I would appreciate any help and advice. I use my music especially my 40< playlists for work and don't want to have to redo all of them over. Also I have tons of music which I do not wish to lose and really need to play via my iphone.

Occasionally iTunes may incorrectly estimate the size of selected sync content. Change your sync options to sync with selected playlists and select some of your lists rather than all music to sync. Once that is done you can try selecting more listsand see if they will now fit. Don't forget to check sync selections for other media types in case you're syncing content you don't want/need.


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This is not a new thing that files get deleted accidentally from the phones. And this can be pretty frustrating when you want to recover deleted songs on Android and don't know what you should try. So, this is your chance to learn how to recover deleted music on Android without wasting any time. But as you want to recover the files, you should take care of some things first.

Such type situations can arise in any condition when people lost their important files. But don't worry; you still have the chance to recover deleted music files on Android with simple and easy steps. All you need to do is to choose the right tool for the recovery.

Several methods can be used to recover the deleted audio files. The best method that Android users should try out is listed below. After you have located where is music stored on Android, you will be able to recover the files.

The best tool that you can use as an audio recovery app for Android is Recoverit Audio Recovery Software. The software is completely capable of restoring images, movies, and music files from all different kinds of storage media. You can easily recover the deleted audio files before they get lost completely. You can recover the files easily even when they are formatted. The only precaution you need to take is to stop using the device right after the data loss happens.

If you've enabled the Google Account Sync then there are always chances that you can recover deleted music on Android. That's why it is recommended that you keep a backup of the device data. Then you'll be able to recover the files without using a third-party tool. If you've enabled the backup settings in your device, then the files will be synced with Google Drive but that's not the case with Audio files. They have to be uploaded to the drive manually. After that, you can recover the files from the Drive whenever you want. Whether you format the device or the data gets corrupted, you will still have the option to restore the data.


You won't be able to re-use the same username and all saved music on the account will also be deleted. After closing your account, it will take 14-30 days for your email address to become available for sign-up again

Coolmuster Lab.Fone for Android is a professional OPPO data recovery software that helps you recover deleted files from OPPO in 3 simple steps. As a user-friendly data recovery software, Coolmuster Lab.Fone for Android allows you to preview the files before recovery, and select the specific files to recover. With it, you can recover deleted contacts, messages, call logs, photos, music, videos, and documents in OPPO. All these files can be retrieved with a high recovery rate. The whole process is fast and easy.

The most effective way to avoid data loss again is to regularly back up your OPPO, either to the Cloud or computer. As many people worry about the safety issues of cloud backup, here we will show you how to back up your OPPO to computer in a quick and safe manner - using Coolmuster Android Backup Manager. This backup tool allows you to back up contacts, messages, call logs, videos, music, photos, apps, and documents from OPPO to computer in one click.

Tay-K has one of the most unfortunate stories in hip-hop's modern history. The rapper was on the brink of superstardom, hitting it big with his infectious record "The Race". After he started seeing a lick of success in the music industry, the full story behind the song was revealed.

The record is somewhat of a cult classic, and it shows fans what Tay-K could have become in the music industry. Unfortunately, his legacy has been rewritten by his crimes, and now, even the evidence that he was a star-in-the-making appears to be whittling away.

Music education is a field of practice in which educators are trained for careers as elementary or secondary music teachers, school or music conservatory ensemble directors. Music education is also a research area in which scholars do original research on ways of teaching and learning music. Music education scholars publish their findings in peer-reviewed journals, and teach undergraduate and graduate education students at university education or music schools, who are training to become music teachers.

