Sixteen years after the Na'vi repelled the Resources Development Administration (RDA) from Pandora,[a] Jake Sully lives as chief of the Omatikaya clan and raises his family with Neytiri, consisting of two sons Neteyam and Lo'ak, his daughter Tuk, and adopted daughter Kiri (born from Grace Augustine's inert avatar). Spider, son of the late Colonel Miles Quaritch, frequently visits their children while being raised by human scientists who stayed on Pandora. The RDA, now led by Frances Ardmore, returns to colonize Pandora. Among new RDA members are Recombinants, Na'vi avatars implanted with the memories of deceased human soldiers, with Quaritch's Recombinant serving as their leader.
In 2006, Cameron said if Avatar (2009) were successful, he would consider making two sequels.[7] In 2010, he said the sequels would proceed as planned as a result of the film's widespread success.[8] The sequels were originally scheduled for release in December 2014 and 2015.[9] He included certain scenes in the first film for future story follow-ups.[7][11] Cameron planned to shoot the sequels back-to-back and to begin work "once the novel is nailed down".[54] He said the sequels would widen the universe while exploring other moons of Polyphemus.[55] The first sequel would focus on the ocean of Pandora and also feature more of the rainforest.[56] He intended to capture footage for the sequel at the bottom of the Mariana Trench using a deepwater submersible.[57] In 2011, Cameron said he was just starting to design the ocean ecosystem of Pandora and the other worlds to be included in the story. The storyline, although continuing the environmental theme of the first film, would not be "strident" since the film will concentrate on entertainment.[58] The sequels were confirmed as continuing to follow the characters of Jake and Neytiri in December 2009.[12] Cameron implied that the humans would return as the antagonists of the story.[59] In 2011, Cameron said he would film the sequels at a higher frame rate than the industry standard 24 frames per second, to add a heightened sense of reality.[60]
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New crew members include cinematographer Russell Carpenter, who worked with Cameron on True Lies (1994) and Titanic (1997), and Aashrita Kamath, who will act as art director on all four sequels.[71][72][73] Kirk Krack, founder of Performance Freediving International, worked as a free-diving trainer for the cast and crew for the underwater scenes.[74] Several creatures that were first introduced in the Walt Disney World theme park attraction Avatar Flight of Passage were featured in the film.[75]
Several new cast announcements were made in 2017, with Joel David Moore, CCH Pounder and Matt Gerald all confirmed to return from the first film.[31][32][29][30] Additionally, Cliff Curtis joined the cast as Tonowari, the leader of the Na'vi reef people clan of Metkayina.[27][29] On September 23, 2017, child actor Filip Geljo was revealed to have been signed in an undisclosed role.[95] On September 27, seven child actors were confirmed as a part of the main cast including Geljo: Jamie Flatters, Britain Dalton and Trinity Bliss as Jake and Neytiri's children; Geljo, Bailey Bass and Duane Evans Jr. as members of the Metkayina (together with Curtis); and Jack Champion, the only one to perform in live action, as a human born on Pandora.[36][37] Cameron later said the child cast had been trained for six months to prepare for the underwater scenes filmed in performance capture, and that they now could all hold their breath "in the two- to four-minute range", even then-seven-year-old Trinity Bliss, and were now "all perfectly capable of acting underwater, very calmly while holding their breath".[96][97]
On October 3, 2017, it was reported that Winslet, who starred in Cameron's Titanic, had joined the cast of Avatar 2, and possibly its sequels. Cameron commented: "Kate and I had been looking for something to do together for 20 years, since our collaboration on Titanic, which was one of the most rewarding of my career", and added that her character was named Ronal.[22][98][23] When asked by ComicBook.com on her reasons to return to work with Cameron, Winslet said he just asked her to play Ronal and she accepted out of a combination of her love for the first Avatar film, an attraction to the well-written and strong female role she was offered, a love for being on the water and to work with Cameron and the film's cast.[99] Although the nature of her character was originally unknown, the following month Cameron said Ronal was "part of the Sea People, the reef people", in reference to the Na'vi clan of Metkayina, making Avatar 2 Winslet's first role via performance capture, or motion capture altogether, which she was looking forward to; since she insisted on performing all of her character's movements herself, she, like the child cast, had to learn free diving for the film.[53][24] Winslet, who had been notoriously reluctant about working with Cameron again because of the complicated situations he puts his actors in for their scenes, said Cameron proposed the role to her in July 2017 when he came to help her and their fellow Titanic collaborator Leonardo DiCaprio at a fundraiser in France, sending her the scripts shortly after.[24] She commented that her role was "relatively small comparative to the lengthy shoot", as she would only have one month of shootings, but also "a pivotal character in the ongoing story".[24]
