My journey into landscape photography commenced with a determination to break free from the cycle of domestic violence and child cruelty that my brother and I endured during our childhood. Despite the hardships we faced, we both built strong families with wives and children. It was of utmost importance to us that our children would not experience the same struggles.
My brother’s enlistment in the army initially seemed like a natural progression. I eventually joined him in the same regiment, the Kings Royal Hussars. During the ensuing eight-year period, I embarked on tours of Northern Ireland, Iraq, and Afghanistan. While I had used cameras throughout my life, it was not until a traumatic injury sustained in Afghanistan that I began to consider a career in landscape photography.
The injury left me with neurological memory loss and a profound sense of loss. It took several years to rebuild my life, during which I spent the first two years recovering from my blindness. I learned to walk again and regain my reading skills. It was only after this period that I felt a desire to return to the outdoors. I particularly wanted to witness the sunrise in the Peak District National Park.
Before embarking on this journey, I needed to strengthen my resolve, learn to walk properly, and familiarise myself with my specific area of the Peak District. Researching locations and photographs from other photographers became a hobby, and I dedicated myself to identifying the exact locations of each photograph before visiting them myself. This allowed me to capture the area at its peak, whether it was the sunrise or sunset.
During this process, I was deeply inspired by other photographers, particularly David Noton. His personal landscape photography had a profound impact on me, and his books and DVDs provided invaluable assistance. While I often found myself watching the DVDs multiple times to retain the information, I eventually gained confidence in my abilities. Inspired by other photographers and with the benefit of my research, I was ready to venture out and begin my journey into landscape photography.
Image By David Noton
Over the past decade, I have dedicated myself to exploring the Peak District National Park, both alone and with fellow landscape photographers. While I still derive immense pleasure from witnessing the first glimmers of light gently caressing the gritstone formations at dawn, I also find great joy in spending time amidst the trees. Although the Peak District National Park may not boast a vast expanse of a single, epic woodland, it does possess numerous ancient woodlands, each home to my favourite species of trees, such as silverbirch and ancient oaks. Escaping the incessant noise of the roadside and bustling towns within the woodlands allows me to immerse myself in a serene environment, replete with silence and conducive to reflection amidst nature. The morning chorus and the distant bellows of stags create a unique and captivating atmosphere, underscoring the profound significance of spending time with trees. In addition to the breathtaking landscapes to capture and the occasional peaceful moments spent in the woodlands, these experiences serve as a form of personal rehabilitation and healing after my recovery journey in Afghanistan.
Winnats Pass
Over the years, I have been fortunate enough to travel extensively throughout the United Kingdom. I have also visited regions of America and Iceland for my landscape photography, but I must admit that there is something truly unique about the UK. The Scottish Highlands and the Welsh Mountains are all perfect for me as a landscape photographer. I believe that we have everything we need in this glorious yet compact country.
Additionally, I have participated in numerous camera club talks, group workshops, and one-to-one sessions. I have also had the privilege of teaching other blind photographers photography skills at Blind Veterans UK, which was a wonderful way to give back to an organisation that provided me with support during my recovery process. Regrettably, following the pandemic, the photography weeks at Blind Veterans UK ceased to continue. Consequently, my landscape photography has become increasingly personal and focused on my own escapism. I spend my time alone on the hills, relaxing in the trees, or spending time with like-minded friends. And the Peak District National Park gives me everything I need on my doorstep. With it ease and accessibility.
Dawn
In my journey of landscape photography, I must give a special mention to my canine companion, Echo, a cocker spaniel. Contrary to my initial reservations about cocker spaniels due to their high energy levels, Echo has proven to be an invaluable asset.
Echo’s loyalty, love, and constant happiness have been remarkable. Her training was exceptional, and her unwavering presence during my photography sessions is truly inspiring. She is always by my side, whether I am composing images or setting up my tripod. Echo’s ability to sense when it is time to rest in the grass or snuggle up in the heather to keep warm is truly remarkable.
Echo’s unwavering loyalty has been unparalleled. She has consistently demonstrated a commitment to my well-being, and I have never experienced such a devoted companion. Echo’s presence is a source of joy and inspiration, and her unwavering loyalty is a testament to the extraordinary bond that can form between humans and their canine companions.
Echo
Although I am not typically known for discussing photography gear, it is acceptable to mention briefly the camera I use and the reasons behind my choice. The Fuji film XT5, renowned for its lightweight and advantageous technology and features, proved to be an ideal companion for my landscape photography endeavours.
Personally, I never capture a landscape image without a tripod. This allows me to compose the tripod and subsequently use my camera, ensuring that I am fully satisfied with the composition. The Fuji film camera, coupled with its advanced technology such as focus peaking, compensates for my visual impairments, transforming the process and making it indispensable. The camera’s compact size, approximately 900 grams, further enhances its suitability for landscape photography and extended walks. In my opinion, the Fuji film X and GFX ranges are exceptional and have proven to be the most effective tools for my landscape photography and outdoor adventures.
As a proud ambassador of Vanguard Photo UK, I have been using their exceptional camera bags and tripods for over a decade. The bags, in particular, are meticulously crafted to safeguard and secure your photography equipment while preserving its aesthetic appeal. Tripods are an indispensable component of my equipment. I consistently compose my images using a tripod for its stabilising capabilities, resulting in photographs that are an integral part of my setup. I highly recommend both the Vanguard camera bags and tripods, as well as other accessories available from the company. A discount code is available upon direct contact for further information.
Similarly to sunglasses filters, filters are an essential piece of equipment for landscape photographers. They enable us to manipulate the situation and slow down time when necessary or control the light. For me, filters are an integral part of my process, and as a result, Kase filters remain the ideal choice. The robust and trustworthy optical glass allows me to complete a significant portion of my work within the camera, resulting in more time spent enjoying my outdoor experience rather than spending it editing photos later at home. I prefer to complete my photo editing as quickly as possible using these filters, which provide me with this opportunity. Recently, the Revolution filters have revolutionised the industry once again, making these filters even quicker and easier to use than ever before. They are always ready to be used, whether I am on the go or returning home.
Personally, I have a singular preference for outdoor equipment, which has remained consistent throughout my eight years in the British Army and my current adventures of landscape photography within the Peak District National Park. This preference is for Buffalo System clothing. Crafted in Sheffield by an exceptional team, each piece of clothing is meticulously handmade in the UK, holding a special significance for me. Buffalo is the obvious choice, and it will undoubtedly continue to be so. Notably, I always opt for the special six-shirt or the mountain shirt, and the buffalo mittens. Buffalo clothing boasts an exceptional Pertec outer layer that provides wind protection, utilising wind-stopping material and ensuring quick drying. The warm thermal layer ensures optimal warmth during harsh, cold conditions.
Recently, Buffalo has gained prominence through the efforts of Ben Fogle and James Sleter, which marks an exciting era for Buffalo. I eagerly anticipate the future developments in this field. I have always been an ardent admirer of Buffalo, and the fact that it is manufactured in the UK, handcrafted within the steel city, presents a unique and exhilarating journey. For over 25 years wearing buffalo
one man and his dog