Dragon Ball Z Light Of Hope Full Movie Download

Of course the CGI isn't going to be perfect, they have a VERY small budget. Its not like they have millions like avatar did.... This film is made to encourage people that dbz live action movies can be done. The episode that is coming out is dope, just wait and see.

People who think live action dbz movies can't be done, don't know what they are talking about. They base it off of evolution, and evolution was directed by a person who never watched dragonball.. If movies like avatar, guardians of the galaxy, and x men can be done, so can dbz..

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And Like I said earlier, the budget was bare minimum. The actors they used aren't actors... a good budget will take away the "corniness" part about it. They will be able to pay people who can actually act. This pilot episode is just to show people it can be done. The fighting scene in it was dope.

Movies like those are not anime, meaning that you cannot apply these same standards to DBZ. No more Live-Action movies should be made of DBZ anymore. And that is that. Not as long as AT draws breath...

SYNOPSIS: Hope is worth fighting for. In Dragon Ball Z: Light of Hope, Gohan and Trunks fight against the unstoppable Androids #17 and #18 and try to save as many human lives as possible. The young Trunks must grow up quickly and learn from his mentor, Gohan; but with battles to fight on both the outside and inside, how long can they endure, and where will they find a light of hope?

If you're a fan of Dragon Ball, then there is one film out there you've surely tried to forget. A few years back, Hollywood gave Akira Toriyama's franchise a live-action go with Dragonball Evolution, and the adaptation flopped harder than Yamcha after taking on Nappa. The would-be blockbuster failed to impress critics or fans, and audiences worldwide were dismayed to see what Dragon Ball had been reduced to.

In fact, many felt Dragonball Evolution would be the end of live-action anime, but that doesn't look like it is the case any more. After all, Robot Underdog just debuted its full adaptation of Dragon Ball Z's "History of Trunks," and Kenny Leu has plenty to say about bringing Gohan to life in the film.

Born in Taiwan, Leu was raised in the Bay Area and attended university at UC Berkeley before turning his eye towards acting. The actor has starred in a handful of projects with The Long Road Home being next on Leu's list. When the opportunity arose from Leu to audition for Dragon Ball Z: Light Of Hope, the actor jumped on the chance to bring his childhood anime dreams to life. After a couple long years, Leu's take on Gohan is now out for the world to see, and ComicBook had the chance to speak with him about fan-films, the future of live-action anime, and how it really feels to play a Super Saiyan:

Oh my goodness, yeah this is probably one of the most fascinating things that I've ever experienced, which is ... I discovered Dragon Ball Z when I was ... Even though I'm Asian and I'm pretty tied to the Asian community because I was born there, but I actually wasn't exposed to Dragon Ball until I was like 12 or 13, and I just stumbled across a random episode of Dragon Ball on like PBS or something. This was before Toonami, before ... I think WB20 had it, like early in the morning or something.

Anyway, if I watched it all in secret, like oh, this is so cool. This is a like a guilty pleasure. I knew that it was something called anime, and back then it was just so underground that I assumed, until I got cast in this thing, where I was like man, this is such an asian thing that nobody else knows about. I felt like it was like going into a high stakes game, watching my anime. This is in college, too. I went to college, and the majority of my classmates were all Asian or foreigners, so we loved watching anime. I had no idea, no idea until I got cast in this thing and we started attended a bunch of Comi Cons, just how universal it is.

It is ... Dragon Ball I feel like has kind of transcended anime in a lot of ways, where anime can still be seen as ... It still has a stigma of this and that, but Dragon Ball is just something that has really stepped out of that, and I'll give you a couple of examples of something that Donnie, Rita and I ... Donnie and Rita are the creators of Dragon Ball L Light of Hope. They are a husband and wife team. Donnie's African-American, Rita's Hispanic-American. We would go around advertising at the Comi Con events because we're going to have a panel and we would spend the previous ... Let's say we're doing a panel on Sunday in the afternoon, then we would spend all of Saturday just handing out fliers, saying, oh hey, are you guys fans of Dragon Ball Z? We do this live action thing and come check it out.

