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we thought that WOTLK was going to be the biggest and most played classic xpac and it turned out to be the least active and least played by far, why did this happen? what is the future for classic after lich king dies?

Now, one caveat: these aren't flaky biscuits, the kind that crumble apart in layers; that type of biscuit requires working butter into flour, as well as folding the dough over on itself a few times and cutting it with a biscuit cutter, rather than simply scooping it.

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This biscuit looks a bit flat, eh? That's because it's bound for glory as the base for blueberry shortcake. To make shortcakes, perfect for berries and whipped cream, add 3 tablespoons granulated sugar to the dough. Flatten the balls of dough to about 1 3/4" wide before baking. Brush with cream, milk, or water, and sprinkle with coarse white sparkling sugar, if desired. Bake as directed in the original recipe. These biscuits are more tender than traditional shortcake biscuits, so slice them into top half/bottom half carefully, lest they crumble.

I have tried and failed so many times to make tender, fluffy biscuits. I ordered White Lily flour from King Arthur or Amazon and made their recipe yesterday. Biscuits were not great. The recipe said to knead the dough 5 to 6 times until smooth. That doesn't do it. The oven is pre-heated to 475 degrees which seems high. I think I tried this heavy cream and self rising flour before for shortcake biscuits, but you said these are not flaky and I want flaky.

I would like to know the recipes you think are best for biscuits that are flaky tender and delicious.

Hi Claire! If you're in search for the perfect flaky biscuit, why not give our Baking Powder Biscuit recipe a go. With flaky and tender layers, it might be just what you're looking for. Thanks so much, and happy baking!

This (King Arthur's Flour Never-Fail Biscuits) is the WORST biscuit I have ever made! I am amazed that this would be included in the recipe file, much less recommended by anyone. I'm not new to baking, and I was skeptical of this recipe when I read it, but I decided to try it. I should have followed my instinct- I followed the recipe exactly, preheating the oven to 425F, even to timing the freezer time, but the biscuits failed to rise, at all. The finished product was the same size as when I cut them. The finished product was thin, and appeared under-done, even after an additional 7 minutes in the oven. Very disappointed that King Arthur would publish this.

For me, the biggest reason is King creates brilliant characters, and his plots always exist to serve them, not the other way around. The good adaptations - Shawshank, Green Mile, and the like - are the ones that recognise this. The bad ones - I'm looking at you, The Shining - put the horror/action/thriller aspects above everything else. What is it for you that doesn't work?

As a marketing professional I often analyse this activity and try to find out why it doesn't make me buy. My hope is that if I can decipher the secrets in their failings that I can help create direct marketing activities for my clients that do get results.

The first step was to properly align the two. Using the rulers this is what I ended up with (image below). The lower blue line shows the point at which both interact with the wooden surface and the second shows where the buns end. The bottom ruler shows they're both aligned and at the right angle whereas the second simply confirms that both the base buns are the same height. So we've ruled out (no bun, I mean pun intended) the angle and the buns causing a discrepancy in the heights. The downside is that I am beginning to look slightly insane. I'm close to booking an appointment at Specsavers at this point, and assess whether this is a good use of a Wednesday afternoon.

Sure, but where do we draw the line between embellishment and falsely representing the product to consumers? In this example we are being led to believe that the Triple Whopper is larger than the Double, which it is. But the claim this advert is making is that it's significantly bigger, and therefore significantly better value. And this has been an issue for brands before.

Nutritional information is fine and making this easier to find when making a purchase decision is undoubtedly a good move but calories and kilojules are not in the vocabulary of a lot of people, images are.

This article may have started as an exercise in deconstructing Burger King's direct marketing but what we've unveiled is a failing of the advertising standards in many countries. We've been bold in standards by banning cigarette advertising on TV, alcohol cannot be promoted when minors may be watching and yet we allow fast food chains to exagerate their products to be more appealing to the masses.

