The first episode is an exaggeration of the discovering phase of my design research. Through uncovering NFTs and cryptocurrencies the absurdity of misrepresented emerging technologies revealed itself.
The bread represents the modern slang of making money, because this issue is bred from spectacle and scams.
The original topic I decided to undertake for my design honours research surrounds the issue of Non-Fungible Tokens (NFTs). To understand the problem, the history of cryptocurrencies and NFTs was explored.
The subject is largely misrepresented in the media, causing misguided belief in these new technological systems, despite their lack of real-world application.
I began my investigating where the issue of NFTs came from, why it represented a horrible future, and
how could we address this negative trajectory with a satirical NFT.
In the literature review I pieced together my most prevalent findings in my research, contrasting them to reach a better research question and direction. Through conducting the literature review I found misrepresented technological rhetoric as a main cause in the misguided optimism of emerging technologies.
My main definition of this spread of misinformation was a book named the 'The Infinite Machine'. The language used in the book is overly optimistic and evangelical, showing the disillusion and indoctrination of emerging technologies.
In my literature review I also did a case study on different approaches to communicating the complexity of the issues.
The Discover Portfolio research exercise was an important milestone in which I inform my most important findings of the research.
I explained my research as a communication of the NFT issue in which my research has defined as the "infinite machine". My first research hypothesis was to communicate the NFT issue through an NFT itself.
I have never personally reflected on the connection between studio and theory simultaneously as I design. The connection of studio and theory now seemed like more of a clear occurrence for design honours research as compared to the disconnected design undergraduate work.
This back-and-forth design thinking only birthed more uncertainty, but this fear of the unknown was secretly a blessing for my design.