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Who Killed Captain Alex? is a 2010 Ugandan action comedy film written, produced, and directed by Nabwana Isaac Geoffrey Godfrey (IGG), by Wakaliwood, an ultra low-budget studio in Kampala, Uganda.[1] The film gained viral notoriety for being a no-budget action film, produced on a reported budget of under $200[2][3][4] although producer Alan Hofmanis later stated that the production value was in fact $85.[5] A trailer for the film was uploaded to YouTube in January 2010 and the full film was uploaded in March 2010, and has been viewed over 8.9 million times as of November 2023.[3] The original version of the film was lost due to power outages and "strained conditions" according to Nabwana, while the surviving version of Who Killed Captain Alex? released online includes commentary from an English-speaking "Video Joker" that includes running gags about the characters.[2][6]

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The original version of the film was intended for local distribution in Kampala, with the dialogue recorded in the native language of Luganda. After the Luganda trailer for the film went viral on YouTube, Nabwana reappropriated the local video joker practice for a Western audience and hired VJ Emmie to provide commentary on the film in English.[10]

Nabwana IGG completed work on the 2010 sequel Tebaatusasula (Luganda: "Those Who Were Screwed Over") when a massive power surge in Wakaliga destroyed the hard drive that contained the film footage, resulting in it becoming a lost film.[15]

Uganda's free speech advocates are calling for the release of a comedy group arrested last week on accusations of promoting sectarianism. Members of the group known as Bizonto were arrested after performing a skit that criticized government leaders.

Process by process: Comedy in Uganda is among the fast growing sectors on the entertainment scene. It has been a gradual process to get to where it is now. Isaac Ssejjombwe explores the comedy industry over the last 10 years to where it is today.

Ten years ago, stand-up comedy was only limited to just a few platforms. There was mic check at Theatre Labonita, Pablo Live and probably Brain Wash of Omukebete, Smart Ayokyayokya, Ken Van Muk, Dickens Perv and Ronnie McVex.

Of course, other platforms such as Theatre Factory (later Fun Factory), Amarula Family and Kandolindoli were practicing skit comedy at various venues around town. Thereafter, other platforms such as The Punchliners sprung up with an entire generation of new comedians. Then Comedy Files at Theatre Labonita opened up and comedy shows became a weekly fixture.

Also comedy currently is a better recognised art form and comedians are going out of their way to release one man shows and more curated shows such as Africa Laughs, The Ghetto Girl show, The Comedy Black Friday, Arise Woman Comedy Jam, among others.

Well, I was on the Road to Damascus when suddenly, a bright light from heaven flashed around me and I heard a voice say: Joe, Joe, why do you practise law?" Afterwards, I discovered that I was blind. Three days later, fish scales fell from my eyes and I started performing comedy. Hot damn! Wouldn't it be totes on fleek" if my start in comedy had the same dramatic narrative as Saul's conversion to Paul? Yes! Oh well, what a shame!

The boring version: On completing law school, I was recruited to join Deloitte & Touche, one of the Big Four global accounting firms. I worked with Deloitte as a tax consultant for a year before I ditched it all to venture into the less predictable world of comedy.

Sadly, Uganda's comedy scene is non-existent. The entire comedy industry has been stuck at take-off stage since it started. As things stand, Ugandan comedy isn't professional enough because there's no money in it and there's no money in Ugandan comedy because it isn't professional enough. That's the paradoxical crossroads at which the comedy industry currently finds itself trapped. What should come first? Professionalism or money? It's the chicken-or-egg dilemma that local comedians must resolve if comedy in Uganda is ever to come out of limbo and turn into a viable industry.

My role in the overall scene is hard to contextualize. I was the first Ugandan comedian to have his own satirical half-hour TV show. But having blazed that particular trail, outgrown the local scene and relocated to more advanced comedy markets, no comedian seems to have sufficiently stepped up to plug the subsequent vacuum.

Instead of targeting the global audience with universal material, Ugandan comics appear more contented performing only the kind of comedy that appeals strictly to consumers back at home, Ugandans in the diaspora or other Africans, at best.

While performing on the New York comedy scene, I had the good fortune of crossing paths with Trevor Noah at The Comedy Cellar. We bonded over our mutual passion for comedy, did some work together and regularly kept in touch. When Trevor was hired as the new host of The Daily Show, he invited me to come onboard.

Moses Kiboneka, also known as Uncle Mo, says comedy came as an alternative when work at his garage had come to a standstill due to the disruptions caused by Covid-19 last year. Little did he know that five months later he would be a comedy sensation in Uganda. 006ab0faaa