Daniela Nicolaescu is currently a Ph.D. student and postgraduate teaching assistant at the University of Leeds. Her Ph.D. focuses on the multilingual, multimodal, and political utopias within the works of three 20th-century avant-garde poets: Tristan Tzara, Isidore Isou, and Gherasim Luca. The research is a comprehensive study of the various languages employed in their poetry, including non-European languages, and explores the wide-ranging cultural influences, including those from Jewish and African art. The project aims to provide a comparative and multimodal analysis of the dadaist, lettrist, and surrealist performances of these poets.
In addition to her research, Daniela, along with two fellow Ph.D. students, co-founded the poetry club 'KERNING' at the University of Leeds. She is also a poet herself, writing in French, English, and Romanian. A collection of her poems is set to be published soon.
Alexandru Bar is a Research Associate at the University of York's Department of History of Art, whose work is fundamentally trans-disciplinary and trans-national, combining art history, cultural history, and Jewish studies. He earned his M.A. at Tel Aviv University in Israel (on a Masa scholarship) and his PhD at the University of Leeds in the United Kingdom (on an AHRC-funded scholarship with the "Performing Jewish Archives" Project). His research explores the rarely examined relationship between Tristan Tzara and Marcel Janco, their thinking and language. He seeks to clear the way for a renewed consideration of the symbolic substance of Tzara’s and Janco’s Jewish experience and the role it played in defining their national identity. His most recent research project seeks to provide an original account of the life and creative endeavours of Marcel Janco after 1940 with the aim to create a more comprehensive understanding of Janco’s Jewish identity and the influence of suffering and disillusionment on his introspective exploration of art. Dr Bar has recently co-authored an article with Professor Michael White, titled “Dada Lingua Franca: The Linguistic Fate of Tristan Tzara and Raoul Hausmann,” which is featured in the volume "Cannibalizing the Canon: Dada Techniques in East-Central Europe," edited by Oliver A.I. Botar et al. This work, published by Brill Academic Pub in 2024 as part of the Avant Garde Critical Studies series, further cements his reputation as a scholar of avant-garde movements and their complex cultural contexts.
Amélie Castellanet is a PhD candidate working under the supervision of Professor Michael White at the University of York. Her research project investigates how Dada exhibitions comprised original displays intended to engage the full range of the spectators’ senses, particularly the haptic. The haptic sense is understood here not only as the tactile quality of the artworks but also as the stimulation of the spectator’s feelings of tactility through the other senses. The research focuses on the Dadaists Raoul Hausmann (1886-1971) in Berlin and Sophie Taeuber-Arp (1889-1943) in Zurich.
Gertrude Gibbons is a PhD candidate at the University of York under the supervision of Professor Emilie Morin. Her thesis is exploring a history of theatre-making centred on the search for a universal language of theatre. The nature of the living archive, and the interconnections and encounters between people, theatrical texts and performance are central to this research. Her approach is interdisciplinary, and she is exploring concepts of reading and translation as performative, and the connections of hybrid theatre forms with the visual arts and music.
In addition to this research, Gertrude writes across various disciplines, including literature, art, design and music for online and printed journals, catalogues and other international publications. She plays and teaches violin, and since 2018 she has been co-editing and designing Soanyway with Derek Horton, an interdisciplinary online magazine, publishing three issues a year and themed specials.