Thy Kingdom Come is the fourth studio album by Nigerian street-pop singer Seyi Vibez. It was released on 24 June 2023, through Vibez Inc, and Dvpper Music. The album included guest appearances from Nigerian indigenous rapper Phyno, and South African singer Ami Faku. It was executively produced by Dvpper Music founder and CEO Dapper, and Seyi Vibez, along with production from Dibs. The album is a mixture of Afropop, Amapiano, Nigerian Hip Hop, Afroswing, R&B/Soul, Arabic hip hop, and Fuji fusion.[1]

In 2023, Seyi Vibez announced the release of his debut project, two weeks after releasing Vibe Till Thy Kingdom Come. The project debuted at number three,[2] and reached number two on Nigeria's TurnTable official album chart.


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Egbon adugbos, the scammers trapping in the trenches, the hood babes and the next generation of hustlers love Seyi Vibez's album. It is as ubiquitous in the hood as Van Cleef bracelets and vapes in any Lagos social setting.

Typically referred to as a Street-Hop artiste, Seyi Vibez strikes me more as an Afro-Fusion act. It just so happened that the instrumentals he frequently performed over were tinged with touches of Hip-Hop and various other genres. The talented singer and songwriter displays his vocal adaptability in spades on the album.

Tequila Ever After is a clever title, but the album may, at best, be a slow burner or, at worst, a fizzle in the Afrobeats smoulder, like Catch Me If You Can. I have been unable to get into it in the way I have been able to get into Maverick. Tunji Olalere said it best, Kizz Daniel is the superior musician.

In the dizzying light of the confusion, many stick to what is simple. Fela as the grandfather of Afrobeats, simplifies things. His Afrobeat provides a parent that could babysit the wild child, Afrobeats. Of course, there is a place for the messy origin story, the incestuous family tree that can unpack the influences of Asake\u2019s iconic second album, Work of Art, and link it to Fuji and Juju traditions.

Last weekend, both Adekunle Gold and Kizz Daniel (or Vado the Great) released their fifth albums. These two musicians, whose careers took off around the same time, share strong juju influences at the start of their careers. Whilst Adekunle Gold has radically diluted his early juju style, Kizz Daniel has kept that Juju tempo at the core of his music. His latest, Maverick, consolidates the gains from his classic Barnabas EP. Sharing intimate snippets of fatherhood, he shows a maturity that may assuage aggrieved fans. Vado also gifted us with another scorned lover\u2019s anthem, Complicated.

The superiority argument is alive with Seyi Vibez and Asake\u2014cue in the first song on Seyi Vibez\u2019s latest album, Man of the Year. The lyrics suggest a truce. I could be the Man of the Year. You could be the Man of the Year, too. ff782bc1db

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