In the experimental side of my research, I explore different aspects of ternary metrical feet: how weak elements are perceived in anapestic meter, how hypermetrical rhyme works in Italian poetry, and how ternary and binary meters differ in terms of aesthetic perception.

If you’re curious to see how this kind of research works in practice, here you can try a demo version of an experiment on aesthetic emotions and binary vs. ternary metrical structures, inspired by Hevner (1937) and presented at the 7th edition of the Poesiæuropa. 

Feedback or suggestions are very welcome. Feel free to get in touch.