Currently Listening
Stephen Wilson Jr. - søn of dad
My friend Andrew shared this album with me recently, saying that the songwriting is "next level" with songs that are both "emotionally exhausting and beautiful at the same time." I've had it on repeat since that text, and thanks to Andrew, I just made my first overpriced StubHub purchase. It feels totally worth it, as this album is so original. At first, I heard the album as a mix between Indie Rock and Country; on later listens, I noted hints of Southern Rock and Grunge. The nod to Grunge came out in the video for "Year to Be Young 1994," which I felt nostalgic listening to as I drove up to my 30-year High School reunion a couple months ago. His lyrics strike a chord, hit deep emotionally, and are introspective.
Looking forward to catching his live show in DC next week!
Past Listening
John Craigie - https://www.youtube.com/watch?v=FQJC8Hz79V4
I’m revisiting John Craigie’s music since I won’t get to see him play this summer. He’s been on my To See List for a while, but he’s traveling to places where I won’t be. I love his lyrics and storytelling style; he kinda reminds me of a California version of Todd Snider. Craigie is a witty singer-songwriter who has an engaging, folky storytelling style. I don’t like the comparisons to John Prine that I’ve heard, but I like them both in the same way. Check out Count Me Down and While I’m Down.
Allison Russell - Outside Child
I have been taken with Allison Russell’s Outside Child (https://allisonrussell.bandcamp.com/album/outside-child) since I first heard it on a list of folk singers to watch. Then, it was on a list of country singers to watch. Outside Child is both and neither. Whatever, genre seems to matter much less anymore, as genre is really arbitrary anyway. What this album is is beautiful music with powerful lyrics.
It brings you in with beautiful vocals in both English and French on Montreal, but then it hits you with the tragedy of a child abused by her parent, like these from Persephone (https://youtu.be/-EHHbwzgvGg):
Blood on my shirt, two ripped buttons
Might’ve killed me that time oh if I’d let him
He’s slow when he’s drunk, and he lost his grip on me
Now I’m running down la rue St. Paul
Trying to get out from the weight of it all
Can’t flag a cop ’cause I know he won’t stop
I’ll go see Persephone
As a student of the guitar, and especially as one from the land of Blues and BBQ, I've got a love of jammy, grooving guitar. And the Tuareg music of West African Sahara resonates at such a core level that I instinctively start dancing every time I hear it.
There are so many great bands to check out. The first I was introduced to was Tinariwen, who rocked out an Austin audience for well over 2 hours while saying "Welcome to the Desert" between each song. To study the licks, I've been going through the YouTube channel of Ovace Siddiqi, who also has a Patreon page worth contributing to.
In reading The Roots of the Blues: An African Search, I began to think of the interconnected nature of music and specifically with regards to the Tuareg. Here's modern music in the tradition of West African Griots, which influenced the Delta Blues and upon which the Blues is now having an influence.
And here I am in Memphis studying the music from a Pakistani guitarist in Europe. Thank you, YouTube
Currently Reading
Written by an old friend, Trapper Haskins, who is a talented carpenter, singer-songwriter/musician, vintage baseball player, and all-around good guy, Crooked Old River tells the story of Trapper's journey rowing down the Mississippi River with his wife, Mandy, in a boat that he made. I remember hearing about this while going on this trip in 2002, just when I had started my English teaching life abroad in Colombia. We had gone to college together, and I hadn't realized just how much of a vagabond wanterluster he was until we met up again some 20 years later as he was working on the book. Trapper and Mandy didn't make it all the way to the end of the river on their first try, and this is the story of him rebuilding the boat with his children and resuming the journey with his family of four. He has always had a great voice in his songwriting (https://trapperhaskins.com/music), but I'm grateful that he also does long-form, as it's such a good read so far.
Past Reading
The Crusades Through Arab Eyes
Amin Maalouf’s Crusades Through Arab Eyes “retells” the Crusades from the perspective of Arab historians and chroniclers. I was introduced to this book by during a period when I grew curious about Western involvement in the Middle East, which was right during the buildup to the second Iraq war. At that time, I was studying Arabic and meeting many Arabic speakers, which opened my eyes to the fact that historical events can be viewed through many different lenses. Maalouf’s writing shares the experiences and responses of the Arab people during this period of history. It is well-researched and quite readable, even though it’s exploring complex historical events. I’m revisiting this book as I prepare to move back to the Middle East, and hope for a little more understanding of the historical context.
Mother Tongue: A Bogotan Story
This was recommended to me in a bookstore in Bogota when we visited. I thought it was funny that I picked up the only book around written in English when I went in trying to find a book in Spanish. So, I got this and Gramática pura - which is actually in Spanish - by Juan Fernando Hincapié. His tone is is funny but growing jaded and sarcastic while talking about Colombians living abroad. The main character returns to Bogotá after studying in the U.S. He adds commentary to the story in the footnotes and that offers the most potential and distraction for me as an easily distractible reader. That said, at times, I find his tone annoying and even sexist, but the book does have an interesting take on language and culture. Overall, it’s a short and easy read and gives some insight into Colombia and the language; but not a book I'd recommend.
Blues All Around Me: The Autobiography of B.B. King
As my guitar teacher and I have been working on some of B.B. King’s music, it seemed like an appropriate time to read “Blues All Around Me: The Autobiography of BB King.” The book is told in BB’s voice takes the reader on a journey through his life. He writes about growing up in Mississippi and working as a street performer in Memphis. As a student of music, I’m enjoying his discussion of his musical influences and his admiration for other artists. As a Memphian and a fan of blues, the book is joy to read.
Latino Boom: An Anthology of U.S. Latino Literature
Norton canceled their Anthology of Latino Literature, so I was forced to pick a new book. While I spent several month's reading and prep on that and was freaking out when I realized everything had to be redone for my class, this work and its companion site (https://latinostories.com/) are so much better than what I was planning to work with previously.
Norton Anthology of Latino Literature
This is consuming my work life as of late, as I have been given the honor of creating my college's first Latinx Literature class. Unfortunately, this is not a class I've previously taught or studied, so I'm diving in. Though I've been able to rely solely on the Norton guides when teaching a World Literature class, it doesn't seem a good idea for this class, as there are no texts in Portuguese, French, or any of the indigenous languages of the American continents. This is after an introduction that discusses the importance of including Latino literature and voices and acknowledges that there are multiple layers of identity.
I'm enjoying writing exercises and some perception changes from Wilco's Jeff Tweedy. He focuses on getting lost in the process of making a single song, not thinking beyond that to songs. While he hasn't solved the lyrical problems I've been having with a couple of songs I've been working on, that single change in perspective resonated with me. If I'm working on any aspect of a song consistently and if I get to enjoy getting totally lost in time while working on it, then I've got everything I could ever want and I don't need to worry about the direction that may (or may not) take shape.