A cool tactic that we came up with was ... I knew that all my Asian friends were watching Dragon Ball Z, or knew what it was, so I would, as soon as I seen some Asian kid then I'm like here, here. Are you interested? Are you interested? Donnie, being black American, he was like Kenny, check this out. I'll go up to any black guy and they will be huge fans of Dragon Ball. I would be like, what? It was just completely eye-opening. Then, seeing the crowds that come out to our panels, it doesn't matter what age you are. Like what you said, guys like up to 30's, 40's, even 50 year old man are just huge fans of this show, and boys and girls, too. It just completely blew my mind because for so much of my life I just assumed that it was like this Asian thing that I had to keep in a closet because nobody else would appreciate it. It was just so cool to watch how diverse the crowd actually is.

Dragon Ball does have a massive audience and I know you were just saying that you didn't really realize kind of the huge scope of what this fandom for Dragon Ball is until you got involved with Light of Hope. How did you get involved with this project?

I had first moved to LA about three and a half, four years ago, and at the time ... Everybody's first year here is all like, how do I be seen by important people? One of the things you do out here as an actor is you sign up for casting websites.

I remember getting an audition notice for this project, actually, and so yeah, I was like this is Dragon Ball. This is so cool. I submitted and they brought me in. I remember getting an audition notice for this project, actually, and so yeah, I was like this is Dragon Ball. This is so cool. I submitted and they brought me in for an audition, and went through a couple call backs, and then I end up landing the roll. It was really cathartic because I've been practicing to be a Saiyan my whole life, it's useful.

I think I speak for basically the entire fandom when I get to ask this, because not many people can answer it, what is it like getting to play Gohan and go Super Saiyan? How wrecked is your voice after doing those scenes?

That's a very good question. It's insane. First, like I said, it's so cathartic to be able to play a Saiyan because you've been practicing this your whole life. Secondly, especially when we're doing the fight scenes and Gohan needs to be tapped into that rage, it takes a lot of energy. I remember we shot out at Salton Sea, which is like three hours away from here, it's like this wasteland. There's this really crazy history behind the Salton Sea by the way, if you can look it up really quick. On the high level, basically it was supposed to be another Las Vegas back in the 60's, and the lake, or the sea, Salton Sea, got loaded up with too much salt and all the wildlife inside died.

Yeah, it's just like a bunch of rotting corpses that got washed up on shore, and the sulfur and all the decaying body parts just kind of destroyed any hope of this place being a resort, even though people had pumped in hundreds of millions of dollars. What's left up there is just a bunch of run down buildings, and houses, and people just ran from there. It looks like an apocalypse.

Anyway, we were out there shooting for some of our most climactic fight scenes, and we were baking out there. It's kind of in the middle of nowhere. It's really creepy out there because there's almost nobody out there, except for just a bunch of leftover things. I'm talking about houses still with furniture in them and stuff. Yeah, it was insane being able to put myself in there, and then just screaming my lungs out for the three days that we were out there.

On top of that there's another layer of stuff that I had to go through, which was we wanted to approach this project with as much seriousness as possible. There was a point where they were trying to figure out, how do we adapt anime into live action? That's something that I think Hollywood is still trying to do. There's still trying to do a Death Note with ... Akira they're attempting too, Cowboy Bebop they're attempting, too. A lot of the projects that I don't think have done well because they haven't done it right yet, just like they're trying to figure out comic book movies a couple decades ago.

Anyways, one of the big things that we had to do was approach this manga, which is very based in Japanese culture, how do we adapt that from a "cartoon" and turn it into real life? Some of the things that I had to do as Gohan was really analyze him from the perspective of like if this was like a real person. I had a lot of work for figuring out what kind of person is he? We didn't want to make it cannon where ... Like it is in the cartoon just doesn't translate into live action, so a big hurdle that we had to go through was how do we translate that to live action? One of the big things I had to do was basically look at Gohan like a person and say like, man, he's actually got, in this timeline especially, he's got some Daddy issues, you know? 152ee80cbc

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