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Aaron Baker in his book A Companion to Martin Scorsese discussed aspects of the theological themes in the film, stating: "According to an analysis of the novel by the Japanese-American theologian Fumitaka Masuoka, it pivots on the idea that the "silence" of God is in fact the "message" of God, being not the silence of "nihil", or 'nothingness', but rather 'the "accompaniment" for the forsaken and the suffering', and the concomitant silence of Christians quietly hoping for salvation. Implicit here is what Matsuoka terms 'an element of uncertainty', a possibility that the "nihil" of emptiness, meaninglessness, and hopelessness will eventually prevail. Uncertainty about the fate of the soul (or the self, for secularists) lies at the heart of human experience, injecting many a mind with the existential fear, trembling, and sickness unto death of which Sren Kierkegaard vividly wrote."[95]

To turn on Silence Unknown Callers, go to Settings > Phone, then scroll down, tap Silence Unknown Callers, and turn on the feature. Calls from unknown numbers are silenced and sent to your voicemail, and appear in your recent calls list.

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My passionate longing is that as you read these words you will learn to know His voice and that you will crave hearing what He has to say just to you. I write so that you, too, will learn to listen. Because I have learned that... He speaks in the silence.

Maibach, E., Leiserowitz, A., Rosenthal, S., Roser-Renouf, C., & Cutler, M. (2016). Is there a climate "spiral of silence" in America?. Yale University and George Mason University. New Haven, CT: Yale Program on Climate Change Communication.

"My friend Mako Fujimura is one of the most thoughtful, sensitive and eloquent artists of this generation. Like his otherworldly and luminous paintings, his book Silence and Beauty is at once glorious and profound, an exquisite exploration of truth and beauty, silence and suffering. Give yourself and others the immeasurable gift of this gentle, inspiring treasure."

"Silence and Beauty is a classic work of art. The book is a call to the world for reconciliation, understanding, and a depth of intimacy that can heal us and return us to each other and to a humble seeking of God in both the silence and beauty that surround us daily and attend us in the wake of our continual Ground Zeros."

Silence might not be deafening, but it's something that literally can be heard, concludes a team of philosophers and psychologists who used auditory illusions to reveal how moments of silence distort people's perception of time.

The team adapted well-known auditory illusions to create versions in which the sounds of the original illusions were replaced by moments of silence. For example, one illusion made a sound seem much longer than it really was. In the team's new silence-based illusion, an equivalent moment of silence also seemed longer than it really was.

"Philosophers have long debated whether silence is something we can literally perceive, but there hasn't been a scientific study aimed directly at this question," said Chaz Firestone, an assistant professor of psychological and brain sciences who directs the Johns Hopkins Perception & Mind Laboratory. "Our approach was to ask whether our brains treat silences the way they treat sounds. If you can get the same illusions with silences as you get with sounds, then that may be evidence that we literally hear silence after all."

In tests involving 1,000 participants, the team swapped the sounds in the one-is-more illusion with moments of silence, reworking the auditory illusion into what they dubbed the one-silence-is-more illusion. They found the same results: People thought one long moment of silence was longer than two short moments of silence. Other silence illusions yielded the same outcomes as sound illusions.

Participants were asked to listen to soundscapes that simulated the din of busy restaurants, markets, and train stations. They then listened for periods within those audio tracks when all sound stopped abruptly, creating brief silences. The idea wasn't simply that these silences made people experience illusions, the researchers said. It was that the same illusions that scientists thought could only be triggered with sounds worked just as well when the sounds were replaced by silences.

"There's at least one thing that we hear that isn't a sound, and that's the silence that happens when sounds go away," said co-author Ian Phillips, a Bloomberg Distinguished Professor of Philosophy and Psychological and Brain Sciences. "The kinds of illusions and effects that look like they are unique to the auditory processing of a sound, we also get them with silences, suggesting we really do hear absences of sound too."

The researchers plan to keep exploring the extent to which people hear silence, including whether we hear silences that are not preceded by sound. They also plan to investigate visual disappearances and other examples of things people can perceive as being absent.

