The Cumbria Woodlands Ash Project is a Heritage Lottery funded project designed to examine the options for ash tree protection, replacement and preservation of ecological diversity and cultural heritage that surrounds these trees.
Managed by Clare de Villanueva the project began in 2016 and finished in 2018. Over the course of the project, a range of media and materials were produced to support the project and help communicate the learning and outcomes.
In autumn 2017 the Ash Conference was held at the University of Cumbria and brought together leading academics, practitioners and experts in the issues presented by ash dieback. Attended by over one hundred delegates, the presentations were recorded and are available here to view and share.
Browse the films below to explore the heritage of ash in Cumbria, impact of the disease and how to respond.
Ash Identification-
Can you identify an ash tree? Leila Todhunter from the National Trust explains how to identify ash trees and explains some of the features of the tree which make it unique.
Art from Ash - Opportunities from Loss
With the loss of ash trees, Charlie Whinney is looking for opportunities to continue working with ash despite the presence of dieback. The future inevitably involves fewer ash trees and the nature of Charlie's work will continue to evolve.
Pollards on the Farm-
Will Chaplin Bryce from Low Bridge End Farm talks us through the pollarding process and how to identify them in the landscape. With many ash pollards on their land, Will explains how they were traditionally managed and what the products would have been used for.
Coppice Management-
Gareth Thomas from Woodmatters talks us through the coppicing process and explains the community wood share project which introduces local people to woodland management.
Ancient Woodland Restoration-
Tim Wood shows us how PAWS (plantation on ancient woodland) restoration has been implemented at Low Park Wood. This film looks at how the process is carried out and the impact that ash dieback has had on their plans for the future.
Why Cut Down 100yr Old Oaks?-
Richard Tanner from the National Trust explains why felling oak trees and ring barking others could be helpful in understanding the future of ash trees in these woods. An ancient woodland, Dodgson Wood provides an ideal site for some experiments in woodland management.
Restock Alternatives in a Commercial Woodland-
Meet Tim Wood, a ranger restoring local woodland to a more natural cover and improving the environment and habitats for wildlife. Ash regeneration would have been extremely useful, but dieback has put paid to that plan, so what are the alternatives?
Ash Trees, an Ideal Home for Lichens-
John Douglass talks us through the various lichens found on ash trees and why ash is a particularly good and important host for lichens. Is translocation the answer?
Why Coppicing is Good for Butterflies -
Howe Ridding is one of the largest coppice schemes in the North West of England and has been worked since the 1500s. This film explores some of the history of the area and it's importance for wildlife, particularly Fritillary butterflies.
Pollards and Dieback-
In 2017 the Ancient Tree Forum held a meeting in Hartsop, near Ullswater. This valley is home to approximately 200 ancient and veteran trees of which 60% are ash, many of which have been pollarded. The valley provides a great insight into how ancient trees were managed and their significance to the landscape.
Thanks and Acknowledgements-
National Trust and Cumbria Wildlife Trust for the trial sites and support on the steering group. Barnaby Wilder of the Forestry Commission for the latest technical advice. Ian Jack for linking the project up with the Ancient Tree Forum and the Royal Forestry Society. Edward Mills for Cumbrian knowledge and links with HLFs Rusland Horizons project. Additional steering group support from Sam Lumb (LDNPA), Heather Swift (Woodland Trust). Thanks as always to Low Bridge End Farm for cake, Will, and access to Pollards. Thanks go out to all those who had a camera pointed at them during the films.