Download LINK Flex Song

"Flex" is a song co-written and performed by Jamaican dancehall recording artist Mad Cobra, issued as the first single from his eighth studio album Hard to Wet, Easy to Dry. It is his only song to date to appear on the Billboard Hot 100, peaking at number 13 on the chart in 1992. It also peaked at number one on the Billboard rap chart.[3]

Mad Cobra stated that he was on a flight returning from New York, and was watching an exercise video on the in-flight entertainment system, and the lyrics "How this lady flex like she want to have sex?" came to him. He wrote the lyrics for the song on an air sickness bag in his plane seat and took them to the studio when he arrived in Jamaica. The song was meant to be an uptempo dancehall track in Mad Cobra's usual style, but became a slower R&B song when the backing tape accidentally slowed down and Mad Cobra slowed down his vocals to match the tape speed.[2]

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The song topped the Billboard Hot Latin Tracks, Latin Tropical Airplay and Latin Rhythm Airplay charts in the United States and charts in Mexico. It also charted on the Billboard Hot 100 at number 86, becoming Flex's most successful single to date. "Te Quiero" ranked fourth at the Hot Latin Songs twenty-fifth anniversary chart.[3]

An acoustic and Spanglish version with singer Belinda were recorded for the fan edition of Te Quiero: Romantic Style in da World. It was released as the fourth and final single from the album on May 13, 2009. A music video features Belinda was also released as part of promotion of the single. The song was well received on radio stations from Mexico.

but it used to be on tiktoks of like people flexing, so itd be in a tiktok of someone showing off their view or their house or their car or their hotel room etc. or like showing off their hustle or that theyre an entrepreneur or whatev

So I'm mixing a song for someone, and I've run into a problem I've never encountered before. The person whose song it is had a falling out with the guy who was originally supposed to be doing this, and long story short, I have been handed the audio files of the studio session, and had to figure out the entire song/arrangement/everything from scratch.

I have used flex time plenty of times before, but never on a project that constantly changes tempo so maybe these are issues that are easy to fix but I couldn't find anything helpful. Since I wasn't supposed to be involved in this particular song, I wasn't present at the recording sessions, but the guy who was supervising and was supposed to do this mix made the decision to increase the tempo by 2bpm every verse/chorus changeover. So I made those tempo changes in the project, and switched on flex time to tighten a couple of things that were out of sync.

The first problem I had: I combined two different ukulele takes, and when I switched on flex time to fix a sync issue, the second one kept jumping out of place, and then jumping back when I switched it off. If I merged the tracks then the entire thing jumped. I solved this by cheating somewhat, bouncing that entire track and using flex on the new one, where it worked fine, but I kind of need to know what happened there.

Second problem, where I'm at my wits' end right now: I'm trying to use flex time to adjust a guitar strumming line. I switched it on (didn't make any adjustments, just switched it on), and the entire thing has gone out of sync with the project. Switching it off doesn't make a difference. It seems like using flex time changed the tempo of the audio somehow, and I have no idea how to fix it.

I'm guessing it has something to do with flex time trying to map the strumming to the grid and something's getting messed up because of the constant tempo changes. But I can't figure it out and I really hope someone can help me. Thank you!

Flex Up is a song by American rappers, singers and songwriters Lil Yachty, Future and Playboi Carti off the former's deluxe album, Lil Boat 3.5. The song was leaked in full 4 days before its release.

flex machines utilize the 80MB onboard RAM whereas the static machines stream the audio from the cf card. Therefore the static machines have much greater access/read latency than the flex machines (some modulations will not work as fast as with flex), but the static machines will not steal precious RAM from the recording buffers.

So my understing is that theoretically the only difference between flex and static machine is that LFO modulation of sample start point (or slice selection) as well as quick manual changes applied with crossfader on the same parameters can easily be unstable with static machines. Otherwise the two machines work in the same way, including timestretching.

This way static machine can be used in the most cases and only those samples have to be loaded to the flex slot list which are intended to be used with heavy start point modulation (except parameter locking which stated to be working well with static machines, too).

Is this interpretation right?

