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I'm looking for suggestions of reggae songs, albums, or artists that feature a horn section, please (meaning saxophone, trumpet, trombone, etc.). One such album that I found enjoyable is "Faya Horns Meet Mad Professor and Joe Ariwa", yet the suggestions don't have to necessarily have a similar sound. Just sharing that one.

I recently started getting into reggae when my BJJ instructor turned me onto it. I've got some great playlists with more classic artists, but I'm really digging some of the heavier beats. So looking for some recommendations.

Download Reggae Mix With Mc

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Reggae artist Bitty McLean has topped the European charts several times by melding his soulful sound with that of early American rock classics, such as Fats Domino's "It Keeps Rainin' (Tears From My Eyes)" and The Shirelles' "Dedicated to the One I Love."

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Former Mira Costa grads that have left the band include Ryan Gonzales (2006, guitar and vocals), who was an original member, and Sam Mandelbaum (2005), who filled in on drums and recorded with the band. The brothers and Gelb grew up in Hermosa Beach while Walpole grew up in Manhattan Beach.

Nyabinghi were the first Rastas, growing from enslaved populations to live off the land, living by biblical passages and consuming Ital diets. The Rasta image received a boon with Bob Marley after he started locking his hair. He was part of a continuum of reggae artists yet one of the most musically gifted. Marley lived in both country and city, navigating the treachery in the streets while educating himself about nature, all of which made its way into his incredible music.

Exploring the connection between electronica and reggae, the set concludes with a variety of hypnotic tracks from See-I, Thievery Corporation, Massive Attack, and one of my favorite remixes ever, Sade guitarist and saxophonist Cottonbelly (aka Stuart Matthewman), makes a Gregory Isaacs classic even better.

Four Dube albums have been released by Shanachie in the United States, and his vibrant stage performances, resonant voice and upbeat arrangements have brought him to the forefront of the youthful African reggae contingent that includes Alpha Blondy and Majek Fashek.

It is the seventh album credited to Creation Rebel, who originally coalesced as a live backing group for the late, great Prince Far I, in the process sharing stages with the likes of The Clash, The Slits and Don Cherry.

When I started playing, regularly with the Lotions (I was never a formal member), I had never played with any band on that scale. They were, arguably, the most popular band in Austin, in their heyday.

I also want to just do some straight up recording with it as well, guitar, bass, percussion. Maybe run my Strymon Volante and Flint through the effects channels for some live dubbing, and could even put the Deco on the main outs before I record it down to a stereo track. Lots to experiment with!

Hello there .. my first post!

Here you will find some informations & profiles about melodica in reggae. There is surely lot of things to say and discuss. For the moment, i will mainly focus here on 70s reggae, hence ignoring recent players (Art-X, Addis Pablo,..)

He was responsible for the (short-lived) melodica craze in the jamaican music industry in the mid 70s, and remained the sole true specialist of this instrument in the reggae field. He also played clavinet, xylophone and piano with great melodic results (check out Marabi, a clavinet tune for exemple)

Another favorite period of mine. Augustus Pablo style gradually shifted in heavy dub realm. Mood is quite different .. slow, heavy, full of echoes, especially for tunes issued from his collaboration with Lee Perry and his famous Black Ark studio. Reggae roots at his best ! During these years, he launched his own-label Rockers and became a producer with great success.

The 80/90 decades were definitely not the best for Augustus Pablo, especially as his health problems worsened. The sound gradually ventured into more lightweight melody and digital sound with often an overall pretty bland result (feel free to disagree in the comments). You can still find some nice bits of melody here and here, his last album, released just before his death (Valley Of Jehosaphat, 1999) showed a return in better form.

According to LP sleeves, it seems he gave up his Hohner26 for another model (see photo here after .. Hohner36?). Maybe that could also partially explain the overall sound change in his recordings. I would be curious to hear these melodies with raw Hohner 26 recording.

The unpolished nature of some of this body of Jamaican music is part of its appeal, just as an unpolished raggety melodica often sounds just right in some songs, particularly some blues, roots, and reggae songs. I, along with others here on Melodica World, are pioneering new equipment and techniques. You can open your mind to new knowledge here. And I am sure many here would welcome you sharing more of your knowledge about the use of melodicas in Jamaican music.

Partnering with an eclectic group of musicians that included Rick Ross, Pit Bull, Waka Flocka, Iggy Azalea, DJ Khaled and Shaggy, Marley set out to make an album that merged reggae with genres that are currently popular.

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Roots Reggae, is the dominant force/genre on Sunset Reggae, with some Lovers Rock, Ska and conscious Dancehall, all sprinkled in. At 7:00 pm, Mumia Abu Jamal has his say. Check out his website www.freemumia.com for more information on his struggle.

Mohamed Labib: The scene is getting better, by the way; we've been playing for four years. Four years ago, we would have 40 people show up, then it turned into 80, then 800, then 1000 - so, it's getting better. Also, some bands come to us with the Reggae tracks they want to play, asking us for our opinions. Or someone mixing a Reggae track would call Mohamed Hassan and ask how the snare usually is, you know? The scene is increasing, and the music is pretty catchy. It's catchy, simple music, and the words are in Arabic, so it will affect a lot of people.

Watch Bobby from Raytown Productions a female fronted pop/reggae song from start to finish. This video will show you step by step how to mix drums, bass, synths, guitars, and female vocals.

Originally released in 2004, this reissued collection of photos with commentary is both a gorgeous coffee table book, and a valuable resource. Kate Simon photographed everyone who was anyone throughout the 1970s, rock, punk, reggae, you name it. But there was a special bond between her and Bob Marley. You can feel it in the photos. Many of her works went on to be album covers, or to become the poster prints all over the walls of student flats across generations.

The unique combination of a photo-journalism assignment and oral history gives this book the edge. It is both informative and stunning to look at, and look through. It contains the secrets, the emotional truth, to back up the official histories with their facts and figures and statistics.

Marley\u2019s music, and the reggae that he took from and then took to the world, is rightly celebrated here. And the introduction by Patti Smith and afterword by Keith Richards help to both provide context and show the impetus of the reggae influence. It was everywhere across punk and pop and rock\u2019n\u2019roll. 2351a5e196