"By Your Side" is a song by English band Sade from their fifth studio album, Lovers Rock (2000). Written by Sade Adu, and produced by her and Mike Pela, it was released as the album's lead single in the United States on 3 October 2000 and in the United Kingdom on 6 November 2000. The track was nominated for Best Female Pop Vocal Performance at the 44th Annual Grammy Awards in 2001.[1] The music video for the single was directed by Sophie Muller. In 2002,[2] the song was listed as the 48th greatest love song of all time by VH1.[3]

The single received favourable reviews from music critics. Justin Chadwick from Albumism stated that it "stands as one of the most endearing anthems of unconditional love to emerge in the 21st century thus far".[4] AllMusic editor Ed Hogan said that "never before has the singer infused more mainstream rock elements (prominent strummed guitars) into her music as evidenced by the first single, "By Your Side"."[5] Tanya Rena Jefferson of AXS considers it to be the group's best, commenting, "'By Your Side' is a heartfelt, beautiful song that allows Sade to express how one will not leave and will always be by one's side through thick and thin. This flavorful, mellow, powerful filled song is warm and allows the listener to understand the importance and sincerity of the lyrics."[6]


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The music video for the song was shot in Los Angeles[11] and was directed by British director Sophie Muller, who revealed that it is a metaphor for Sade Adu's life. In the video, she is depicted as a mystical figure walking through a forest and into the city. As the singer walks through different scenes, she gathers items such as a rose and a burned wood stick, and puts them in a small sack. At the end of the video, she walks into the city and is seen in the median of the road offering/selling the rose like a flower seller. This strange journey represents her life but "made into a beautiful, mysterious dream."[12]

"This song for me... if you listen to Kanye, if you listen to Bono... that song 'By Your Side' has so much of that identity", frontman Matty Healy said. "When I was listening to it, I was listening to it with this real sense of modernity thinking wow, this is still really forward thinking. When we were going to go a gig for War Child... the idea of doing it for charity meant the sentiment of the song took on a whole different meaning, and it felt perfect. It's such a beautiful song."[45]

The song was covered by Beachwood Sparks on their album Once We Were Trees (2001). The video, directed by Chad Misner, was selected for the 2002 South by Southwest Film Festival.[49] The song appeared on the soundtrack to the film Scott Pilgrim vs. the World (2010).

"Side" is a song by Scottish rock band Travis, released as the second single from their third studio album, The Invisible Band (2001). Frontman Fran Healy began writing the song by composing a rap, which he would later remove, and penning a riff that would support it. In February 2000, he completed the song's lyrics, which describe how everyone shares life and explains that there is no greater existence for anyone who seeks it, as everyone shares the same "side" of life. The song was released as a radio single in the United States in August 2001 and was issued in the United Kingdom the following month.

Produced by Nigel Godrich, "Side" received mixed reviews from music critics and peaked at number 14 on the UK Singles Chart, becoming a top-50 hit in Ireland, Italy, and New Zealand as well as on two US Billboard charts. The single releases include live versions of "Driftwood" and Mott the Hoople's "All the Young Dudes", as well as a cover of the Bob Dylan song "You're a Big Girl Now". The song's music video has a UFO theme and features Travis being abducted by aliens after performing the song.

Writing about the song's origin on the band's official website, Fran Healy recalled that the first part of "Side" that he conceived was rap segment, which he would later discard. After completing the rap, he composed the riff and music over the next few weeks so it would complement the rap verse, toying around with the lyrics until penning the final result in February 2000 during a plane trip. It was during this trip that he also created the name of the parent album, The Invisible Band.[1] Healy has stated that "Side" is about how people think that there is a better life for them somewhere in the world, but in actuality, no one is better off than anyone else as life is shared by everyone; in other words, everyone stands on one "side" of life.[2] Many clich expressions make up the lyric, such as "The grass is always greener on the other side".[3]

