Cartoon Mouse

In thirty seconds of film, Disney was able to completely transform my perspective of an everyday occurrence by using a cartoon mouse and his garbage eating brother, to my passion. I identified with Remy despite our obvious differences. Remy lived for the experience that accompanies food. Now so do I.

Description: Optasia Design, a dynamic and creative design firm, is seeking a talented and experienced 3D artist to bring to life a cheerful mouse mascot for one of our esteemed clients without Background. The project involves transforming a provided image and initial modeling attempt into a high-quality 3D cartoon character.

Cartoon Mouse

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He is more shy and friendly than Cartoon Cat or Cartoon Dog, but still works for them. he doesn't like the fact that Cartoon Cat and Cartoon Dog kill and eat people, but is too afraid to say anything, especially since cats eat mice. He actually tries to help people when Cartoon Cat isn't watching, and sometimes it works. He's also too scared to quit his job with cartoon cat because he's afraid he might get himself eaten. He's not that strong, so he can't really fight back against...anything...however, that all changes with his killer form, but that's a story for another time.

Before a cartoon creature, Cartoon Mouse was a Lab Rat named Bartholomew (possibly in russia or germany by the name) who was injected with some of Cartoon Cat's DNA by some scientists, turning him into Cartoon Mouse. He now holds a grudge against those scientists. As such, he won't stop Cartoon Cat from killing scientists, and might even help sometimes! You can see what happened from two burnt lab entries that were salvaged from the burnt down lab (see Gallery).

Did it just have to do with the cartoonist trying to personify mice and make it look like they live in houses with doors like humans. Or was it something more, for example perhaps many houses built in those times had holes like the above that were supposed to be for pipes or vents but when unfilled mice liked to take refuge in them. Any ideas?

Most of the time art should look clean. If the artists made the hole jagged someone can easily mistake it for bad art. Also, having cartoon mice live in places that look like houses keeps kids entertained and interested.

Mickey Mouse is an American cartoon character co-created in 1928 by Walt Disney and Ub Iwerks. The longtime icon and mascot of The Walt Disney Company, Mickey is an anthropomorphic mouse who typically wears red shorts, large yellow shoes, and white gloves. Inspired by such silent film personalities as Charlie Chaplin and Douglas Fairbanks, Mickey is traditionally characterized as a sympathetic underdog who gets by on pluck and ingenuity in the face of challenges bigger than himself.[2] The character's depiction as a small mouse is personified through his diminutive stature and falsetto voice, the latter of which was originally provided by Disney. Mickey is one of the world's most recognizable and universally acclaimed fictional characters of all time.

Created as a replacement for a prior Disney character, Oswald the Lucky Rabbit, Mickey first appeared in the 1928 short Plane Crazy, which was not originally picked up for distribution; his public debut was in the same year's Steamboat Willie. The character was originally to be named "Mortimer Mouse", until Lillian Disney instead suggested "Mickey" during a train ride. The character went on to appear in over 130 films, including The Band Concert (1935), Brave Little Tailor (1938), and Fantasia (1940). Mickey appeared primarily in short films, but also occasionally in feature-length films. Ten of Mickey's cartoons were nominated for the Academy Award for Best Animated Short Film, one of which, Lend a Paw, won the award in 1941. In 1978, Mickey became the first cartoon character to have a star on the Hollywood Walk of Fame.

Mickey Mouse was created as a replacement for Oswald the Lucky Rabbit, an earlier cartoon character that was created by the Disney studio but owned at the time by Universal Pictures.[3] Charles Mintz served as a middleman producer between Disney and Universal through his company, Winkler Pictures, for the series of cartoons starring Oswald. Ongoing conflicts between Disney and Mintz and the revelation that several animators from the Disney studio would eventually leave to work for Mintz's company ultimately resulted in Disney cutting ties with Oswald. Among the few people who stayed at the Disney studio were animator Ub Iwerks, apprentice artist Les Clark, and Wilfred Jackson. On his train ride home from New York, Walt brainstormed ideas for a new cartoon character.

