_HOT_ Download Latest Sword Movies

Imagine life 1,000 years from now. The children of humankind are floating around in spaceships and people still believe that swords can stab through breastplates and all castles were just bare stone without paint!

Assuming we all understand that comparing the 1990s to the 1970s is no different than comparing the 1430s to the 1450s, we must keep in mind that real medieval sword fights will look different as we switch from decade to decade and place to place. This is because comparing 14th-century Italian swordplay to 6th-century Irish swordplay is like comparing Trump to Neil deGrasse Tyson. Just to make this point ring for the masses, I would love to make YouTubers like Lindybeige, Scholagladiatoria and Shadiversity the directors of big-budget movies, baby. My hope would be that they would actually take the time to sit back and really consider what this godforsaken sword fight should look like, man.

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There's no better way to end a movie in epic fashion than with a great sword fight. While an intense shootout or hand-to-hand fight scene can leave its mark on an action film, a sword duel offers the perfect combination of elegant weapon skill, high stakes fighting, and personal confrontation. From lightsabers to fencing foils to katanas, films have offered the best of different sword fighting styles for their epic, final showdowns.

A great movie sword fight is both well choreographed and story driven. Stunt work can truly make or break an action sequence, and sword fights require a particular skill in front of the camera, as well as strong direction behind the camera. The best sword fights also offer something to a film's narrative, like a hero overcoming some great hurdle or finally vanquishing their seemingly unbeatable foe.

The 2002 The Count of Monte Cristo film isn't a perfect adaptation of Alexandre Dumas' novel, but it's still an entertaining adventure film with a highly satisfying revenge story. Guy Pearce's Count Mondego is easily detestable, and Jim Caviezel's Edmond Dants begins the film as a far inferior swordsman, making the climactic sword fight all the more exciting, as the hero has grown significantly before facing his despicable enemy. The duel starts with Mondego on horseback charging in, before they find themselves on the ground with blades in hand, eventually seeing Dants as the victor. This sword duel's main strength is its narrative, as the actual swordplay is fairly short.

The Zorro film franchise has been known for reliably exciting sword fights, but the duel in the 1940 classic The Mark of Zorro stands out as one of the most well performed in cinema. While many film duels at the time consisted of running around and jumping on furniture, the fight between Zorro and Captain Esteban Pasquale is straight to the point and displays great skill from both combatants. Pasquale actor Basil Rathbone was actually a champion fencer in real life, elevating the scene with his skill. The shear talent behind the sword play is the primary reason for its excellence, as the two fight for two gripping minutes.

Hero is a great example of a wuxia film, a genre of Chinese art that's centered around martial arts heroes. In a film packed with beautiful sword fights, the clash between Jet Li's Nameless and Donnie Yen's Sky is the most impressive. Both actors are renowned martial artists and movie stars, making their on-screen duel a must-watch. The sword play is wildly fast-paced and advanced, combined with the wuxia genre's fantastical elements that add to the fight's movement and pacing. Despite being a fight scene, this duel in Hero is paired with calming music and is quite serene, showcasing the majestic nature of the genre.

The Princess Bride is one of the most fun fantasy films of the 1980s, and offers some great sword play. While the final duel between Indigo Montoya and Count Rugen is more emotionally driven, it's the fight between Inigo and Westley that is most memorable. The scene is incredibly fun, with its highlight being that the two duelists continue their witty dialogue while exchanging blows, including Inigo's "Prepare to die" line.

Revenge of the Sith was the most well received film in the Star Wars prequel trilogy, primarily due to the overarching story of Anakin Skywalker's downfall. The climactic fight between Anakin and Obi-Wan is one of the most emotionally driven duels in all of Star Wars, and is also extremely well coordinated. Hayden Christensen and Ewan McGregor do a fantastic job in their sword play stunt work, and the epic scenery of Mustafar only adds to the battle. The lightsaber duel's most important aspect is its narrative, that sees Anakin's hubris get in his way, resulting in him being horrifically injured, metaphorically losing his humanity and turning into Darth Vader.

Like Hero, Crouching Tiger, Hidden Dragon is a wuxia martial arts film with a number of fantastic sword fight scenes. The most exciting duel is the battle between Michelle Yeoh's Shu Lien and Ziyi Zhang's Jen Yu. The plot of the film ensues as Jen Yu has stolen the famed sword "The Green Destiny" from Shu Lien, and Lien pursues her to retrieve it. In their duel, Jen Yu wields the powerful blade, making up for her lack of experience against the more experienced fighter. Shu Lien uses a number of weapons to counteract The Green Destiny, but the sword versus sword combat is the unequivocal highlight of the action.