Reviewing The Invisible Band on AllMusic, MacKenzie Wilson wrote that "Side" was "instantly endearing" and noted its "Beatlesque" lyrics.[4] Andy Frankowski of Drowned in Sound compared the track's sound to that of the band's previous album, The Man Who (1999), specifically mentioning the guitars backing the lyrics "grass is always greener on the other side / the neighbour's got a new car that you wanna drive".[5] Pitchfork writer Kristin Sage Rockermann said that she liked the composition but criticised the "clich" lyrics, such as "The grass is always greener on the other side" and "There is no wrong, there is no right".[6] In 2015, music website Pop Rescue was also ambivalent toward the song's lyrical content, particularly the chorus, and attributed the song's lukewarm reception on the UK Singles Chart to the lack of a "catchy" refrain.[7]

The video for the song has a UFO theme. It begins with three boys looking for UFOs through their bedroom skylight. When one hovers overhead, they go outside and follow it, only for it to land in a cavern in the desert, where they find Travis performing the song. At the end of the video, the band are abducted by aliens while they are performing out in the desert. The clip ends with a newspaper article regarding their disappearance.

The single's B-sides include two tracks taken from a gig the group played at the Glasgow Barrowlands in June 2001, including their hit single "Driftwood" and a cover of the Mott the Hoople song "All the Young Dudes", which was originally written by David Bowie, and features lead vocals by Dougie Payne. Another issue of the single includes a cover of the Bob Dylan song "You're a Big Girl Now".

"The Other Side" is a song performed by the American rock band Aerosmith, and written by Steven Tyler, Jim Vallance, and Holland-Dozier-Holland. It was released on June 6, 1990 as the fourth single from the band's highly successful 1989 album Pump.

Jim Vallance composed the instrumental parts for the song between Christmas and New Year's Eve 1988. He then mailed a demo of the song with guitar, piano, bass, drums, and horn synthesizer to Aerosmith singer Steven Tyler, who came up with the lyrics and vocal melody.[4] The songwriting team of Holland-Dozier-Holland were eventually given songwriting credit on the song after threatening to file suit over similarities between "The Other Side" and their song "Standing in the Shadows of Love".[4]

Every song is divided into the composition and the recording. The composition is the original idea of the song put in some tangible form. It could be a simple recording you make with your smartphone, or the lyrics and chords of the song written out on paper.

The other type of copyright every song has is the recording. It refers to a specific recording of a song for release. While there can only be one composition, a song can have multiple recordings (e.g., live versions, alternate takes, or covers of your song by other artists) and grant you multiple recording copyrights.

Another oft-misunderstood royalty is owed to recording rights owners: digital performance royalties (similar to neighbouring rights outside of the U.S.). These royalties are paid to the recording owner and recording artist (not the publisher or songwriter), and are earned whenever it is played on a non-interactive streaming service like Pandora, or streaming or satellite radio. In the U.S., these royalties are collected by SoundExchange; outside of the U.S., many organizations collect and distribute neighbouring rights royalties.

Baa Baa Black Sheep is about the medieval wool tax, imposed in the 13th Century by King Edward I. Under the new rules, a third of the cost of a sack of wool went to him, another went to the church and the last to the farmer. (In the original version, nothing was therefore left for the little shepherd boy who lives down the lane). Black sheep were also considered bad luck because their fleeces, unable to be dyed, were less lucrative for the farmer.

It works much better having a group for each side of the argument, as opposed to all of the girls ganging up on Rosalia. Whilst the musical offers shallow stereotypes of Puerto Ricans, this number successfully shows that Puerto Ricans are not a monolith.

This page lists the backgrounds that appear behind the track during gameplay.Packs typically have their own backgrounds (one for Light side songs and one for Conflict side songs), with some songs receiving unique backgrounds.Certain backgrounds only appear under specific conditions when playing certain challenges.

Internal names are in sky blue for Light-side backgrounds, violet for Conflict-side backgrounds, and gray for Colorless-side backgrounds.Whether a background is Light-side, Conflict-side, or Colorless-side is shown next to the names.

**Before v3.12, byd_light and byd_conflict didn't have specific tracks. Instead, they used whatever track the song in question would normally use. (e.g. Playing a song that uses the mirai_dark background would use the black track and a song that uses the nijuusei_conflict_b background would use the dark_nijuusei track) However, this is no longer true, as Ignotus Afterburn [BYD], Red and Blue and Green [BYD], Singularity VVVIP [BYD], and overdead. [BYD] have byd_conflict as the default background. As of v4.1.0, byd_light still does not have a specific track. ff782bc1db

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