Certain words in the English language represent animal sounds: the noises and vocalizations of particular animals, especially noises used by animals for communication. The words can be used as verbs or interjections in addition to nouns, and many of them are also specifically onomatopoeic.

Ultimate list of Animal Sounds and their names. This website consists of high quality original animal sounds list that you can play and listen to for free. You will feel like you are in a forest when you listen to these wild animal sounds. This website can also be used as an education website for children where they not only can learn the sounds of animals and also listen to it for free.


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Below is a collection of only original sounds of animals. You can listen to them and teach your children about different sounds that animals make. From Cat meow to lion roars, mouse squeaking to birds chirping, you can hear them all here. All the audio files are in mp3 format and are supported by all browsers.

This Spanish animal sound is essentially identical to the English one, except that the we write moo in Spanish according to our phonetic rules: mu. The verb used for this animal sound in Spanish is mugir, while the noun is el mugido.

The onomatopoeia i, i, i is used in Spanish to imitate the sounds made by monkeys. This simple representation mimics their high-pitched chattering and vocalizations. In Spanish, the sound made by monkeys is el chillido, and the action is called chillar.

When it comes to snakes, the hissing sound they make is called siseo, and the verb is sisear. The Spanish onomatopoeia of this animal sound is simply sss.

Birds are a diverse group of animals, and their sounds vary widely. However, the chirping sound commonly associated with birds is represented in Spanish as po, po, especially for baby chickens. The verb for this sound is piar, gorjear, or trinar and the sound itself is called el piar, el gorjeo or el trino.

The clucking sound made by hens is represented by the Spanish onomatopoeia clo, clo. This animal sound in Spanish is called el cloqueo or el cacareo, and their respective verbs are cloquear and cacarear.

Geese are famous for their honking sounds, and in Spanish, they are represented by the Spanish onomatopoeia on, on. Just like turkeys, the sound made by geese is el graznido, and the verb is graznar.

Crickets, known for their rhythmic chirping on warm summer nights, have their own distinctive sound. We represent this animal sound in Spanish as cri, cri. The verb to describe it is chirriar and the noun is el chirrido.

Animal sounds, expressed through onomatopoeias, are an integral part of language and cultural expressions. In Spanish, these onomatopoeias bring the rich and diverse world of animals to life. From the domesticated sounds of what a dog or a cat says in Spanish, to the wild cries of wolves and snakes, the onomatopoeias of animal sounds in Spanish provide a delightful way to explore and appreciate the natural world around us.

Today, we presented you with 20 different animal sounds in Spanish, including the onomatopoeia of the sound itself, the verb used to describe the sound, and the corresponding noun.

Since animal sounds are often among the simplest interactions we can have with children, you may appreciate some of our other posts that are useful for parents or teachers:

This is a list of animal vocals and sound effects that were used in many Disney productions and non-Disney movies and shows. Many of these sound effects were recordings of real animals or dubbed by actors/actresses.

So I'm trying to make a list of all the words that DD says so I can tell the pedi at her appointment, she doesn't have a whole lot of "real" words, but knows a bunch of animal sounds - would it be cheating to count those towards her list of words she knows? ?

We've always counted animal sounds as words as long as it's not the same sound. For example, she's got a definite meow, bark and moo - so we'd count those - but her bear/tiger/lion sound is all one big roar - so we wouldn't count that.

For the official evaluation we did, animal sounds, and other sounds totally counted. So for C, he got "credit' for the brrrrr sound he was using to imitate the vacuum. He doesn't make animal sounds (because we don't either I think), but does make a lot of household sounds.

Dr Dominique Potvin is a behavioural ecologist and senior lecturer in Animal Ecology at the University of the Sunshine Coast. She specialises in bioacoustics, especially birdsong, and how animal communication is impacted by human activities. She loves integrating behaviour, physiology, genetics, neurobiology and ecology to take a big-picture look at how vertebrates respond to human-made noise and other aspects of global change.

