!FREE! Download Choreography Dance Moves

Choreographing isn't just for professional dancers with tons of clout. It's a skill that anyone can learn with a little practice and inspiration. Not sure how to start? Just follow this handy 6-step guide and start creating!

This article was co-authored by Val Cunningham and by wikiHow staff writer, Amber Crain. Val Cunningham is a Choreographer, Lead Dance Instructor, and Certified Yoga Instructor at The Dance Loft, a dance studio based in San Francisco, California. Val has over 23 years of dance instruction, performance, and choreography experience and specializes in ballroom, Latin, and swing dancing. She is also trained in house, hip-hop, jazz, ballet, and modern dance, and has studied with world renouned dancers such as Tom Slaterand Richard Lambarty. She is ISTD (Imperial Society of Teachers of Dancing), ProDVIDA (Professional Dance Vision International Dance Association), and Zumba certified. She is a member of the National Dance Council of America.

There are 17 references cited in this article, which can be found at the bottom of the page.

wikiHow marks an article as reader-approved once it receives enough positive feedback. This article has 16 testimonials from our readers, earning it our reader-approved status.

This article has been viewed 626,708 times.

Download Choreography Dance Moves

DOWNLOAD 🔥 https://urlca.com/2y2RrC 🔥

Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which motion or form or both are specified. Choreography may also refer to the design itself. A choreographer is one who creates choreographies by practising the art of choreography, a process known as choreographing. It most commonly refers to dance choreography.[1]

In dance, choreography may also refer to the design itself, which is sometimes expressed by means of dance notation. Dance choreography is sometimes called dance composition. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation for the purpose of developing innovative movement ideas. In general, choreography is used to design dances that are intended to be performed as concert dance.

The art of choreography involves the specification of human movement and form in terms of space, shape, time and energy, typically within an emotional or non-literal context. Movement language is taken from the dance techniques of ballet, contemporary dance, jazz dance, hip hop dance, folk dance, techno, K-pop, religious dance, pedestrian movement, or combinations of these.

The word choreography literally means "dance-writing"[2] from the Greek words "" (circular dance, see choreia) and "" (writing). It first appeared in the American English dictionary in the 1950s,[3] and "choreographer" was first used as a credit for George Balanchine in the Broadway show On Your Toes in 1936.[4] Before this, stage credits and movie credits used phrases such as "ensembles staged by",[5] "dances staged by",[6] or simply "dances by" to denote the choreographer.[4]

In Renaissance Italy, dance masters created movements for social dances which were taught, while staged ballets were created in a similar way. In 16th century France, French court dances were developed in an artistic pattern. In the 17th and 18th centuries, social dance became more separated from theatrical dance performances. During this time the word choreography was applied to the written record of dances, which later became known as dance notation, with the meaning of choreography shifting to its current use as the composition of a sequence of movements making up a dance performance.[2]

The ballet master or choreographer during this time became the "arranger of dance as a theatrical art", with one well-known master being of the late 18th century being Jean-Georges Noverre, with others following and developing techniques for specific types of dance, including Gasparo Angiolini, Jean Dauberval, Charles Didelot, and Salvatore Vigan. Ballet eventually developed its own vocabulary in the 19th century, and romantic ballet choreographers included Carlo Blasis, August Bournonville, Jules Perrot and Marius Petipa.[2]

Modern dance brought a new, more naturalistic style of choreography, including by Russian choreographer Michel Fokine (1880-1942)[2] and Isadora Duncan (1878-1927),[7] and since then styles have varied between realistic representation and abstraction. Merce Cunningham, George Balanchine, and Sir Frederick Ashton were all influential choreographers of classical or abstract dance, but Balanchine and Ashton, along with Martha Graham, Leonide Massine, Jerome Robbins and others also created representational works.[2] Isadora Duncan loved natural movement and improvisation. The work of Alvin Ailey (1931-1989), an African-American dancer, choreographer, and activist, spanned many styles of dance, including ballet, jazz, modern dance, and theatre.[7]

Today, the main rules for choreography are that it must impose some kind of order on the performance, within the three dimensions of space as well the fourth dimension of time and the capabilities of the human body.[2]

In the performing arts, choreography applies to human movement and form. In dance, choreography is also known as dance choreography or dance composition. Choreography is also used in a variety of other fields, including opera,cheerleading, theatre, marching band, synchronized swimming, cinematography, ice skating,[7] gymnastics, fashion shows, show choir, cardistry, video game production, and animated art.[citation needed]

Again, this is a conversation to be had in advance of the dance season, ideally before a teacher contract is signed. Generally, choreography produced by a teacher on staff at a studio belongs to the studio. That teacher is creating pieces that directly translate into their job at the studio.

An honest answer will set up the rest of the conversation. Maybe the teacher wants to work freelance on the side but not compete with your studio. Maybe the teacher wants to have a choreography portfolio, for a future career decision. Maybe the teacher needs to move in the near future and wants to be able to take the choreography along for future work.

In my field of speech and language disorders, we see some children with auditory processing deficits. They may have difficulties with auditory memory, auditory sequencing and discriminating sounds (words) in background noise. In making the connection between my own dance challenges, I realized that this processing of information happens with movement as well.

Looking at this praxis model, I am not entirely certain where my breakdown was. Perhaps it was somewhere in between motor planning and execution, when a timing demand was in place. I know that I was getting the gist of the choreography, but not the whole picture.

5. Take many styles of dance classes. Repetition for muscle memory is key. During and after college I found that studying a variety of genres in addition to my dance major requirements helped me most in auditions.

I still think Kpop dances are work of the art, and I am still amazed how they pull off intricate dance moves. However the thing that bothers me the most is spastic stops and pauses between dance moves. When I look at western dances (even though their moves are not as complex), I realize I enjoy them much more because dancers moves are not strained and they dynamically and effortlessly move from one move to another move. There is a good flow, dance matches with the rhythm of the music.

The majority of choreography in kpop is this: complex dance sequence that strains artists as they try to sing/lip sync (some dancers overdance) then there is a pause where they pose and then they move onto next set of complex moves. The pause where they pose kinda takes me out of the performance. I need a good flow, the major component of dancing.

Examples: Twice's More and More choreo especially at the beginning (Jihyo's overdancing kills me); ITZY's Wannabe song: I know people love the killing part where they move their shoulders, but it reminds me of my elementary school days where we had to do those moves as part of our morning calisthenics (lmao). Blackpink does that too to a lesser extent.

Michael Chiappetta, attorney and senior editor in the Intellectual Property & Technology Group at Thomson Reuters Practical Law, explains that you can copyright a dance as long as it's "an original work consisting of the composition and arrangement of a related series of dance movements and patterns organized into a coherent whole."

"These are critical requirements under copyright law," says Dmitry Lapin, an attorney with Danchuk Law LLC. "There is also a specific requirement that all of the movements or aspect of the choreography be described with enough detail so that the work could be consistently performed."

"Most TikTok dances likely fall into the latter unprotectable category," Chiappetta says. "However, where there is a sufficient combination of body movement, spatial movements, and coordination with musical accompaniment, it is possible that a social media dance may be protectable."

"Similar to writing, copyright protection begins when a performance is fixed in a tangible medium of expression" like a video or dance script, says Joseph Mandour, an intellectual property attorney and managing partner of Mandour & Associates APC.

A TikTok video could suffice as long as the dance falls into a protectable category. Registration is not required for protection, "but registering early grants additional protections, including the right to file a lawsuit," Mandour says.

This week, Facebook has detailed a new AI project it's developed which is able to outline creative dance moves based on any musical input, in order to help dancers and choreographers come up with new routines. ff782bc1db