In these challenging times of Covid-19, of seeing the destruction and hatred on our streets, and where love and empathy feel devastatingly lacking, the core idea of arranging this piece for flex ensemble comes directly from the message Ryan carried with him every day of his incredible battle with cancer: hope.

As part of the Creative Repertoire Initative I have written/re-worked several pieces that are for an adaptable/flexible ensembles (for band and string instruments) as a response to the challenges to music performance and education that have been created by the COVID-19 pandemic.

Ghostface Killah and Raekwon dropped new music on Thursday (9/1) in response to Funkmaster Flex's ever-popular challenge. The Wu-Tang tandem rhymed over Syl Johnson's "Different Strokes" and "Catch A Groove" by Juice with their signature coded slang giving their song the feel of an old-school rap tape.

Flex starts the broadcast with a shout-out to Scram Jones, followed by the screams of "This is never gonna be released. This is never gonna be on Spotify. This is what I'm built on, I'm taking it back to gettin' songs weeks before Apple and Spotify. Why? Because I'm in the streets!"

"Juelz Santana you've been home for a few years now," he said. "I'm tired and exhausted and we want a new Juelz Santana song. Juelz I give you six days. Get me a new song. Do you accept the challenge, yes or no?"

The meaning behind the iconic work is up to interpretation. The band themselves have been notoriously shady about what the song means to them. While the lack of a definitive answer can be a little frustrating, it allows the allusions to cosmic scales and the afterlife to be endlessly applicable.

George Harrison's 1971 song "Bangla Desh" was the first major charity single. It was part of a concert held to bring relief to the people of Bangladesh, who were fighting for independence and suffering from a famine.

Preserving the natural sound of your audio recordings should always be top of mind when mixing a song. Flex Pitch allows you to make precise adjustments to pitch and timing without sacrificing the organic quality of the performance.

Download our most popular resource: 6 Steps for Creating Radio Ready songs to learn the fundamentals of what goes into a professional mix from renowned Producer, Songwriter & Mixer Warren Huart, who has worked on several Grammy-nominated albums!

This comprehensive course is tailored to help you streamline your workflow, produce professional mixes using stock plugins, and harness the full potential of Logic Pro. From swift song creation using Apple Loops to mastering the art of recording and editing, this course promises a transformative experience for both budding and seasoned producers. Dive in and discover the secrets of Logic Pro X today!

The audio to the left of your flex marker, i.e., up to the preceding transient, will be compressed, and the audio to the right of your flex marker, i.e., up to the following transient, will be expanded.

This time, the audio to the right of your flex marker, i.e., up to the following transient, will be compressed, and the audio to the left of your flex marker, i.e., up to the preceding transient, will be expanded.

The song "Flex" by Playboi Carti (ft. Leven Kali) is about how people play pretend when they try and act as if they have money or success when they don't. It also speaks to how people can feel jealous that someone is successful, and how they can try to bring down their successful peers. The chorus "All of these bitches, they mad (Ooh)/ All of these niggas, they mad (Ooh)/ I walk in the bank and I laugh (Ooh)" refers to how the speaker is successful enough that they can go to the bank, with a bag full of money, and laugh at the haters who are mad at their success. The verse lyrics also speak to success, as Playboi Carti talks about getting money, having a "white bitch like YesJulz", and hopping off a plane and running to the stage. Leven Kali's bridge provides a perspective from the other side, discussing how people can feel mad and jealous that someone is successful. Overall, the song is a celebration of Playboi Carti's success, and a message that those trying to bring him down at their own peril.

What better song for your iron dungeon? When you need to lift like a madman, tap into the tune that defined heavy metal. It might make you as deranged as former Sabbath member Ozzy Osbourne, but if it helps you go that extra rep, rock on.

In conclusion, Flex Up by Future embodies a celebration of success, motivation, and the pursuit of dreams. Through its energetic beats and powerful lyrics, the song encourages listeners to step out of their comfort zones and embrace their full potential. As Future flexes his way to the top, he inspires others to do the same. So turn up the volume and let Flex Up ignite your inner drive to reach new heights. e24fc04721