Download !!TOP!! Black Justice Web Series

The Black Food Justice series publishes new scholarship at the intersection of Black studies and critical food studies. While books may address any aspect of producing, distributing, or consuming food, the series features scholarship that explores how Blackness can be theorized and understood through the study of food and/or how the meaning of food itself is challenged and transformed when analyzed through theoretical frameworks grounded in Black thought and liberation. As ethnographers of everyday life who have been working as both food justice scholars and activists in the U.S. and beyond for over a decade each, the series editors shaped this series with the intention to name, define, and create future visions for Black food justice scholarship that can have material implications for protecting, nourishing, and cherishing Black life.

The series editors are especially interested in original work by emerging scholars (especially first-time authors) and well-established scholars that builds on the strengths of UNC Press in African American Studies, African and African Diaspora Studies, Food Studies, Latin American and Caribbean Studies, and Southern Studies.

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This art-based web series focuses on offering solutions for issues in the judiciary, such as dual degrees for judges, accountability, changing courtroom language, time-bound judgments, and judge appointments. Its goal is to create public awareness and advocate for necessary reforms. Subscribe to watch.

This intellectual based positive Web series/ Movie is more SOLUTION ORIENTED rather than Problem Focused, as problems are limitations of Judiciary is known to everyone but no one talks about robust Solutions e.g. Dual Degree for Judges, Accountability of Judges, Replacing Prayer with Demand, addressing Courts as Sir/ Madam rather than Your Honor/ Milord, Time Bound Judgments, Appointment and Retirement of Judges etc.

During the first season, the series was shot in Barcelona, Catalunya, Spain. Before the second season, the series had to switch locations due to budget constraints caused by the 1992 Summer Olympics. The second and third seasons were shot in Los Angeles, California.

Actor Ramy Zada, who played the lead role of Judge Nicholas Marshall during the first season, was said to be unavailable for the second season due to the location change, and Bruce Abbott was chosen as his replacement. The location was also the main reason behind the casting of some Spanish actors like Begoa Plaza in lead roles. When the series shifted to Los Angeles, Janet Gunn permanently assumed the role of the female member of "The Night Watchmen," Kelly Cochrane.

Nicholas Marshall, a former police officer and district attorney, is a judge who loses his faith in the legal system after his wife and daughter are murdered in a car bombing intended for him. After the killer walks free due to a technicality, Marshall becomes a vigilante by night, dedicated to bringing what he calls "dark justice" to criminals who evade penalties due to technicalities. Marshall had already had his faith in the legal system shaken even before his wife and his daughter were murdered:

To help him achieve his goal, Marshall uses a team of specialists whom the local press refers to as "The Night Watchmen." The team, a civilian counterpart to the mission teams of the governmental Impossible Missions Force, consists of people who were prosecuted for lower-level offenses, and who help him with some tasks; this can be seen as a form of community service for their offenses. The members of the watchmen were Arnold "Moon" Willis (Dick O'Neill), who had once been a con man; Jericho "Gibs" Gibson (Clayton Prince), a special effects expert; and a female companion that changed several times during the three seasons. Kelly Cochrane (Janet Gunn) was a rape victim whose attackers had been acquitted in Marshall's court. After she killed one of her attackers, Marshall added her to the team; she remained until the end of the series.

Unfortunately for the Night Watchmen, the very police department in which Marshall himself had once served came to view them as criminals, and their crusade as illegal. By the time of the series conclusion, even the FBI had commenced to look into the activities of the Night Watchmen, a probe Marshall was, presumably, able to defuse when a federal agent provided him with the FBI file on the Night Watchmen.

Rather than help formerly incarcerated people get the health care, training, and education they need to regain their livelihood, the lack of meaningful resources makes it more likely that they will wind up back in the criminal justice system soon after they've left it.

Attitudes about the criminal justice system are changing. Across demographics and party lines, Americans believe that the criminal justice system is in urgent need of reform and that shifting resources from incarceration to rehabilitation would make communities safer.

