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The foxtrot is a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band (usually vocal) music. The dance is similar in its look to waltz, although the rhythm is in a 4

4 time signature instead of 3

4. Developed in the 1910s, the foxtrot reached its height of popularity in the 1930s and remains practiced today.

The dance was premiered in 1914, quickly catching the eye of the husband and wife duo Vernon and Irene Castle, who gave the dance its signature grace and style. The origin of the name of the dance is unclear, although one theory is that it took its name from its popularizer, the vaudevillian Harry Fox.[1] Two sources, Vernon Castle and dance teacher Betty Lee, credit African American dancers as the source of the foxtrot. Castle saw the dance, which "had been danced by negroes, to his personal knowledge, for fifteen years, [at] a certain exclusive colored club".[2]

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W. C. Handy ("Father of the Blues") notes in his autobiography that his "The Memphis Blues" was the inspiration for the foxtrot. During breaks from the fast-paced Castle Walk and One-step, Vernon and Irene Castle's music director, James Reese Europe, would slowly play "The Memphis Blues". The Castles were intrigued by the rhythm, and Jim asked why they didn't create a slow dance to go with it. The Castles introduced what they then called the "Bunny Hug" in a magazine article. Shortly after, they went abroad and, in mid-ocean, sent a wireless to the magazine to change the name of the dance from "Bunny Hug" to "Foxtrot."[3] It was subsequently standardized by Arthur Murray, in whose version it began to imitate the positions of tango.

At its inception, the foxtrot was originally danced to ragtime. From the late 1910s through the 1940s, the foxtrot was the most popular fast dance, and the vast majority of records issued during these years were foxtrots. The waltz and tango, while popular, never overtook it. Even the popularity of the Lindy hop in the 1940s did not affect the foxtrot's popularity, since it could be danced to the same records used to accompany the Lindy hop.

When rock and roll first emerged in the early 1950s, record companies were uncertain as to what style of dance would be most applicable to the music. Notably, Decca Records initially labeled its rock and roll releases as "foxtrots", most notably "Rock Around the Clock" by Bill Haley and His Comets. Since that recording, by some estimates, went on to sell more than 25 million copies, "Rock Around the Clock" could be considered the biggest-selling "foxtrot" of all time.[4] Today, the dance is customarily accompanied by the same big band music to which swing is also danced.

Over time, the foxtrot split into slow and quick versions, referred to as "foxtrot" and "quickstep" respectively. In the slow category, further distinctions exist between the International or English style of the foxtrot, and the American continuity style, both built around a slow-quick-quick rhythm at the slowest tempo, and the social American style using a slow-slow-quick-quick rhythm at a somewhat faster pace. In the context of International Standard category of ballroom dances, for some time the foxtrot was called "Slow Foxtrot", or "Slowfox". These names are still in use, to distinguish from other types of foxtrots.

Three distinct styles of slow foxtrot are in common use among ballroom dancers today: the American Social Style, the American Continuity Style, and the International Style. All three are partner dances in which the dancers progress around the dance floor in a counter-clockwise direction and are danced to much the same music. However, they differ significantly in technique, positions, and figures.

International Style Foxtrot is the most tightly defined of all the Foxtrot styles, with instructional and competitive syllabi that are tightly controlled by the Imperial Society of Teachers of Dancing. Thus, it is possible to present the following list of International or English style foxtrot figures,[14] although this is by no means an exhaustive list.

They happen because git pull means git fetch && git merge and that second git merge is a "foxtrot merge". It treats your work as the main branch, and someone else's work, done on master after you started on your work, as a secondary, probably-not-master branch. The goal of the hook is to prevent people from working on master and using git pull like this.

and your work appears as a non-"foxtrot merge". Once your work is successfully merged and pushed you can delete your feature-branch. Meanwhile Bob and Carol can keep working on their features, or, if they finished before you did, your merge merges atop their merges.

Found this guy in one of the foxtrot cases while clearing out a motor pool in my army days. This immediately became part of my medical supply kit I keep in my truck. Been doing plenty of training and drills with this guy and it has bever let me down. Incredibly durable, extremely compact compared to the standard army issue sleds and litters, lots of carry or drag options, and holds a hell of a lot of weight. I highly recommend this product for any operations team, medit, or concerned citizen with medical training.

On Summerteeth, Tweedy yowled about "speakers speaking in code" and I thought of that refrain from "I Can't Stand It" when I first heard the words "yankee-hotel-foxtrot" uttered by the disembodied English woman on the sublimely creepy box-set of shortwave radio transmissions, The Conet Project, which is sampled sporadically throughout this record. And in a deeper, more deliberate world, perhaps we could trace that thread to unravel the secret wonder of Wilco's new album. But I don't think there's any secret; and I don't think there's any code. Beneath the great story of Yankee Hotel Foxtrot, there are all the tropes and symbols and coincidences of a little mythology; but under that is a fantastic rock record. And why tell you? You all already knew this.

Given the inclusive nature of this program, submissions from all genders will be accepted. To learn more about how to submit for Up & Comers and attend local events, visit www.foxtrotco.com/upandcomers.

There are currently 18 Foxtrot locations across Chicago, D.C. and Dallas with plans to continue expansion in both existing and new markets. For more information, visit foxtrotco.com or download in the App Store. 006ab0faaa