Download Film The Guardian 2021

The Guardian is a 2006 American action-adventure drama film directed by Andrew Davis. The film stars Kevin Costner and Ashton Kutcher. The title of the film refers to a legendary figure within the film which protects people lost at sea: "the Guardian". The film focuses on the United States Coast Guard and their Aviation Survival Technician program. The Guardian was released on September 29, 2006.

The film opens with a description of a legend told by survivors of being lost at sea: a presence, referred to as the Guardian, which pushed them to the surface, enabling them to survive until help arrived.

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David Dobkin was originally slated to direct The Guardian until being replaced by Andrew Davis. Ron Brinkerhoff was also originally involved, making the pitch for a mid-six-figure-budgeted film, before Disney took over the production.[2]

The film was revised after Hurricane Katrina, with the addition of several comments on the storm and the rescues. The end credits are replete with "glory" shots of U.S. Coast Guard helicopters conducting rescues in the greater New Orleans area. The DVD contains a special feature on U.S. Coast Guard rescue operations, especially in the aftermath of Katrina.[2]

At Rotten Tomatoes, The Guardian received a 37% "Rotten" rating, based on 149 reviews. The site's consensus states: "The Coast Guard gets its chance for a heroic movie tribute, but The Guardian does it no justice, borrowing cliche after cliche from other (and better) military branch movies."[7] While Metacritic rates it a 53/100 based on 29 reviews.[8] Stephen Hunter pans it in The Washington Post, calling it "a good little film" for the first hour then it "begins to overload its frail reed of a structure with giant sloppages of cliches from other movies, some so bad it's almost comical", concluding that the movie "veers off into slobbery touchy-feeliness, and the tone becomes mock-religious, almost liturgical."[9] Wesley Morris of The Boston Globe called it "dutiful but dull."[10] A. O. Scott, in his review for The New York Times, notes that participation by actual members of the Coast Guard "lends an air of authenticity" and concludes "... [i]t's not a great movie, but it's certainly one of the finest Coast Guard pictures you're likely to see anytime soon."[11] In a Variety review, Joe Leydon says the movie is "overlong but [the] involving drama has obvious cross-generational appeal."[12] Ed Blank in the Pittsburgh Tribune-Review gave a mixed review, saying "The Guardian regurgitates formulaic elements in a way that pays off repeatedly and potently."[13]

We collaborate with major producers, talent and broadcasters to bring stories to the screen and reach audiences around the world. Guardian reporting has been adapted as major feature films, including in The Fifth Estate, Snowden and The King of Thieves, and for high-profile television series, including The Salisbury Poisonings.

Our range of solar and energy control window film helps prevent heat building up and also ensures buildings are as energy-efficient as possible. If privacy is an issue then our bespoke range of frosted and privacy window film would be of help, allowing you to add an element of privacy to both commercial and residential properties.

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Guardian Window Films completed the installation of striking digitally printed film and digitally printed wallpaper at the new Shirley Library in Solihull. Using state of the art equipment and technology at our Birmingham base, superb images were created from originals by Sixth Form students from Solihull College.

Following the film screening, Yuri Shevchuk, Lecturer in Ukrainian at Columbia University and leading expert in the history of Ukrainian film, will discuss the award-winning documentary, The Guardian of the Past (dir. Malgorzata Potocka, 2004). The film is about art curator Borys Voznytsky, who fought relentlessly under Soviet tyranny to preserve some twelve thousand works of sacred art, hidden at the St. Bernard Monastery in Olesko, Ukraine until today. Voznytsky devoted his life to Ukrainian and Polish art, traveling around Ukraine and its abandoned churches in search of neglected icons, liturgical objects, and other remnants of religious art.

N2 - The Waiting Room is a multi-platform Film and VR project I have written, filmed, produced, and directed. It comprises of a 30-minute smartphone short, commissioned by The Guardian and broadcast on The Guardian website in 2019, and a Virtual Reality project, which was funded by the EPSRC and premiered at The 76th Venice International Film Festival in 2019. On being diagnosed with breast cancer in late 2017, I decided to record my journey from diagnosis to recovery. Using footage shot on my iPhone X over 18 months in waiting rooms, surgery, chemotherapy, and radiotherapy, and at home with my teenage son, my film provides an intimate and visceral portrait of cancer treatment and its transformative impact on the body and family life.

AB - The Waiting Room is a multi-platform Film and VR project I have written, filmed, produced, and directed. It comprises of a 30-minute smartphone short, commissioned by The Guardian and broadcast on The Guardian website in 2019, and a Virtual Reality project, which was funded by the EPSRC and premiered at The 76th Venice International Film Festival in 2019. On being diagnosed with breast cancer in late 2017, I decided to record my journey from diagnosis to recovery. Using footage shot on my iPhone X over 18 months in waiting rooms, surgery, chemotherapy, and radiotherapy, and at home with my teenage son, my film provides an intimate and visceral portrait of cancer treatment and its transformative impact on the body and family life.

Through our network of film clubs, our annual Into Film Festival, and the interaction on our ongoing free online course - Teaching Literacy Through Film - we are seeing more and more educators using film in their teaching.

Nominations may be made by teachers themselves or by a colleague, parent, or student, and must include an example of work to demonstrate the inspirational use of film in the classroom be that screenings of interesting films, filmmaking, review writing or other film-related activities that have had a positive impact on young people's academic or social development.

We are starting a club for fans of documentary films who love them as much as our Festival team does and who share our values. The conditions of participation in the club are simple: you help DOCUDAYS UA grow, and we thank you for it with nice bonuses throughout the year! ff782bc1db