Troy has it all for sword and sandal action lovers. The historical epic has an incredible ensemble cast, multiple massive battle sequences, and one-on-one duels. The duel between Brad Pitt's Achilles and Eric Bana's Hector is both terrifically choreographed and emotionally contrived. Even though Achilles is the film's main character, Hector is the most admirable man in the war, making his death and the reactions of his loved ones such a sad moment for the film. Both fighters wield sword and shield, but have completely different fighting styles that resemble their personalities.

Quentin Tarantino scored lightning in a bottle for action films with Kill Bill: Volume 1, drawing inspiration from martial arts and samurai films, and transforming them into an American sword fighting masterpiece. The film is packed with epic sword fights, with the most impressive being The Bride's fight with The Crazy 88. The incredibly violent showdown goes on for about six minutes, with multiple sequences, awesomely synchronized musical tracks, fun cinematography and still manages to be riveting despite its over the top, cartoonish nature.

I've wondered about this book and film but had never delved into either of them. I LOVED that old version of Camelot (I hear, sadly, they're making a new sexed-up version. Sigh!) I picked up The Once and Future King once, but it didn't look appealing just by glancing through it.

When my kids were small, I didn't allow any stories or movies with magic (didn't want to confuse the issue), but as they got older I came to the conclusion that wizards like Gandalf are not the same as wizards in real life, so fairy-tale magic may be okay. By the time we began to allow a little of that kind of thing, they were old enough to understand the difference.

Nice to read your review, Carrie. Peter is getting a Disney-themed Easter basket since we went to Disney World in January. I've been trying to decide which movies to get BEFORE THEY GO BACK IN THE VAULT! Don't you love how they threaten you with that? :-)

I finally decided on "Pinnochio" and "Tangled". "Tangled" is more for me than it is for him!

Mervyn LeRoy's hit remake of the 1925 Italian epic Quo Vadis? (which was, incidentally, co-directed by Gabriele d'Annunzio's son, Gabriellino) feature international star power both in front of and behind the camera: Its cast included Robert Taylor, Peter Ustinov, and Deborah Kerr, as well as a young Sophia Loren as an uncredited extra; a budding Italian film fanatic named Sergio Leone was an assistant director. Filmed on location in Rome, the loosely historical feature centers on Emperor Nero and his rise to power in the old city, a classic story that kicked off a new period of cross-cultural exchange between Italy and Tinseltown. The film was the first feature of the "Hollywood on the Tiber" cycle, a heady time in the Fifties and Sixties that saw Rome emerge as a new filmmaking hub for big-budget, sword-and-sandal-on-steroids epics.

Quo Vadis may have been the first sword-and-sandal Hollywood hit, but Hercules pushed the genre known as the peplum (an Italian phrase roughly translated as "tunic") into a whole new stratosphere. This Frederico Teti feature is perhaps the Platonic ideal of mondo mythsploitation: a musclebound hero (bodybuilder Steve Reeves), epic battles, a steamy romance, and great feats of strength to swoon over. This first Hercules feature spawned a loosely connected franchise of films, with the strong man gracing some 23 features during the next decade or so; Reeves, however, only starred in two, though the former Mr. America hunk had prominent roles in 14 straight peplum features throughout his career. The 1983 version starring The Incredible Hulk's Lou Ferrigno has its advocates, but we prefer the original.

After several fallow years when swords and sandals were traded in for light sabers and moon boots, the genre chugged back to life with yet another mythologically top-heavy take on a classic Greek myth. Desmond Davis' feature was kitted out with a few decidedly Eighties stars (hey there, Harry Hamlin as Perseus!), but didn't balk at including some prestigious marquee names as well; Laurence Olivier, it seems, loved cashing paychecks from sword-and-sandal gigs nearly as much as performing Shakespeare. Like Jason and the Argonauts, the film also featured Ray Harryhausen's patented herky-jerky monsters (the film ended up being the animation giant's last) and plenty of thrilling near-camp moments ("Release the Kraken!"). The less said about the 2010 remake and its infamously bungled 3-D conversion, the better. e24fc04721