The events in the series take that framework seriously, interrogating Black and Latinx maternal mortality, the intersection of trans and abortion care in both public policy and social movements, adoption and tribal sovereignty, the criminalization of pregnancy, and the value of human interdependence. Our guests are scholars and advocates whose work at the intersections of reproduction with medicine, law, history, and culture promises a deeper understanding of the issues and histories underlying current debates.

The Reproductive Justice: Scholarship for Solidarity and Social Change event series is sponsored by the Notre Dame Gender Studies Program and the Reilly Center for Science, Technology, and Values, with support from the Initiative on Race and Resilience, the Center for Social Concerns, the Institute for Latino Studies, the Departments of American Studies, Anthropology, English, Film, Television & Theatre, History, Political Science, and Sociology, the St. Mary's College Department of Gender and Women Studies, the Indiana University-South Bend Women's and Gender Studies Program, and the South Bend Civil Rights Heritage Center.

Voices for Justice: Equity & Arts Series is an interdisciplinary exploration of systemic racism, social justice, activism, equality, and the arts. Through CSULB faculty-moderated conversations with leading activists and thinkers, the series provides students and the community with front-line perspectives on how to achieve positive social change. The events in this series are part of a cross-campus initiative to create a more inclusive and compassionate campus culture. The events in the series are free to students and to the community. Voices for Justice is a collaboration of the Division of Student Affairs with the Carpenter Center, as well as with Diversity, Equity & Inclusion Academic Affairs, FEED, and Dr. John Hamilton, Dr. Angela Locks, and Dr. Ray Briggs.

White Coats for Black Lives at the University of Minnesota Medical School (WC4BL) is hosting a health justice series (fall 2023). Minnesota Academy of Family Physicians (MAFP) members are invited to join three of the online sessions/teach-ins via Zoom. No cost to attend; registration required!

Additionally, we believe in examining the impact of intersectionality and centering the voices of groups who have been historically marginalized when discussing health justice, so the majority of our texts will derive from the knowledge of Black, Brown, Native and immigrant scholars and community perspectives.

The Resilient Sisterhood Project is a cutting edge group leading innovative work to address the reproductive health and justice needs of African American women. They are a member of the Alliance for a Healthy Tomorrow, Safer State affiliate in Massachusetts. Read on to learn more about their amazing work!

Information about toxic chemicals and reproductive health is not readily available to women of color, especially for those in low income communities. Products like hair straighteners and relaxers are heavily marketed to black and ethnic women. Yet, many women of African descent are less likely to have information about the health risks from the exposure to products that contain hormone disruptors, heavy metals, and other known carcinogens. Many of the chemicals found in common hair products for people of African descent are known as estrogen and endocrine-disrupting chemicals or EDCs.

So I'm having a debate with a few friends about whether Lex Luthor is black. I don't think so because he has similar skin color to everyone else in the show. What do you think? I've got a burrito running on this debate.

[ed]: Thanks all, but the burrito isn't looking in my favor. Friends are saying that Luthor's characteristics (lips, skin color, and so on) make him more black to the viewer -- whatever the artist's direction might have been are no relevant, they say.

Spelman College has a strong tradition of working as an active agent in movements for social justice and equality. This series seeks to highlight the ongoing work of HBCUs with meaningful and impactful intersectional analyses and conversations steeped in social justice.

During these 60-minute town hall style discussions faculty, students and well known alumnae will be in dialogue with local leaders and community members about the ways in which the collective can work together to continue the fight for civil rights.

The series was developed in response to social unrest following the death of George Floyd and other victims of police brutality and will address discussions topics pulled from a joint letter developed by faculty and staff in support of the Black Lives Matter Movement.

The series revolves around the character Pandey, also known as J.P., a dedicated and principled lawyer practicing in both the sessions court and supreme court of India. He is committed to upholding justice and advocating for the truth. The narrative follows J.P.'s realization of flaws within the current judicial system, leading him to file a Public Interest Litigation (PIL) petition. Through the PIL, he aims to address systemic issues and propose necessary reforms to ensure a fair and efficient legal process. 17dc91bb1f