the tempo and its 6/4 feel; Portishead's "Glory Box" touch on the track is the blues-feel; Mazzy Star's "Fade into You" shaped the acoustic part and vocal's reverb; Radiohead's "Exit Music for a Film"and Mitski's "Geyser" shaped the play on dynamics and the usage of fuzz from the latter; Ivy's "Undertow" on the keys and ambience.
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