The pre-production phase of the filmmaking for Silence went through a cycle of over two decades of setbacks and reassessments. After filming of The Wolf of Wall Street concluded in January 2013, Scorsese committed to following it up with Silence. On April 19, 2013, Scorsese indicated that he would begin production on Silence in 2014. Irwin Winkler was then announced as a producer, as were Randall Emmett and George Furla, who would provide financing through their company Emmett/Furla Films. Soon thereafter, planning was made for the film to be shot in Taiwan.

A long-time passion project for Scorsese, which he had developed for over 25 years, the film premiered in Rome on November 29, 2016, and was released in the United States on December 23, 2016. It received critical acclaim, with both the National Board of Review and American Film Institute selecting Silence as one of their top ten films of the year. It also received a nomination for the Academy Award for Best Cinematography. However, the film was a box office bomb, grossing just $22 million against its $50 million budget. Silence is the third of Scorsese's films about religious figures struggling with challenges of faith, following The Last Temptation of Christ (1988) and Kundun (1997).


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Rodrigues takes a Japanese name and wife and is tasked by the Inquisitor to assist Ferreira in his efforts to prevent Dutch traders from smuggling Christian paraphernalia into Dejima. He hears the voice of Jesus, who assures him that rather than remaining silent as Rodrigues had thought, Jesus also suffered alongside those who were killed.

In an interview with America Magazine in December 2016, Scorsese stated that he first read Shsaku End's novel Silence in 1989, when he was invited by Akira Kurosawa to Japan to play the part of Vincent van Gogh in Kurosawa's film Dreams (1990).[24] Scorsese obtained the film rights soon afterwards.[25]

Scorsese considered Silence a "passion project": it had been in development since 1990, two years after the release of his film The Last Temptation of Christ, which also carried strongly religious themes.[26] When asked why he retained interest in the project for over 26 years, Scorsese said:

In 2009, with the production beginning to coalesce, Scorsese and a production crew went to Nagasaki, Japan, visiting the original sites that served as the setting for End's novel.[28] Additional location scouting was conducted in Canada.[29] However, Silence entered a state of development hell soon afterwards, and Scorsese decided to work on Shutter Island and Hugo instead. In December 2011, Scorsese stated that Silence would be his next film.[30] By March, although he originally put it on the back burner and consequently dropped out, Scorsese signed back on to The Wolf of Wall Street and opted to direct it ahead of Silence.[31] However, at the time, Scorsese's publicist stated that Silence would come first.[32] In May, the film picked up another producer in the recently revived Cecchi Gori Pictures, which placed the project first on its slate of upcoming films. Cecchi Gori was involved in pre-production for Silence, but years of unrelated legal disputes had interrupted its association to the film.[33]

After filming of The Wolf of Wall Street concluded in January 2013, Scorsese committed to following it up with Silence.[25] On April 19, 2013, it was announced that Scorsese would begin production on Silence in 2014, after a reputed 23-year wait. Irwin Winkler was announced as a producer the same day, as were Randall Emmett and George Furla, who would finance the production through their company Emmett/Furla Films. Paul Breuls' Corsan Films was also reportedly funding the project.[27] Additionally, it was announced that the film would be shot in Taiwan.[34][35]

Producer Irwin Winkler stated the choice to film in Taiwan was due to lower costs. "[The movie] was very, very expensive, and it was budgeted, because it takes place in 1670 in Japan. We got lucky and found out about Taipei, and in and around Taipei and Taiwan, we found great, great locations. The prices were very cheap, and we were able to make it for a price." Winkler disclosed that the tight budget forced many of the cast and crew, including himself, to work for minimum pay: "And all the actors, Liam Neeson, Adam Driver, everybody worked for scale. Marty worked for scale, I worked for under scale. We gave back money."[36] James Martin, a Jesuit priest and published Catholic scholar, as well as Catholic scholar Liam Brockey, worked closely with the filmmakers to ensure an accurate portrayal of the Jesuits.[37]

Scorsese's complex filmmaking commitments to multiple film projects resulted in an early legal challenge before filming of Silence could be initiated. In August 2012, Cecchi Gori Pictures sued Scorsese over an alleged breach of contract agreements related to Silence. According to the company, in 1990 Scorsese signed a written agreement to direct Silence. Scorsese was supposed to shoot the film following 1997's Kundun, and Cecchi Gori Pictures had apparently invested more than $750,000 for this purpose.[38] However, Scorsese chose to make Bringing Out the Dead, Gangs of New York and The Aviator first.[39]

