In early October, after filming wrapped in New York City, further production began at Babelsberg Studios in Berlin and Potsdam, Germany, and would continue there through the end of November.[34][35] Filming in Berlin began with shooting at the former Tempelhof Airport in October, for scenes that actually took place there, such as Donovan's descending from a historic C-54 Skymaster.[36] The prisoner exchange scene was filmed on the Glienicke Bridge (the so-called "Bridge of Spies"), where the historical exchange actually took place in 1962.[37][38] The bridge spans the Havel narrows between Berlin and Potsdam, and was closed to traffic for filming over the last weekend of November.[39][40] German Chancellor Angela Merkel and former president Bill Clinton visited the set to watch the filming of these scenes.[41] Other filming locations included Berlin-Hohenschnhausen Memorial and Marquardt Palace. Principal photography officially ended on December 4, at Berlin Tempelhof. Shooting also took place in Wrocaw, Poland, in the second half of November.[34][42] During mid-December, filming took place at Beale Air Force Base, located near Marysville, California.[43] The film was shot on 35mm motion picture film, including Kodak Vision3 250D color negative film 5207 and Vision3 500T color negative film 5219.[44]

In the better second section, Donovan enters the schizophrenic Germany of 1962, when the mortar is still wet on the Berlin Wall. Spielberg trenchantly evokes the craziness of a divided city: a West Berlin strewn with patches of Western luxury, an East Berlin left in poverty and ruins. Hewing close to the historical record (in this case), Spielberg cooks up a spiky political stew from East Germany striving for recognition from the United States, the Soviet Union coolly maintaining dominance over its satellite state, and the two superpowers playing chess, and sometimes chicken, as they maneuver to win back their spies before they leak any secrets.


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There are TV series like "The Americans" about Ruski (ph) spies in Reagan-era D.C. and an endless stream of bios, like David Talbot's revealing new book on Allen Dulles, that cobra in a suit who ran the CIA from 1952 through the Bay of Pigs. As it happens, Dulles turns up briefly and too warm-bloodedly in "Bridge Of Spies," Steven Spielberg's highly entertaining new thriller, which excavates a tiny corner of that history, without over-inflating its importance. With the red scare safely behind us, this real-life story takes us inside the prosaic details of that era's bargaining and posturing while also viewing it with historical perspective. It's above the Cold War, rather than caught within its passions.

The movie brings the Cold War alive in another way, too. It's relevant to our own days when terrorism can produce the same knee-jerk stridency that communism once did. In their fear and hatred of the reds, most Americans, including government officials, didn't care whether Abel got fair treatment before the law. Donovan did. That's the point of laws. And he fueled the public's hatred by not just defending Abel, but doing it scrupulously. He believed that America didn't prove its strength by killing off spies without fair trials. It did so by honoring the principles embedded in the U.S. Constitution, even when and especially when it's tempting not to. In "Bridge Of Spies," America's greatest asset in the Cold War wasn't possessing superior information or military might. It was having faith in our values.

Although originally completed in 1907, this eleven metre wide steel bridge has become most popularly known for its role as a border crossing during the Cold War period and for the tense exchanges in human capital that took place here.

Bridge of Spies tells the story of Jim Donovan (Tom Hanks), an insurance lawyer who finds himself getting wrapped up in a complicated web of Cold War spies. With his children fearing that any day the commies will drop the bomb, Jim gets tasked with defending an alleged Russian spy, Rudof Abel (Mark Rylance). The idea is to show that in America, even the Ruskies can have their day in court. Donovan aims to supply him with the best defense possible, because after all that is his job, but the judge in the case, the CIA, and the American public have other ideas. Nevertheless, he saves the man from the electric chair, which is fortunate, because the Russians have captured a US spy and will only give him back if Donovan organizes a trade for Abel.

John, you can take the Berlin bus route # 316 from the Wannsee station or the Potsdam tram route #93 from the Potsdam Main Station (both are served by the Berlin S-Bahn) to get to the bridge. Either will take you right there.

You can also take a walking tour to Potsdam from Berlin. I took the "Original Berlin Walks" tour to Potsdam and thought it was wonderful. It was about 5-1/2 hours (with a 1/2 hr stop for lunch), we took the train to Potsdam, bus to the starting point, and then walked to Sanssouci Palace. Yes, we walked across the bridge as part of the tour. The tour ended at the palace gardens and if you wanted to stay to tour the palace, the guide gave you information on getting back to Berlin on your own. It was a lot of walking but well worth the time and effort.

The Potsdam tram to the bridge is rather more frequent than the bus, so I would suggest either travelling to Potsdam and then visiting the bridge by tram, or getting the bus to the bridge from Berlin as previously recommended and then going on into central Potsdam by tram. The area isn't dangerous, but it is isolated, and waiting for the bus basically involves sitting by a main road and breathing fumes from fast-moving traffic.

With Donovan were several people, including an American pilot who could identify Powers. Abel and a prison guard followed five paces behind them. Schischkin and others approached from the other side of the bridge, with Powers trailing them.

The first exchange took place on February 10, 1962, when U.S. and Soviet Union agents met on the bridge and exchanged captured Soviet spy Rudolf Abel for captured American U2 spy-plane pilot, Francis Gary Powers. After this initial transfer, another peaceful exchange took place in 1964, and then twice more in the 1980s. As far as the records show, the last prisoner exchange took place in 1986, by which time nearly 40 people had been exchanged between Eastern and Western agents on the bridge.

In real life, the remnants of the former borderline remain visible. And for those willing to use their imagination, an ordinary bridge crossing can become something much more clandestine, even if only for a fleeting moment.

Bridge of Spies is a Cold War spy movie based on the true story of an exchange of American and Soviet spies. It stars Tom Hanks as James Donovan and Mark Rylance as Rudolph Abel. Steven Spielberg direcred the movie from a screenplay by Matt Charman and the Coen brothers.

When Abel is arrested and tried on suspicion of espionage, New York lawyer James B. Donovan (Hanks) is called in to give him a token defense, demonstrating in theory that every criminal in America gets a fair trial, even spies. However, Donovan will not rest until he achieves what he thinks is right, even if that means negotiating an exchange of Abel for an American surveillance pilot in volatile East Berlin.


This April 26-28, 2018, at the lovely Diana Wortham Theatre in Asheville, North Carolina, we will gather and hear from special guests Alice Walker, Pulitzer Prize-winning author of The Color Purple; Brian McLaren, author and theologian; and Gareth Higgins, film critic and Irish peace activist. We\u2019ll screen seven movies, hear seven stories, and participate in seven activities proven to nurture community, restore hope, and build a bridge to the kind of world so many of us seek. We\u2019ll do it in the setting of one of the most beautiful and creative small cities in the world, in a lovely theatre, surrounded by fantastic restaurants, places to stay, and the stunning Blue Ridge Mountains. We\u2019ll make new friends, see astonishing big screen art, and pick up fuel for the journey of living more whole in uncertain times. 2351a5e196

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