The question of whether a person has a right to silence, essentially meaning a right to refuse to speak to police or answer their questions, has no simple answer. As a very general rule, no one is obligated to speak to the police, but even non-verbal communication can, in some situations, be incriminating.

How would the tool detect the silence? How silent does it need to be, and for how long?

Does the tool still leave a little silence, or do all the words end up mashed together because all pauses have been removed?

After you run the tool, are all the silent clips removed? And if so, are the remaining clips mashed together?

Are you looking for the best video silence remover? Find out all you need to know about the greatest silence remover tools and learn how to remove silence with a single click. Customize and remove silence according to your requirements.

On Day of Silence, after taking a vow of silence, break the silence with a virtual rally or assembly to build momentum and show your commitment to making your school more LGBTQ-inclusive. Stay tuned for more information about time and virtual location. Make sure to register for DOS in order to be the first to know.

I'm looking for an audio format where a silence of a couple of hours at the beginning does not affect the overall file size. Has anyone any idea which one to use and what settings I have to use? I tried m4a, ogg and mp3 so far with no luck. An audio sample with 4 hours of silence in the beginning leads to a 400 MB file in some formats.

Of course, dealing with it programmatically would be the more sensible and SO way, something like SoX and the silence/pad effects. After all, any bit of silence is identical to any other bit of silence, trying to compress it is a bit of waste of effort.

I created two test files. The first was a 44.1kHz 16bit 30 minutes long stereo WAVE file containing uncorrelated brown noise at -10.66 dBFS RMS. The second file was the same, except padded with 210 minutes of silence, making the total duration 240 minutes (or 4 hours). Next I encoded the files to various lossy and lossless codecs and looked at the size difference between the padded and unpadded files to gauge how efficiently the silence was encoded.

You might consider hacking the encoder to "pause" when it encounters more than a second or so of silence. Any of the codecs out there can be hacked to do this, though you will need to understand how they work before starting on changes like that...

Silence is a common occurrence in everyday social interactions, yet anthropological research, like most research in the social sciences and humanities, has mostly focused on what people say and do. Over the last couple of decades, however, there has been an increased attention to how the unsaid, the unspeakable, and the invisible shape social, political, and subjective worlds. In particular, anthropologists have theorised silence as more than just the opposite of speech. They have started to think of silence as a complex moral, affective, and social force. Anthropological rethinking of silence and voice has been particularly prominent in feminist traditions, in the study of care, and in decolonial scholarship that often studies silence as refusal and resistance. Attending to histories of silence and silencing has a potential to provide insights into different forms of structural oppression under which individual and collective strategies of survival might be falsely interpreted as mere compliance. Silence has also been important in research on ritual activity, where it is a prerequisite for communicating with ancestors, spirits, ghosts, and other apparitions. Here, silence can co-create a sense of hauntings as a response to repressed past and present forms of violence and harm. By attending closely to the unspoken and unspeakable aspects of language and art, anthropologists increasingly find new ways to include silences in their research and modes of representation. In these and other ways, the study of silence can greatly enrich our understanding of the social world.

Ana Dragojlovic is Associate Professor of Gender Studies at the University of Melbourne, Australia. She works at the intersection of feminist, queer, postcolonial, and affect theory and is the author of Beyond Bali: Subaltern citizens and post-colonial intimacy (2016, Amsterdam University Press), co-author of Bodies and suffering: Emotions and relations of care (2018, Routledge, with Alex Broom), co-editor of Gender, violence and power in Indonesia across time and space (2020, Routledge, with Kate McGregor and Hannah Loney) and co-editor of a special issue, Tracing silences, in History and Anthropology with Annemarie Samuels.

Annemarie Samuels is Associate Professor at the Institute of Cultural Anthropology and Development Sociology at Leiden University. Her current research focuses on narratives and silences of end-of-life care. Her published work focuses on care, disaster, narrative, silence, and HIV/AIDS in Indonesia, and includes the monograph After the tsunami: Disaster narratives and the remaking of everyday life in Aceh (2019, University of Hawaii Press) and a special issue in History and Anthropology called Tracing Silences, co-edited with Ana Dragojlovic. ff782bc1db