Perhaps nothing is more important, when it comes to Beauty and the Beast, than its music. The slowly withering rose is a close second of course, but if Beauty and the Beast wasn't a musical, I suspect it wouldn't have such the cult following and box office success that it has had. And the lyrics really have stood the test of time. "There must be more than this provincial life"? That one's a go-to. The jaunty sway of "No one fights like Gaston!" is classic. And of course, it's hard to beat "A tale as old as time, song as old as rhyme..." That's why any lyric changes in the new Beauty and the Beast live-action movie matter.
Now, the good news is that the makers of the live-action film are pretty dedicated to remaining loyal to the original, which fans love so much. Composer Alan Menken has stuck with the franchise in all its iterations: the original animated film, the Broadway musical, and this new film. And he's spoken to a number of outlets about the ways in which the music for the new film is similar to and different from the old one. Trust me, this guy is smart, and he cares. So you can check out the list below, of the biggest lyrical changes to songs in the new Beauty and the Beast, knowing that they were all done for a reason, to make this the most magical movie ever.
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In this hilarious moment from the animated film's opening song, "Belle," Belle is trying to explain the plot of her book to the baker, but he interrupts to demand "Marie! The baguettes! Hurry up!" in a cadence and disgruntled tone that is hard not to love. As Refinery29 discovered, many an indignant Beauty and the Beast fan was stirred to comment when it was confirmed that this line, more spoken word than song, was removed from the new live-action film. I tend to agree with the sad fans: "Marie!" is a classic.
MTV writer Crystal Bell noticed that there was a slight change in a line from "Be Our Guest," from "10 years we've been rusting" to "too long we've been rusting," which makes gets rid of any ability to pinpoint exactly how long the Beast has been trapped and makes it easier to have realistic timelines and ages for the characters. Pretty small change for a pretty smart reason.
In the crucial and kind of frightening "Mob Song," Gaston leads a furious mob of townspeople to go kill the Beast. In the new live-action version, there's some added lines: Gaston sings "Call it war, call it threat, you can bet they all will follow, for in times like this, they'll do just as I say," and then Lefou sings "There's a beast running wild, there's no question, but I fear the wrong monster's released." These are completely new lyrics, not ones written previously by Ashman, and Menken explained to The Hollywood Reporter that director Bill Condon "wanted this sense of Gaston as a demagogue at that point, and the turnaround of Lefou." I'd say this was a pretty successful addition, and gives the film a sense of timeliness.
And finally, there's a lovely new gem of a line in the new film's closing rendition of "Beauty and the Beast." The new line, which Menken told Comicbook.com was written originally by Ashman for the animated film but was ultimately removed, is sung by Emma Thompson's Mrs. Potts and goes, "Winter turns to Spring, famine turns to feast, nature points the way, nothing left to say, Beauty and the Beast." It's a gorgeous image and adding it back in is a lovely homage to Ashman. I adore this lyric change.
This weekend, Disney fans of all ages flooded the theater to the tune of a new, March box office record for the new live-action remake of Beauty and the Beast. While the most iconic songs from the animated classic have been included, fans may notice a few subtle changes to the lyrics for this take.
"We have new lyrics in 'Gaston,'" he said. "Not actually new lyrics, they're actually Howard Ashman's that were outtake things. We had also put some of the outtake lyrics from Howard in the Broadway show. And the reason that they hadn't been used in the animated was that they were quite edgy. 'I hunt, I sneak up with my quiver and I shoot in the liver.' That's a little hard for an animated film, but I thought it was great for this...You know, I think there may a little bit of extra aggressive edge to 'Gaston,' which is fun, with the dance break and all that in the movie version.
"We have a change at the end of the movie where we found some lost lyrics from 'Beauty and the Beast' that Howard had written and was perfect to end the movie with. Those lost lyrics were just so great to get into the movie...[There] are subtle changes to 'Beauty and the Beast.' They kind of go into a waltz feeling in the dance, but again, essentially, it's 'Beauty and the Beast.'"
"I think it's really healthy to give little changes to all of the songs as they come in. And we did that for the Broadway show, too," he said. "We did that when we brought Aladdin to the stage. 'You know what? I don't want to do the same arrangement of 'A Whole New World,' because it should feel fresh.' You know the song, but there should be a freshness to the arrangement."
Beauty and the Beast is the fantastic journey of Belle, a bright, beautiful and independent young woman who is taken prisoner by a beast in his castle. Despite her fears, she befriends the castle's enchanted staff and learns to look beyond the Beast's hideous exterior and realize the kind heart and soul of the true Prince within.
Beauty and the Beast stars Emma Watson as Belle; Dan Stevens as the Beast; Luke Evans as Gaston, the handsome, but shallow villager who woos Belle; Oscar winner Kevin Kline as Maurice, Belle's eccentric, but lovable father; Josh Gad as Lefou, Gaston's long-suffering aide-de-camp; Golden Globe nominee Ewan McGregor as Lumiere, the candelabra; Oscar nominee Stanley Tucci as Maestro Cadenza, the harpsichord; Gugu Mbatha-Raw as Plumette, the feather duster; six-time Tony Award winner Audra McDonald as Madame Garderobe, the wardrobe; Oscar nominee Ian McKellen as Cogsworth, the mantel clock; and two-time Academy Award winner Emma Thompson as the teapot, Mrs. Potts.
MORE BEAUTY AND THE BEAST: Mulan Live-Action Director Confirms There Are No Songs / Director Talks Lindsay Lohan And The Little Mermaid / Dan Stevens, Emma Watson Chemistry Was Built On Stilts / Alan Menken Waiting On Greenlights After Beauty And The Beast 152ee80cbc
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