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Founded in 1946, the Department of Music enriches the cultural and intellectual life of Washington University and the St. Louis area. Our distinguished research faculty publishes widely on concert and popular musics. We offer graduate and undergraduate degrees, as well as courses designed for non-majors. Any Washington University student may enroll in private music lessons or participate in a variety of ensembles. Student composers are a special focus of our curriculum. The department sponsors over 130 concerts and lectures annually - including our Great Artists Series, which brings internationally-known classical music performers to campus.

Each semester, over five hundred students participate in music at Washington University. Our concerts and events draw an annual combined audience of ten thousand. We invite you to join our musical community - including membership in the Friends of Music, an organization that supports student music making.

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As a philosophy-neuroscience-psychology and music double major, I really get to perform, study music in an academic context, or study the intersection of music and psychology in an academic context. I really appreciate this versatility because I think it makes me not only a well-rounded student but a well-rounded thinker."

We are a supportive community of faculty and graduate students located on a beautiful campus in a musically-rich city. With a low student-to-faculty ratio, individual attention is a hallmark of our department. All students accepted for the Ph.D. program receive generous six-year funding packages, with additional support for language study, research, and conference travel.

After disbanding in 1988, Wash transitioned to house music as a featured artist on several successful songs. Her success on the Billboard dance chart has earned her the honorific title The Queen of Clubland,[3][4] with a total of fifteen number-one songs on the chart to date.

Wash is also noted for sparking legislation in the early 1990s that made vocal credits mandatory on CDs and music videos. Starting in the late-1980s, her studio vocals were used in several successful dance songs without her permission or proper credit. Models lip-synched to her voice in music videos and during live performances, obscuring Wash's contributions and hiding Wash's size as a full-figured woman.[5] As a result, she was denied credit and royalties for many of the songs she recorded. This included multi platinum-selling song "Gonna Make You Sweat (Everybody Dance Now)". Subsequently, in Rolling Stone, music critic Jason Newman described Martha Wash as "The Most Famous Unknown Singer of the '90s".[3] In December 2016, Billboard magazine ranked her as the 58th most successful dance artist of all time.[6]

In the summer of 1989, Italian house music group Black Box recruited Wash initially as a session singer to demo their upcoming songs. Wash demoed a total of six songs for the group. Despite being recruited strictly for demoing the songs, Black Box retained the use of Wash vocals on the songs and released them on their debut album Dreamland. In December 1989, Black Box released their second single "I Don't Know Anybody Else".[20] The song, which featured Wash's vocals, became an international hit and peaked in the top-ten positions of many countries.[21] The group followed up with release of another single "Everybody Everybody", also featuring Wash, which became another international success.[21] Despite Wash's contributions to the songs, Black Box never credited Wash for her vocals and instead used French fashion model Katrin Quinol to lip-sync Wash's vocals during music videos, televised performances, and concert performances. Wash initially became aware of the scandal and sued RCA Records and Black Box for commercial appropriation in September 1990.[16] RCA settled the case out-of-court in December 1990, agreeing to pay Wash a "substantial" financial fee.[19] The company also signed her to an eight-album recording contract and financed her national tour.[19] In addition, many of Black Box's releases that contained Wash's vocals were re-issued with her sleeve credits. Black Box continued releasing singles in 1991 which saw the release of the top-ten international hit "Strike It Up",[21] "Fantasy" and "Open Your Eyes".

In November 1990, the C+C Music Factory released their debut single "Gonna Make You Sweat (Everybody Dance Now)", which featured Wash's uncredited vocals on the chorus. The song became an international hit, peaking at number one on Billboard's Hot 100,[22] and selling over a million copies in the United States.[23] After discovering that the group was using model-turned-singer Zelma Davis in the music video, Wash attempted to negotiate with the producers of the C+C Music Factory for sleeve credits and royalties which ultimately proved unsuccessful. Additionally, the song used an edited compilation of vocal parts that Wash recorded in June 1990 for an unrelated demonstration tape.[19] On December 11, 1991, Wash filed a lawsuit in the Los Angeles Superior Court against C+C Music Factory's Robert Clivilles and David Cole, charging the producers and their record company, Sony Music Entertainment, with fraud, deceptive packaging and commercial appropriation.[19] The case was eventually settled in 1994 and as a result of the settlement, Sony made an unprecedented request to MTV to add a disclaimer that credited Wash for vocals and Zelma Davis (who lip-synched Wash's vocals in the official music video) for "visualization" to the "Gonna Make You Sweat" music video.[3]