On November 23, Cameron said the crew had been undergoing tests with the cast for the last month to film underwater scenes in performance capture, and that they succeeded in filming the first of those on November 14, featuring six of their seven main child actors, including Trinity Bliss.[53] He said "we're getting really good data, beautiful character motion and great facial performance capture. We've basically cracked the code".[96][97] The cast and crew did not use scuba sets as "air bubbles might interfere with the accuracy of the sensors". Another problem with underwater scenes was how the infrared light used in performance capture was not registered by the camera sensors as it was absorbed by the water, and so UV-light had to be used instead. Two separate performance capture systems were made; one used underwater, and another above the water, which had to work in sync with one another.[106] Cameron said that tests would last until January 2018, as "we're still working in our small test tank. We graduate to our big tank in January".[96] It was "a dialogue scene", as according to Cameron, the characters communicate via "a kind of a sign language".[53] The underwater fight scene between Worthington and Lang was difficult, based on their interviews. Worthington considered this a risky option because doing choke-outs can cause drowning. Overseen by a safety team during the shoot, the actors ensured their survival.[49][107]
"It's never been done before and it's very tricky because our motion capture system, like most motion capture systems, is what they call optical base, meaning that it uses markers that are photographed with hundreds of cameras. The problem with water is not the underwater part, but the interface between the air and the water, which forms a moving mirror. That moving mirror reflects all the dots and markers, and ... it creates thousands of false targets, so we've had to figure out how to get around that problem, which we did. ... It's taken us about a year and a half now to work out how we're going to do it."
On July 31, 2017, it was announced that Wt FX had commenced work on the Avatar sequels.[134] The film heavily features underwater scenes, actually filmed underwater with the cast in performance capture.[96][97] Blending underwater filming and performance capture being a feature never accomplished before, it took the team a year and a half to develop a new motion capture system.[133][132] In December 2022, Wt FX's VFX producer David Conley describe Avatar 2 as the biggest visual effects project that the company had ever undertaken, totalling nearly 3.3 billion thread powers. To cope with the huge amount of data, Wt used the services of cloud storage company Amazon Web Services.[135]
Positive reviews focused on the visual spectacle of the film, and advocated seeing it in as large a format as possible.[10][250] Chicago-Sun Times critic Richard Roeper gave the film a rating of three and a half out of four stars, highlighting the film's visuals as "some of the most dazzling, vibrant, and gorgeous images ever seen on screen."[251] Variety critic Owen Gleiberman praised the film as a "dizzyingly spectacular sequel" with "miraculously sustained" combat sequences, "scenes that will make your eyes pop, your head spin and your soul race" and "state-of-the-art 3D (never in-your-face, just images that look and feel sculpted) [that] makes the film's every underwater glide feel as experiential as one that you're literally on." On the other hand, Gleiberman felt that the story is "basic" with a "string of serviceable clichs," "bare-bones dialogue" and little dimensionality to the characters.[252] The Atlantic critic David Sims said that the film will wow audiences and exhibit "new delights...in the alien world of Pandora" while noting that the film gets off to a slow start that is "busy with plot details as the film updates the audience on the past decade-plus of Pandoran life."[253] Science writer Darren Naish praised the creature design and detailed alien world, saying the series would remain a "mainstay of discussions in creature design and speculative biology for some time yet".[254]
According to Kirk Krack, Cameron said that Avatar 3 will be 30% water, half of The Way of Water's 60%, and 4 and 5 15%.[106] The ocean scenes for the sequels were filmed simultaneously during the production of The Way of Water.[273]
Tsireya: [to Lo'ak] The way of water has no beginning and no end. Our hearts beat in the womb of the world. The sea is your home, before your birth and after your death. The sea gives and the sea takes. Water connects all things: life to death, darkness to light. 006ab0faaa
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