Hooranky states, "Art is the essence of knowledge." Intellectual action begins when humans attempt to remember and imitate the first images they encounter upon birth. This signifies that knowledge is generated from the initial pictorial image. Furthermore, the necessity of knowledge lies in sharing, leading to acts of mutual empathy and dialogue. Hooranky’s artistic philosophy begins here. The significance of his work lies in drawing out the memories (data) of nature, composed of images (signs of memory), and structuring them using a formative language of rich painterly qualities and empathy so that they can be matched with the memories (database) of the external audience. It is akin to the sounds of various instruments, each unfamiliar with the melody, harmonizing within an orchestra. When the viewer (Human) encounters the symbols (image data) constructed within the painting with at least some degree of awareness, they feel the excitement of their instinctive memories (images) surfacing. If these diverse images form a beautiful harmony, whether dynamic or serene, the viewer's inner self will become increasingly immersed in a new dialogue with themselves. Its beginning would be impossible without images (data) where memories (knowledge) are shared. Hooranky works to express this digitally. Viewers see the images they desire as memories within their brains intersect with the symbols in the artwork. Painting (Art) is a promised signal sent to one another and a protocol that evokes emotion within the ecosystem. In the world of Hooranky's art (painting), one encounters an opportunity to newly perceive and reinterpret the memories (knowledge) of fixed images (shapes, colors, feelings, sounds, rhythms, melodies, movements, etc.).

(Excerpt from the artist's notes)