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So I am thinking of renting an office space to stream. In California I can't afford an apartment but I can afford an office as a way to stream. (I know this sounds insane.) My question do you think this is feasible? (I do have housing btw just has really crappy internet) I do want to stream as a way to gain some income. Have you heard any streamers doing something like this or am I just really fucking stupid?

Across the country, Stream leases and manages more than 271.1 million square feet of office, industrial, retail, healthcare, and data center space and has developed or acquired 47 million square feet. The firm completes more than $5.8 billion in real estate transactions annually.

The State Engineer has authority over the supervision, measurement, appropriation, and distribution of all surface and groundwater in New Mexico, including streams and rivers that cross state boundaries.

Past the outfield, south of the property, there used to be a helicopter landing pad which was used for special postal deliveries. It is no longer used. South of that is a marshy natural plant area that separates the post office property from the other businesses in the area.

OCLI, a Spectrum Vision Partners managed practice, has relocated its Valley Stream office to a new, larger space at 70 East Sunrise Highway, Suite 400, Valley Stream, NY 11581. The new location will enable the practice to better serve the needs of its patients.

According to Gerard DAversa, MD, After serving the Valley Stream community for over 15 years, we are now moving with the OCLI Valley Stream doctors, Swerdin, McKeague, Garibaldi, Galstian and DAversa, Jr., to a new, larger office space. This will make it easier to provide the exceptional care our patients have come to expect from us.

Decades after its founding, OCLIs mission is continually being met with modern, state-of-the-art office locations across Nassau and Suffolk counties. The group includes over 40 eye care professionals, known for their clinical expertise, innovative care, and compassionate bedside manner.

The architects of this land and generation are now brought face to face with something new under the sun,-namely, that evolution and integration of social conditions, that special grouping of them, that results in a demand for the erection of tall office buildings. It is not my purpose to discuss the social conditions; I accept them as the fact, and say at once that the design of the tall office building must be recognized and confronted at the outset as a problem to be solved, a vital problem pressing for a true solution.

Let us state the conditions in the plainest manner. Briefly, they are these: offices are necessary for the transaction of business; the invention and perfection of the high-speed elevators make vertical travel, that was once tedious and painful, now easy and comfortable, development of steel manufacture has shown the way to safe, rigid, economical constructions rising to a great height; continued growth of population in the great cities, consequent congestion of centers and rise in value of ground, stimulate an increase in number of stories; these successfully piled one upon another, react on ground values;-and so on, by action and reaction, interaction and inter-reaction. Thus has come about the form of lofty construction called the "modern office building." It has come in answer to a call, for in it a new grouping of social conditions has found a habitation and a name.

Wanted-1st, a story below-ground, containing boilers, engines of various sorts, etc.,-in short, the plant for power, heating, lighting, etc. 2nd, a ground floor, so called, devoted to stores, banks, or other establishments requiring large area, ample spacing, ample light, and great freedom of access. 3rd, a second story readily accessible by stairways,-this space usually in large subdivisions, with corresponding liberality in structural spacing and expanse of glass and breadth of external openings. 4th, above this an indefinite number of stories of offices piled tier upon tier, one tier just like another tier, one office just like all the other offices,-an office being similar to a cell in a honey-comb, merely a compartment, nothing more. 5th and last, at the top of this pile is placed a space or story that, as related to the life and usefulness of the structure, is purely physiological in its nature,-namely, the attic. In this the circulatory system completes itself and makes its grand turn, ascending and descending. The space is filled with tanks, pipes, valves, sheaves, and mechanical et cetera that supplement and complement the force originating plant hidden below-ground in the cellar. Finally, or at the beginning rather, there must be on the ground floor a main aperture or entrance common to all the occupants or patrons of the building.

This tabulation is, in the main, characteristic of every tall office building in the country. As to the necessary arrangements for light courts. These are not germane to the problem, and, as will become soon evident, I trust, need not be considered here. These things, and such others as the arrangement of elevators, for example, have to do strictly with the economics of the building, and I assume them to have been fully considered and disposed of to the satisfaction of purely utilitarian and pecuniary demands. Only in rare instances does the plan or floor arrangement of the tall office building take on an aesthetic value, and this usually when the lighting court is external or becomes an internal feature of great importance.

As I am here seeking not for an individual or special solution, but for a true normal type, the attention must be confined to those conditions that, in the main, are constant in all tall office buildings, and every mere incidental and accidental variation eliminated from the consideration, as harmful to the clearness of the main inquiry.

The practical horizontal and vertical division or office unit is naturally based on a room of comfortable area and height, and the size of this standard office room as naturally predetermines the standard structural unit, and, approximately, the size of window-openings. In turn, these purely arbitrary units of structure form in an equally natural way the true basis of the artistic development of the exterior. Of course the structural spacings and openings in the first or mercantile story are required to be the largest of all; those in the second or quasi-mercantile story are of a somewhat similar nature. The spacings and openings in the attic are of no importance whatsoever (the windows have no actual value), for light may be taken from the top, and no recognition of a cellular division is necessary in the structural spacing.

Hence it follows inevitably, and in the simplest possible way, that if we follow our natural instincts without thought of books, rules, precedents, or any such educational impedimenta to a spontaneous and "sensible" result, we will in the following manner design the exterior of our tall office building,-to wit:

Beginning with the first story, we give this a main entrance that attracts the eye to its location, and the remainder of the story we treat in a more or less liberal, expansive, sumptuous way,-a way based exactly on the practical necessities, but expressed with a sentiment of largeness and freedom. The second story we treat in a similar way, but usually with milder pretension. Above this, throughout the indefinite number of typical office tiers, we take our cue from the individual cell, which requires a window with its separating pier, its sill and lintel, and we, without more ado, make them look all alike because they are all alike. This brings us to the attic, which, having no division into office-cells, and no special requirement for lighting, gives the power to show by means of its broad expanse of wall, and its dominating weight and character, that which is the fact,-namely, that the series of office-tiers has come definitely to an end.

I assume now that in the study of our problem we have passed through the various stages of inquiry, as follows: 1st, the social basis of the demand for tall office buildings; 2nd, its literal material satisfaction; 3rd, elevation of the question from considerations of literal planning, construction, and equipment, to the plane of elementary architecture as a direct outgrowth of sound, sensible building; 4th, the question again elevated from an elementary architecture to the beginnings of true architectural expression, through the addition of a certain quality and quantity of sentiment.

It demands of us, what is the chief characteristic of the tall office building? And at once we answer, it is lofty. This loftiness is to the artist-nature its thrilling aspect. It is the very open organ-tone in its appeal. It must be in turn the dominant chord in his expression of it, the true excitant of his imagination. It must be tall, every inch of it tall. The force and power of altitude must be in it the glory and pride of exaltation must be in it. It must be every inch a proud and soaring thing, rising in sheer exultation that from bottom to top it is a unit without a single dissenting line,-that it is the new, the unexpected, the eloquent peroration of most bald, most sinister, most forbidding conditions. 17dc91bb1f