Mickey Mouse was conceived in secret while Disney produced the final Oswald cartoons he contractually owed Mintz. Disney asked Ub Iwerks to start drawing up new character ideas. Iwerks tried sketches of various animals, such as dogs and cats, but none of these appealed to Disney. A female cow and male horse were also rejected. (They would later turn up as Clarabelle Cow and Horace Horsecollar.) A male frog was also rejected, which later showed up in Iwerks' own Flip the Frog series.[4] Walt Disney got the inspiration for Mickey Mouse from a tame mouse at his desk at Laugh-O-Gram Studio in Kansas City, Missouri.[5] In 1925, Hugh Harman drew some sketches of mice around a photograph of Walt Disney. These inspired Ub Iwerks to create a new mouse character for Disney.[4]

Mickey was first seen in a test screening of the cartoon short Plane Crazy, on May 15, 1928, but it failed to impress the audience and Walt could not find a distributor for the short.[11] Walt went on to produce a second Mickey short, The Gallopin' Gaucho, which was also not released for lack of a distributor.

Steamboat Willie was first released on November 18, 1928, in New York. It was co-directed by Walt Disney and Ub Iwerks. Iwerks again served as the head animator, assisted by Johnny Cannon, Les Clark, Wilfred Jackson and Dick Lundy. This short was intended as a parody of Buster Keaton's Steamboat Bill, Jr., first released on May 12 of the same year. Although it was the third Mickey cartoon produced, it was the first to find a distributor, and thus is considered by The Disney Company as Mickey's debut. Willie featured changes to Mickey's appearance (in particular, simplifying his eyes to large dots) that established his look for later cartoons and in numerous Walt Disney films.[citation needed]

The cartoon was not the first cartoon to feature a soundtrack connected to the action. Fleischer Studios, headed by brothers Dave and Max Fleischer, had already released a number of sound cartoons using the DeForest system in the mid-1920s. However, these cartoons did not keep the sound synchronized throughout the film. For Willie, Disney had the sound recorded with a click track that kept the musicians on the beat. This precise timing is apparent during the "Turkey in the Straw" sequence when Mickey's actions exactly match the accompanying instruments. Animation historians have long debated who had served as the composer for the film's original music. This role has been variously attributed to Wilfred Jackson, Carl Stalling and Bert Lewis, but identification remains uncertain. Walt Disney himself was voice actor for both Mickey and Minnie and would remain the source of Mickey's voice through 1946 for theatrical cartoons. Jimmy MacDonald took over the role in 1946, but Walt provided Mickey's voice again from 1955 to 1959 for The Mickey Mouse Club television series on ABC.[citation needed]

Audiences at the time of Steamboat Willie's release were reportedly impressed by the use of sound for comedic purposes. Sound films or "talkies" were still considered innovative. The first feature-length movie with dialogue sequences, The Jazz Singer starring Al Jolson, was released on October 6, 1927. Within a year of its success, most United States movie theaters had installed sound film equipment. Walt Disney apparently intended to take advantage of this new trend and, arguably, managed to succeed. Most other cartoon studios were still producing silent products and so were unable to effectively act as competition to Disney. As a result, Mickey would soon become the most prominent animated character of the time. Walt Disney soon worked on adding sound to both Plane Crazy and The Gallopin' Gaucho (which had originally been silent releases) and their new release added to Mickey's success and popularity. A fourth Mickey short, The Barn Dance, was also put into production; however, Mickey does not actually speak until The Karnival Kid in 1929 (see below). After Steamboat Willie was released, Mickey became a close competitor to Felix the Cat, and his popularity would grow as he was continuously featured in sound cartoons. By 1929, Felix would lose popularity among theater audiences, and Pat Sullivan decided to produce all future Felix cartoons in sound as a result.[12] Unfortunately, audiences did not respond well to Felix's transition to sound and by 1930, Felix had faded from the screen.[13]

The Cactus Kid (April 11, 1930) was the last film to be animated by Ub Iwerks at Disney. Shortly before the release of the film, Iwerks left to start his own studio, bankrolled by Disney's then-distributor Pat Powers. Powers and Disney had a falling out over money due Disney from the distribution deal. It was in response to losing the right to distribute Disney's cartoons that Powers made the deal with Iwerks, who had long harbored a desire to head his own studio. The departure is considered a turning point in Mickey's career, as well as that of Walt Disney. Walt lost the man who served as his closest colleague and confidant since 1919. Mickey lost the man responsible for his original design and for the direction or animation of several of the shorts released till this point. Advertising for the early Mickey Mouse cartoons credited them as "A Walt Disney Comic, drawn by Ub Iwerks". Later Disney Company reissues of the early cartoons tend to credit Walt Disney alone. 17dc91bb1f