Download ((FULL)) Oru Naal Oru Kanavu Song

Kalyani or Yaman (in Hindustani) is probably the most commonly used raaga in Indian film music. There are thousands of songs (if not more) in this raaga and all composers would have composed at least a few songs in this raaga. The uniqueness of this raaga is that it sounds very melodious and is instantly likeable, the reason being it is very common. But nevertheless, Kalyani is a very elegant raaga and it is considered one of the best raagas for aalapanas or expositions. Listening to this raaga is supposed to destroy fear and increase our self-confidence, a perfect prescription for exam fever!

You can be sure that many of your favourite songs will be in this raaga. Below are some of my favourite songs in this raaga, I have omitted MANY other good songs because of the sheer number of songs in this raaga.

Download Oru Naal Oru Kanavu Song

Download File 🔥 https://shurll.com/2y4Pgr 🔥

Oru Naal Oru Kanavu is like a dish that has all the right ingredients and a famous chef but still ends up tasting bad. The film has a likeable lead pair, good music and an experienced director not unfamiliar with the romance genre, at the helm. But the film is a complete letdown. And just as its the cook who is responsible for the bad quality of the dish, the blame for the film's failure lays squarely with its director Fazil.

Mayadevi(Sonia Agarwal) sees Srinivasan(Srikanth) everyday as he runs around doing multiple jobs and admires him for that. An argument between them results in Maya challenging Seenu to love her. After realizing that Maya isn't going to let him live in peace, Seenu decides to make her fall for him before breaking her heart by revealing that he doesn't reciprocate her feelings.

It looks like our directors are really running out of ideas for situations where the hero and heroine fall for each other. Here Sonia falls for Srikanth after seeing him be a busybee! But I guess we can be glad that she doesn't fall for a rowdy or dada.

ONOK has some really poor characterization and among some rather inconsistent and weak characters, Sonia's is the worst. She is initially shown as a frivolous girl playing pranks on unsuspecting strangers but we learn later that she actually has a lot of emotional baggage. I was never sure what her real feelings towards Srikanth were and her thought process seems rather strange(her way of getting him to like her is to really irritate him by getting him fired from his jobs!). With such an enigmatic heroine, is it any wonder the screenplay is so confusing?

The movie is atleast engaging as long the focus is on Srikanth and Sonia. Sonia's challenge and Srikanth's plan point to an interesting screenplay even if we can guess how the movie will proceed. But once the couple's families come into the story, the screenplay turns completely amateurish. The characters in both their families are cliched and one of two extremes - they are either perfect or candidates for members of the family from hell. On one hand is Sonia's money-hungry family complete with the America-returned suitor. And on the other is Srikanth's perfect family that lives in a perfect little house, where love overflows, and even sings together.

The film begins to meander towards the end which gives the impression that Fazil wasn't really sure how to wrap things up. There were atleast two points where the climax seemed imminent but I then groaned inwardly as the screenplay took another turn. The movie also becomes a hotchpotch of screenplays from other movies from this point as we get all the situations and characters in a rich girl-poor boy story, a rags-to-riches story, etc.

Srikanth, who usually plays a soft and silent loverboy, gets to play a more exuberant role here. Though he overdoes it at a couple of places, he is good overall. I've never been a big fan of Sonia Agarwal. She has a perennially downcast face that even a wide smile fails to light up. So she seems miscast in the initial portions. She looks quite fat too(maybe the retakes of the Khajuraho... song sequence were responsible for this!) Ilavarasu and Stephen(the friend in Kaadhal) try in vain to raise a few laughs.

Kaatril Varum Geethame... sounds glorious though the picturization is a little too idyllic. Khajuraho...'s picturization is a letdown but Konjam Thira..., which plays in the background, is used suitably. Ponnukkoru... gets the prize for the most unnecessary and thrust-in song sequence.

Oru Naal Oru Nightmare is more like it!

Hi Bala, seems you are churning out some nice reviews in here.. Keep it going..

ONOK spoilt my Oru Naal.. Have been a Fazil supporter (including his last disaster Kannukul Nilavu) but this one really put me off. It was like lifting some themes and images (Khajuraho song sequences) out of English novels (Mills and boon variety) and making a movie trying hard to get across the message, "Love prevails". But confusion prevails throughout the movie until the climax. Comedy - nothing to mention about. Music - A very decent effort, esp considering the quality of movie. Over the top acting by Srikanth, poor lip sync by Sonia, unreal characters and surroundings (cochin being passed off throughout as chennai!!!) lead to one big black spot in fazil's resume.

Wasted dream...

HEY, gud review, i totaly agree with u, the only thing gud waz the songs among which kaatril varum geetame was marvaleos, i say it is the hit of the decade , this is wat illayaraja thinks, even A.R rahman and yesudas shoulders him.but after seeing the filim one wonders, is this the same man who took ever gloriouse hits like"manichitra thazhu,pappayoode....." etc , i think he took this filim bcause he was flopping in malayalam, and bcause he has never flopped in tamil, but he is a great man. suresh (gobi) uncle once told me that fazil is one of the greatest directors ever, buthe is not taking films on his interest, he is just trying to stage a comeback, anyway hope fazil uncle comesbak!!!! e24fc04721