The Proposal is a 2009 American romantic comedy film directed by Anne Fletcher and written by Peter Chiarelli. It is produced by Kurtzman/Orci Productions, Mandeville Films and Touchstone Pictures for Walt Disney Studios Motion Pictures, and stars Sandra Bullock and Ryan Reynolds with Malin kerman, Craig T. Nelson, Mary Steenburgen and Betty White in supporting roles. The plot centers on a Canadian executive who learns that she may face deportation from the U.S. because her visa renewal application was denied. Determined to retain her position as editor-in-chief of a publishing house, she convinces her long-suffering personal assistant to temporarily act as her fianc.

Peter Chiarelli wrote the script for the film in 2005.[2] In May 2007, it was announced that Sandra Bullock had been given a lead role for The Proposal.[3] Julia Roberts was originally approached for the lead, but declined.[4] Nearly two months later, it was reported that plans were being finalized for Ryan Reynolds to star opposite Bullock.[2] In January 2008, Touchstone Pictures signed Anne Fletcher to direct.[5] The film premiered on June 1, 2009, at the El Capitan Theatre in Hollywood, California.[6]


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The Proposal was released in the United States on June 19, 2009. On its opening day, the film grossed an estimated $12.7 million in 3,056 theaters, becoming the highest-grossing film of the day.[16] It later went on to gross over $34 million during its opening weekend, beating out Year One, Up, and The Hangover.[17] In an exit poll conducted by Disney, nearly 63% of the opening audience consisted of female viewers, 78% were eighteen or older, and 71% were classified as couples.[17] It marked the biggest opening weekend out of any film in Bullock's career, nearly doubling her previous holder, Premonition.[18] As of October 2011, the film had grossed over $164 million in the United States and Canada.[1]

Box office performances showed similar numbers in international markets. The film was released in Australia on June 18, 2009, grossing over $2.8 million on its opening weekend. In Russia, the film grossed over $2.6 million on its opening weekend, accounting for 34% of all total film revenue in that country.[19] In South Africa the film debuted at number two, losing out to the new release Ice Age: Dawn of the Dinosaurs. It managed to gross over $2.6 million as of October 2011.[19] In the United Kingdom, estimated first opening weekend grosses stand at 3.2 million.[20] The film has grossed over $317 million worldwide, with international grosses standing at $153 million.[1] It is the twentieth highest-grossing film of 2009.[21]

Roger Ebert of the Chicago Sun-Times offered a mixed review, giving the film three out of four stars despite complaining that the film "recycles a plot that was already old when Tracy and Hepburn were trying it out" but adding he was eventually won over by the performances.[25] Peter Travers of Rolling Stone was very critical of the film, calling it insipid. He wrote, "Anne Fletcher directs Peter Chiarelli's script like a manufacturer of hard plastic that is guaranteed to ward off intrusion from all recognizable human emotion."[26] New York Times writer Manohla Dargis felt that Bullock's character was awkward in comparison to her previous work. She continued: "She's always been better in fundamentally independent roles that allow her to grab the wheel [...] and take the spotlight [...], an independence that persists all the way through the last-act coupling. She can smile as brightly at a man as well as the next leading lady, though, like all genuinely big female stars, she's really more of a solo act."[27] The Telegraph's Tim Robey expressed disappointment towards the film, giving it a two out of five stars.[28]

The interaction between Bullock and Reynolds was well received by critics. Lisa Schwarzbaum of Entertainment Weekly opined that the chemistry between the two actors was "fresh and irresistible."[29] Zorianna Kit of The Huffington Post exclaimed that "what [kept] audiences of this lite-fare comedy in their seats is the undeniable on-screen chemistry between leads Sandra Bullock and Ryan Reynolds." She continued: "The two are so adept at comedy and have so much fun with one another, viewers watching The Proposal won't be able to resist their charms, even when some of the plot veers in to unnecessarily silliness."[30] Betsey Sharkley of the Los Angeles Times felt that their relationship was a "cheeky update of The Taming of the Shrew." She opined, "Bullock's deft physical comedy, one of her most endearing qualities, is given a full run. [...] Reynolds' ability to deliver a line, or a look, with withering, surgical precision is there at every turn."[31] Giving it a one out of five stars, The Guardian writer Peter Bradshaw gave a negative reaction to the interaction between Bullock and Reynolds. Bradshaw stated: "Their initial sparky detestation isn't convincing, and neither is their later thawing and romance. In each scene, it looks as if they have never met before. And Margaret isn't permitted to be a convincing cow, because that would make her unsympathetic [...]. Andrew can't be a total wimp, because that would be unsexy, so the fundamental comic premises of the film are fudged."[32]

