Is there a more talented actress than Aishwarya Rajesh who has recently been wrongly marginalized in a way that doesn't do her career justice? Forget that. Women happen in all industries every day, but Aishwarya Rajesh seems to suffer from this phenomenon more than anyone else in Tamil cinema. It is also possible that there is currently no other actress in Tamil cinema without the inhibitions that a potential star brings with it. It has a selfless nature that is completely uninteresting in what it takes to shine in a noisy industry. However, what strikes us first when we see Aishwarya on the screen is the self-confidence, piercing like the sun's rays that Dhana uses in some scenes, that she can incorporate any role in the showcase that has never been on paper. Be it her early guest appearances in films like Attakathi and Kuttrame Thandanai or her late entry into a film like Dharmadurai or part of the second pair of violins in Pannaiyarum Padminiyum, she has done this long enough to learn the subtleties. News article about Vaanam Kottattum online streaming partner is amazon prime.
In less than a year, Aishwarya played the role of a sibling for two leading men. This doesn't happen often. Directors do not write such roles often enough, nor do actresses who want the highest payroll choose it. But Aishwarya Rajesh, sister of Sivakarthikeyan in Namma Veetu Pillai and Vikram Prabhu in Vaanam Kottattum this week, directed by Mani Ratnam's assistant Dhana did just that. These are roles with more gravity than the main actresses of these films (she is the main actress here), the partner who meets the main actor, and Aishwarya Rajesh made her her piece of resistance.