"If you want to study art, you have to study the artist first," writes John Douglas about the analysis of behavior patterns of psychopaths in his pioneering book Mindhunter. If you scroll through the pages of the story, you will find a common thread about serial killers. These cruelest forms of crime have always been committed against women. Most of these serial killers are men who are loners, who are also broken "inside" and can usually appear "outside". This duality, with which psychopaths tend to work, forms the imagination of Mysskins Psycho and delves deeper into the mind of a mentally disturbed man. To borrow Douglas' quote, Psycho is a visual study by a psychopath. Pyscho online streaming partner tentkotta release date out.
Mysskin's remarkable achievement - if you ignore the artistic merits (more on that later) in Psycho - has a huge impact on making a serial killer the protagonist of the film and giving him a voice and, above all, a thing. The "guilt of an ordinary man" is a recurring theme on which Mysskin often bases his subjects: Nandhalala was about a son's guilt; Anjathey was about a friend, Onayum Aatukuttiyum dealt with the guilt of a "lone wolf", and Pissasu was about the guilt of an accidental killer who ends up being a victim. Given his fetish for human psychology and for characters who are emotionally broken, Mysskin builds an intense narrative that examines the "guilt" of a morally flawed hero: in this case, serial killer Anguli (a big thank you to Mysskin's assistant for the investigation of this complex) sorry. I didn't understand his name.
The film starts with a slide that pays homage to the master Alfred Hitchcock for Psycho (1960), who happens to be 60 this year. Mysskin's Psycho bears no resemblance to the 1960 film, except for a psychopath in the center (who strangely looks like the terrible Norman Bates) and the playful macabre tone. About the latter, Psycho's opening sequence contains graphic details (the film is rated "A"). It is a woman howling for help while Anguli is about to do his "art". To put it very clearly, the body is slaughtered and the upper body is collected as a trophy piece in its slaughterhouse. There is no information about the girl or the man. Mysskin follows the girl's parents at the scene with a beautifully shot scene. The mother comes to see the headless body lying around in a two-piece suit. It's her daughter, but she doesn't respond. A shot of God's Eye shows how she walks away from the crime scene and collapses: maybe to find out how her world was just destroyed.