Music education touches on all learning domains, including the psychomotor domain (the development of skills), the cognitive domain (the acquisition of knowledge), and, in particular and the affective domain (the learner's willingness to receive, internalize, and share what is learned), including music appreciation and sensitivity. Many music education curriculums incorporate the usage of mathematical skills as well fluid usage and understanding of a secondary language or culture. The consistency of practicing these skills has been shown to benefit students in a multitude of other academic areas as well as improving performance on standardized tests such as the ACT and SAT. Music training from preschool through post-secondary education is common because involvement with music is considered a fundamental component of human culture and behavior. Cultures from around the world have different approaches to music education, largely due to the varying histories and politics. Studies show that teaching music from other cultures can help students perceive unfamiliar sounds more comfortably, and they also show that musical preference is related to the language spoken by the listener and the other sounds they are exposed to within their own culture.

During the 20th century, many distinctive approaches were developed or further refined for the teaching of music, some of which have had widespread impact. The Dalcroze method (eurhythmics) was developed in the early 20th century by Swiss musician and educator mile Jaques-Dalcroze. The Kodly Method emphasizes the benefits of physical instruction and response to music. The Orff Schulwerk approach to music education leads students to develop their music abilities in a way that parallels the development of western music.

The Suzuki method creates the same environment for learning music that a person has for learning their native language. Gordon Music Learning Theory provides the music teacher with a method for teaching musicianship through audiation, Gordon's term for hearing music in the mind with understanding. Conversational Solfge immerses students in the musical literature of their own culture, in this case American. The Carabo-Cone Method involves using props, costumes, and toys for children to learn basic musical concepts of staff, note duration, and the piano keyboard. The concrete environment of the specially planned classroom allows the child to learn the fundamentals of music by exploring through touch.[1] The MMCP (Manhattanville Music Curriculum Project) aims to shape attitudes, helping students see music as personal, current, and evolving. Popular music pedagogy is the systematic teaching and learning of rock music and other forms of popular music both inside and outside formal classroom settings. Some have suggested that certain musical activities can help to improve breath, body and voice control of a child.[2]

In primary schools in European countries, children often learn to play instruments such as keyboards or recorders, sing in small choirs, and learn about the elements of music and history of music. In countries such as India, the harmonium is used in schools, but instruments like keyboards and violin are also common. Students are normally taught basics of Indian Raga music. In primary and secondary schools, students may often have the opportunity to perform in some type of musical ensemble, such as a choir, orchestra, or school band: concert band, marching band, or jazz band. In some secondary schools, additional music classes may also be available. In junior high school or its equivalent, music usually continues to be a required part of the curriculum.[3]

The study of western art music is increasingly common in music education outside of North America and Europe, including Asian nations such as South Korea, Japan, and China. At the same time, Western universities and colleges are widening their curriculum to include music of outside the Western art music canon, including music of West Africa, of Indonesia (e.g. Gamelan music), Mexico (e.g., mariachi music), Zimbabwe (marimba music), as well as popular music.

Music education also takes place in individualized, lifelong learning, and in community contexts. Both amateur and professional musicians typically take music lessons, short private sessions with an individual teacher.

While instructional strategies are determined by the music teacher and the music curriculum in his or her area, many teachers rely heavily on one of many instructional methodologies that emerged in recent generations and developed rapidly during the latter half of the 20th century.

Carl Orff was a prominent German composer. Orff Schulwerk is considered an "approach" to music education. It begins with a student's innate abilities to engage in rudimentary forms of music, using basic rhythms and melodies. Orff considers the whole body a percussive instrument and students are led to develop their music abilities in a way that parallels the development of western music. The approach fosters student self-discovery, encourages improvisation, and discourages adult pressures and mechanical drill. Carl Orff developed a special group of instruments, including modifications of the glockenspiel, xylophone, metallophone, drum, and other percussion instruments to accommodate the requirements of the Schulwerk courses. Each bar on the instruments is able to be removed to allow for different scales to be formed. Orff's instruments build motor skills, both visually and kinesthetically, in younger children that might not have those abilities built up yet for other instruments.[4] Experts in shaping an American-style Orff approach include Jane Frazee, Arvida Steen, and Judith Thomas.[5] ff782bc1db

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