And if a daughter's what our future holds

I hope she has your eyes

Finds love like you and I did

Yeah, I wish she falls in love and I will let her go

I'll walk her down the aisle

She'll look so beautiful in white

You look so beautiful in white

The song "Beautiful In White" by Westlife is a heartfelt ballad that captures the profound emotions of love and commitment. The lyrics convey the nervousness and excitement of meeting someone special for the first time and the realization that they are the missing piece in one's life. The song is often associated with weddings, as it speaks to the beauty of a partner on their wedding day and the promise of lifelong love.

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The chorus, with its repeated lines 'You look so beautiful in white,' emphasizes the purity and the traditional symbolism of a wedding dress, reflecting the sanctity of the marriage ceremony. The song's narrator makes a vow to love and cherish their partner from the moment they meet until their last breath. This promise of eternal love is a common theme in love songs, but Westlife's tender delivery and the song's gentle melody give it a timeless quality that resonates with many listeners.

The bridge of the song introduces the hope for a future child, specifically a daughter, and the wish for her to find a love as deep as the one the narrator has found. This generational perspective adds depth to the song, as it not only celebrates the love between partners but also the love within a family. The imagery of walking a daughter down the aisle ties back to the wedding theme, creating a full-circle moment that many can relate to, whether they are contemplating their own relationships or dreaming of future moments with loved ones.

And if a daughter is what our future holds

I hope she has your eyes

Finds love like you and I did

Yeah, and when she falls in love, we'll let her go

I'll walk her down the aisle

She'll look so beautiful in white.

Your wedding day is definitely one of the most important days of your life. It seems like that you prepare whole your life for that day. You must spend a long time planning of every single detail, from the wedding dress to the wedding venues, guests, the flowers, the cake and more.

Just like other things you pick up over and over again, if you are picking the best wedding songs for your reception, first dance, cake cutting, you may feel tired of selecting the best love songs for the wedding. Here we very glad to help you pick up the best wedding songs for your special day. And in this article, we will show you the best wedding songs list, you can listen to them one by one and then choose your favorite ones.

Maybe you hire a DJ to play the wedding prelude songs, wedding processional songs, bride entrance and wedding recessional songs for you. While you still need a theme song for your wedding, and you can select one from our best wedding songs list.

"And if our daughter is what our future holds, I hope she has your eyes, finds love like you and I did. Yeah, if she falls in love and we will let her go. I'll walk her down the aisle, she looks so beautiful in white."

"Some say love, it is a river that drowns the tender reed. Some say love, it is a razor that leaves your soul to bleed. Some say love, it is a hunger, an endless aching need. I say love is a flower. And you, it's only seed."

"All I wanna do is find a way back into love. I can't make it through without a way back into love. And if I open my heart to you. I'm hoping you'll show me what to do. And if you help me to start again. You know that I'll be there for you in the end."

"And through it all she offers me protection, a lot of love and affection, whether I'm right or wrong. And down the waterfall, wherever it may take me, I know that life won't break me. When I come to call she won't forsake me, I'm loving angels instead."

"I needs you here to make the dark clouds drift away and to make the mornings bright again. I'm right here for you and there's nothing more to say. I am just happy that you're mine you've stayed. I love you, the way that you changed my word and chased away my blues."

"Cause all of me loves all of you. Love your curves and all your edges, all your perfect imperfections. Give your all to me. I'll give my all to you. You're my end and my beginning, even when I lose I'm winning. Cause I give you all, all of me. And you give me all, all of you."

"Never cared for what they do. Never cared for what they know, but I know. And never opened myself this way. Life is ours, we live it our way. All these words I don't just say. And nothing else matters."

When you are announced for the first time as the husband and wife, you may start the first dance events on the dance floor. First dance is the opening dance of the wedding reception, and here we list 10 great first dance wedding songs for you to choose from.

Of all the issues of our time, "Whither the boy band?" may not seem the most pressing. The travails of Blue, 5ive, Blazin' Squad et al, and their casts of over-styled teenagers with cartoonish names like Abs, pass many of us by. For their millions of fans (and there are millions), however, this is a crucial time for Westlife, the most successful and longest-lasting group of the genre. It may have escaped your notice, but the band's very existence has been imperilled by one of their number, Bryan, suddenly leaving. Can the rest manage without him? It is the question of the moment for Westlife aficionados.

A brief update for those whose last encounter with a boy band was finding a copy of Take That's greatest hits in a bargain bin: formed six years ago with the help of the Irish pop impresario and reality TV judge Louis Walsh, Westlife are Shane Filan, Kian Egan, Mark Feehily, Nicky Byrne and, until recently, Bryan McFadden. They have sold a staggering 30 million records, had 11 No 1 singles, and last year were the biggest-selling live act in the UK. Even if you think you've never heard them, few ears have not been penetrated by one of their soupy-but-effective ballads, such as "Flying Without Wings", or covers of Billy Joel's "Uptown Girl" and Phil Collins' "Against All Odds".

Three and a half months ago, they were struck a potentially career-ending blow by the departure of Bryan. Pop bands rarely recover from the exit of one member - Take That post-Robbie, Spice Girls post-Geri, Hear'Say post-Kym spring to mind. The public, however, usually recover quite quickly and buy records by the next glossy group. Such are the hazards of music lite.

But Bryan is married, in a match made in OK! heaven, to Kerry Katona, formerly of the girl band Atomic Kitten and, more lately, I'm A Celebrity... Get Me Out of Here!. Their stock as a couple has risen beyond his as part of a five-piece. After discussions into the night and tears way beyond bedtime, Bryan left and Westlife were down to four.

With a band as packaged as this - they spent two years of 6am starts honing their act before their first tour - the news could have spelt the end. Although they have always been careful to project the image of a band rather than individuals, each member had a particular appeal. The worry was that the other four could not make up for the loss of Bryan, the tallest, most fresh-faced, and, some said, the most popular. It is not explicitly referred to on stage at the Birmingham NEC, but the subject comes up repeatedly as they thank the crowd for their support over the past three months.

"We've got a big point to prove with Bryan leaving the band," says Kian, when we settle down around a boardroom table at their hotel the next day. The interview starts slightly late as the four must be "groomed" before meeting the press; at one point, I see Shane dashing down a corridor in a dressing gown. Made up and artfully casual, they arrive one by one while their PR and a burly minder stand watch by the door. They're a bit shorter in the flesh than they seem on stage, good-looking but not extraordinarily so. Around the waistbands there are signs that the band once cruelly dubbed "too fat to conquer America" are not on too strict a diet at the moment.

"It's like losing a member of the family," Shane says. "It takes a while to get used to the fact that you've only got three members..." - "Four," Kian reminds him, "only one left the band" - "so it was like, 'Right, we've got to be like glue for the next three weeks,' and we worked the hardest we've ever worked." No visible cracks in Team Westlife, then.

"You look after each other more," Nicky agrees. "If you could not have an argument you wouldn't have it, because everything was a bit like walking on broken glass for a while. We somehow came closer." Shane nods. He's probably the de facto leader of the group, although officially there isn't one. He takes most of the solo parts, and his bearing has a natural authority and light charisma reminiscent of Westlife's former co-manager and boy-band old hand, Ronan Keating. "I think that's kept going," Shane says. "Even if you're having a little bicker about who was up first for hair and make-up. It's like, yesterday Mark was saying, 'Well, my head's shaved, so I shouldn't have to get up first,' and Nicky was saying, 'If you grow your hair back you'll have to get up first.' I said: 'Lads. Is there any point in even contemplating arguing about this?'" 152ee80cbc

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