While anyone can search the web for where and how to find grants, knowing how to write them will take much more than that. Learning how to write a proposal for a film project is a skill all its own. And with competitive applicants and grant committees looking for the highest caliber projects, filmmakers need to really hone this skill.

2. Look at the previous winners of these grants. Again, it can be incredibly valuable to reach out to the folks who have successfully applied to these grants to better understand how to write a proposal for a film project for this particular organization.

Side-by-side with your budget breakdown as the key element of writing a film proposal is your film treatment. How to write a proposal for a film project in many ways is learning how to write the perfect film treatment.

Additionally, many grants focus on who is eligible for them. This can vary anywhere from a filmmaker's career stage, where they are based, or who they are representing. There are growing diversity grant initiatives that specifically cater to women, the LGBTQ+ community, and many persons and communities of color.

We have been avidly following your progress in the film industry and were very impressed, to say the least, by the quality of work your production company has managed to achieve time and time again.


In particular, the projects you released this year served to solidify something that we have believed for quite some time now regarding the possibility of a partnership between our two organizations. 


For this reason, I, on behalf of my fellow team members, write to you today to table a proposal on partnering on a film project that we have in mind and that we feel would be perfect given the nature of your past work.

Our production company has been involved in the film industry for [X] years.


During that time, we have become well-respected members of the arts and film community, much like you and your organization.


After careful consideration, we have concluded that a partnership between our two organizations on our next film would benefit us for the following reasons:


1. Our film style and choice of projects are very similar.

2. We have access to a broad fan base whose doors will be opened to you through this collaboration.

3. By pooling our finances, we will be able to raise a significant amount for our filming budget and produce a memorable spectacle.

4. This project can start a great partnership between our two production companies.

5. We want the opportunity to learn from each other and thus build on the talent that has carried us thus far.

6. We share the same values and ideas about what the film industry should be.

Our first film of the year was [Project 1], which was well-received by the audience and garnered a lot of critical acclaims. We met our target of [X] million dollars in revenue. Our film is currently one of the highest-rated films on various review platforms

Following the success of the first film; we were eager to try a different kind of story, which led us to approve and oversee the production of [Project 2]. This detective thriller was one of the biggest box-office attractions when we released it a few months ago. With a flurry of high ratings from the top film critics, we made a significant profit from this film and associated royalties.

Our third and final film, [Project 3], is the one we would like to bring your attention to. Recently released for cinema, [Project 3] has had a solid opening weekend and is on course to exceed all our revenue projections. It is also unique in that it shares many similarities with the kind of films you are regularly involved in, which is why we urge you to watch it before responding to our suggestion.

Our estimated total for the proposed film is currently sitting at $77 million with projected revenue of $180 million in film rights and streaming platform royalties within the first three months following the official release.

All associated fees regarding the production and promotion of this film will be shared equally between our two organizations. Should the proposed budget fail to meet the targets, we will have a budget review to determine how much each company will contribute.


This will be an equal partnership between our production houses, meaning we will have an equal share of the intellectual rights to the film and a similar claim to whatever profits and benefits will arise from the successful completion of the film project.

The following are the terms and conditions of the proposed partnership:


1. All costs related to the requirements for the successful completion of this project will be met equally by both production houses

2. Both companies will have equal input in terms of cast selection, film locations, choice of directors, and any other important decisions related to the making of the film

3. An equal sharing of the rights to the film and any profits it generates shall be agreed upon in writing between the board members of both parties concerned ff782bc1db

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