In 2004, Scorsese purportedly signed deals to postpone the film further, in order to direct The Departed and Shutter Island. In 2011, Scorsese ostensibly agreed to one more deal, delaying Silence to direct Hugo. Cecchi Gori Pictures asserted that Scorsese agreed to pay "substantial compensation and other valuable benefits" in order to first direct The Departed, Shutter Island and Hugo. The company said the fees were "$1 million to $1.5 million per film plus up to 20 percent of Scorsese's backend compensation". The complaint was founded on the company's allegation that Scorsese failed to pay the fees agreed upon for Hugo, and that he breached the contract's terms by filming The Wolf of Wall Street ahead of Silence. Scorsese, via his representatives, responded: "The claims asserted are completely contradicted by, inconsistent with, and contrary to the express terms of an agreement entered into by the parties last year." He also denounced the lawsuit as a "media stunt" and a "meritless action".[40] The lawsuit was settled on January 17, 2014. The terms of the settlement are sealed.[38]

This film marks the second adaptation of Shsaku End's novel, which was previously adapted by Masahiro Shinoda into the 1971 film of the same name. Scorsese penned the initial screenplay in 1991 with co-writer and long-time collaborator Jay Cocks. However, they were unsatisfied with the script and conducted rewrites for an additional 15 years.[25] Later, End's official translator, Van C. Gessel, who has translated eight of his novels, assisted as a consultant on the film.[41] The screenplay as finally filmed was assessed in critical review as an accurate depiction of the novel as written by End.[42] Religious historian Haruko Nawata Ward has indicated that the inclusion of the small crucifix in the deceased priest's hand at the end of the film was an auteur decision made by Scorsese not included in End's original book.[43]

Beginning in 2009 and into 2010, Daniel Day-Lewis, Benicio del Toro and Gael Garca Bernal were in negotiations to star.[29] In 2011, the film officially lost the involvement of Day-Lewis, del Toro, and Garca Bernal.[25][44] In May 2013, Andrew Garfield and Ken Watanabe joined the cast with Watanabe as the priests' translator. However, due to scheduling conflicts, Watanabe was replaced by Tadanobu Asano in January 2015.[45][46][47] In January 2014, Adam Driver and Liam Neeson joined the film, with Driver as Francisco Garupe, the second Jesuit priest, and Neeson as the priests' mentor, Cristvo Ferreira.[48][49]

In January 2012, Scorsese discussed the possibility of utilizing 3D, however reconsidered.[51] By February 2014, Scorsese had begun scouting locations in Taiwan,[52] with filming set for the summer, and eventually pushed back to early 2015.[53] Principal photography took place in Taiwan from January 30 to May 15, 2015,[35][54] using studios in Taipei and Taichung and locations in Hualien County.[55]

On January 28, 2015, the production experienced an accident at Taiwan's CMPC Studios. According to a spokesperson for the film, a tragic incident occurred in one of the backlots of the production when a ceiling collapsed, which resulted in the death of one contracted employee and the injury of two others.[56]

Scorsese and cinematographer Rodrigo Prieto drew inspiration from painters from the Baroque period when determining the color palettes of the film, using blue and cyan tones at the beginning and later a golden-yellow hue, which in Prieto's opinion, gave the film a sense of progression in color. While Prieto shot the landscapes and the actors using film stock, he resorted to digital when it came to the night scenes.

Prieto found some difficulties when shooting the film. With the weather constantly changing, he would have inconsistencies in terms of lighting that he solved by filming some sequences at night time that would be lit for either dusk or sunset. To simulate moonlight for many of the night scenes, Prieto used a rig of blue-green lights called the "UFO" and hung them on a crane.[57]

The music for the film was composed by Kim Allen Kluge, the former music director at Quad City Symphony Orchestra, and Kathryn Kluge. Much of the soundtrack includes ambient nocturnal and ocean sounds repeated over several of the tracks. A 51-minute soundtrack of 25 tracks was released on February 17, 2017, by the recording studio for Rhino Warner Classics under ASIN release number B01N7S3IB9. An extended track of 12 minutes titled "Meditation" is included as the leading track on the soundtrack release.[58] 2351a5e196

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