Background: Heart failure (HF)-a serious and costly condition-is increasingly prevalent. We estimated the US burden including emergency department (ED) visits, inpatient hospitalizations and associated costs, and mortality.

The hilarious edits could be written off as a humorous failure or even a deliberate attempt to provoke a response by a historically provocative brand, as suggested by David Carr, strategy director at Digitas LBi.

Carr said: "The Burger King ad is not a Pepsi or United-level PR disaster. This looks deliberate: the old stunt of generating column inches (like this) talking about an ad and then not having to spend media money by getting it pulled.

But while the eventual success of the film makes it a clear stand-out from the studio, Disney had far less confidence in the film during production. In fact, animators at the studio initially balked at the prospect of working on The Lion King, leaving it with far less experienced talent (or executive oversight) as another notable film produced at the same time. Here's why Disney initially thought The Lion King was going to be a box-office failure.

The Lion King's development began before the Disney Renaissance truly took off with the success of The Little Mermaid. Several versions of the story were outlined and scripted for years, with many filmmakers coming and going during development. The plot and themes shifted multiple times -- with even the musical elements of the film only coming in mid-way through development, resulting in the departure of then-director George Scribner. At the same time, development was carrying on for another Disney animated film -- 1995's Pocahontas. As explained in the behind-the-scenes material from The Lion King's home release and the documentary Waking Sleeping Beauty, then-Disney Studio Chairman Jeffrey Katzenberg convinced many animators at the studio that Pocahontas was the more promising project.

Coming off the heels of the extremely successful Beauty and the Beast, which was the first animated film to be nominated for Best Picture at the Academy Awards, the studio largely saw the "prestige" elements of Pocahontas as the next step in that direction. By contrast, the story artists working on the "more experimental" The Lion King were less enthused by their film. Because so much of the studio's established talent went to Pocahontas, many of the animators assigned to The Lion King were new to the industry or had come specifically to animate animals. Making matters more difficult, the tweaking of the film's story resulted in frequent changes -- forcing the animators and songwriter Tim Rice to respond quickly on the fly. The songs were only finalized in the weeks leading up to the film's release. It was a far less polished production than many films, leaving Disney with little confidence in The Lion King ahead of its original release.

From a certain perspective, the hasty and constantly changing production of The Lion King justified concerns about the film. In Waking Sleeping Beauty, director Don Hahn said the film was still in "shambles" only a year before it was set to be released. However, even before release, it was clear the creators had something special on their hands. The trailer for The Lion King -- which was just the film's opening musical number, "The Circle of Life" -- was met with a widely positive reaction. This actually concerned Hahn, who, in an interview with Den of Geek, revealed his fears at the time were that the film wouldn't meet the high expectations set by the trailer. Even as production was almost finishing up, an earthquake forced the animators to complete the film from home.

But that looseness and lively feeling can be felt in The Lion King, which benefits from that innate energy. The animation is fluid and free, the music is lively and catchy, and the story -- juggling comedy and romance amongst a coming-of-age story that takes cues from Shakespeare -- became simultaneously accessible and more complex. It remains one of the best films ever put out by the studio. By contrast, Pocahontas -- once seen as the next hit from the studio -- was met with a far more mixed reception critically and far less commercial success than The Lion King. It's even been cited as the beginning of the end for the Disney Renaissance. With all the expectations and attention paid to Pocahontas, production was often shifted to adhere to the whims of producers -- whereas The Lion King got the chance to evolve at its own pace. The result was that Pocahontas felt technically impressive but emotionally stagnant, lacking the more complex humanity that ironically made the animals of The Lion King so charming and enduring.

The last time I was there, I sat in the same booth where, on an earlier visit, I had prayed and planned projects with a pastor friend. I remember watching him interact with the server and thinking, This guy loves Jesus more than I do.

How do we know Joab would have stopped him from asking about a married woman? When you read other places in the narrative, we see Joab confronting David over the census. He was willing to speak truth to power. But Joab was sent away to war and David stayed behind. e24fc04721