One of the most amazing things to many people about getting out of the bustling city is hearing the natural world. Whether you can recognise every single species, or you just appreciate your surroundings, there is something that happens in our brains when we escape the low rumble of human-made noise daily and immerse ourselves in natural soundscapes.

The search is on to find our most-loved Aussie animal sound. This National Science Week, ABC Science wants people to go online to eavesdrop on the animal kingdom, explore the wonder and science of bioacoustics, and vote for their favourite call of the wild.

Reporting the frequency range for hearing in dogs and other species isnot a straightforward task - the "how" of determining hearingfrequency ranges must first be explained. Testing in animals differs fromthe method commonly used with humans of voluntarily reporting if a soundis heard. When determining the frequency range in animals, an investigatorusually must first train the animal to respond to a presented sound stimulusby selecting between two actions using rewards. Often this response is totry to drink or eat from one of two dispensers when a sound is heard. Thesounds are randomly presented from one side or the other, and the subjectmust select the right dispenser (on the same side as the stimulus) to getthe reward; otherwise no food or drink is dispensed. This is done with theanimal hungry or thirsty to motivate responding. Stimuli are different puretones at varied frequencies (units of Hertz [Hz] - or kilohertz [kHz]) andat different loudness intensities (units of decibels [dB] - a logarithmicmeasure). The investigator then plots the responses on an audiogram, a graphof the softest intensity at which the subject was able to detect a specific.The plot of responses is a bowl-shaped curve, steeper on the high frequencyend. A series of five typical audiograms for different dogs (Canis canis)is shown in the figure below.

(right click image to see it more clearly)

These audiograms are from a book compiling thousands of published referencesinto a single difficult to find source (Fay, 1988). This particular audiogramcompiles data on the dog from two published sources: one reporting an averagefrom 11 dogs of unspecified breeds (Lipman & Grassi, 1942) and one reportingresults from single dogs of four breeds (Heffner, 1983). Frequency is displayedon a logarithmic scale from 10 Hz to 100,000 Hz (100 kHz), while stimulusintensity is displayed (in dB sound pressure level) from -30 to 80 dB. Curve1 was from the Lipman study, while curve 2 (Poodle), curve 3 (Dachshund),curve 4 (Saint Bernard) and curve 5 (Chihuahua) were from the Heffner study.In general, dogs had slightly greater sound sensitivity (detected lowerintensity sounds) than humans, and cats had greater sensitivity than dogs,indicated by how low on the y-axis points were located.

Dear Jonathan, it's a wonderful document. Your arguments are also very interesting. An excellent book dealing with animal's voices in the ancient world was published in Italy in 2008: Maurizio Bettini, 'Voci. Antropologia sonora del mondo antico'. Maybe you know it. I'm going to give a look to my copy in order to compare ancient and medieval voices ...

Paolo Galloni

@Paolo: Thanks so much for that reference! I should have mentioned that medievalists who have done work on these animal-sound wordlists tend to trace these to Isidore's Etymologies -- but it would stand to reason that there might be deeper, longstanding Classical traditions that could more obliquely inform these medieval Latin lists. I'll def. check that one out!


@i (ooh, I just noticed you had a Romanian cooking blog! cool) - interesting questions. 1. I don't have any studies to base my statement upon, just a general hunch - I'd say that when I hear a dog bark and it doesn't *really* sound like an English "woof" nor Chinese "wang" in my own head - but maybe that has something to do with growing up using both of those languages and being able to think in either one in diff. contexts. What I'm really trying to suggest here is the idea that no human language accurately replicates animal sound, so the animal sound is always going to be something resonating 'beyond' the bounds of any particular human language. 2. Really like your observation/suggestion here about how *neighboring languages* -- even if they aren't "related" to one another -- might mimic a certain animal sound in a similar way. (I think that New Guinea 'frog' article is making a similar speculation.) What I like about this is the idea is that an animal sound itself can force us to re-configure and re-think how we approach (human) contact linguistics: there are other mediating factors that we can use to trace the interplay between vernaculars that take us beyond those nice language-trees we all like to construct. 2351a5e196

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