In March 2018, Wash began her YouTube web series called "10 Minutes with Martha Wash".[35][36] In April 2018, Wash released a single "Come into the Light".[37] The song was featured on the musical film "Wholly Broken" for which Wash plays the role of a woman named "Rose".[38] In September 2018, Wash joined the cast of WaistWatchers: The Musical.[39]

As of 2014, songs featuring Wash's voice have earned fifteen number-one dance singles, placing her among the top singers with the most number-one hits on the U.S. Dance Club Songs chart. Her success as one of the leading singers in the genre of house music would garner her honorific title The Queen of Clubland.[3][45] She has also been referred to as The Voice.[45] In Rolling Stone, the critic Jason Newman described Martha Wash as "The Most Famous Unknown Singer of the '90s".[3]

Martha Wash's work has influenced numerous artists including RuPaul, who stated that [3]"[Wash] merged a gospel voice into pop and dance music seamlessly. Her voice speaks to both the church and a pop ear and was built to cut through the bass of a dance club. The timbre of her voice is so distinctive and beautiful. A lot of gospel-based singers have come and gone in dance music, but she is the one."[3] RuPaul acknowledged Wash's song "Carry On" comforted him during his mother's passing.[46] Her single with the C+C Music Factory, "Gonna Make You Sweat (Everybody Dance Now)" was included in the top-ten VH1's "100 Greatest Dance Songs", while "It's Raining Men" ranked at number thirty-five.[47]

On September 14, 2014, Mighty Real: A Fabulous Sylvester Musical, a Broadway musical about Sylvester, debuted in New York City.[48] Wash's likeness was featured in the production and she was portrayed by actress Jacqueline B. Arnold.[48]

Purple Rose also began managing other musical acts. First Ladies of Disco, a female group originally composed of Martha Wash, Linda Clifford, and Evelyn "Champagne" King, released their debut single "Show Some Love" on the label in 2015.[50] The song peaked in the top-ten on Billboard's Dance chart.[51] The group has since toured throughout the United States of America on the First Ladies of Disco Tour.[50] In July 2016, The Ritchie Family released a single "Ice" on the label.[52] The song was later remixed and released as a maxi-single of six tracks.[53]

In 1990, Wash won lawsuits against music groups C+C Music Factory and Black Box for failing to provide vocal credits for songs she recorded with them as well as committing fraud by using models to lip-sync her vocals in music videos, stage shows, and televised performances. The lawsuit was filed under the truth-in-advertising laws.[16] In the same year, bills were introduced in the New Jersey and New York legislatures to require concert promoters to disclose whether pre-recorded material would be used on stage.[16] Wash's activism and legal wranglings on behalf of recording artists also resulted in eventual federal legislation making vocal credit mandatory for all albums and music videos.[7]

Wash, who is viewed as a gay icon,[54] has been involved in LGBT rights and she remains an outspoken advocate for the gay community.[3] In open letter addressed to the LGBT community, Wash acknowledged the support she has received back from community.[55] Wash also stated "It means the world to me when fans tell me they've followed me through the Sylvester years, or they came out to my music, or someone decided not to take their life. These are the people I sing for. So to all you beautiful people out there I say: stand strong, don't give in and carry on."[55] Wash has also been an activist for the fight against HIV/AIDS for more than thirty years after watching close-friend and music mentor Sylvester succumb to the disease.[3] On World AIDS Day in December 2012, she was awarded a Lifetime Achievement Award in San Francisco from the AIDS Emergency Fund for her advocacy and fundraising to provide financial assistance to victims of the disease.[56][57]

Whether you're trying to feel good or already feel good, there's no one like James Brown to get you up off your thing. Brown's music will invigorate you with the funk you need to have a great jet wash and a great day.

Sure you could belt out this tune, but it's also great for dancing. As the auto wash takes control, dance safely to this guitar riff! Who knew a car cleaning could involve a bit of cardio and a ton of fun? e24fc04721