This mood board, inspired by The Devil Wears Prada, captures the film's chic, high-fashion aesthetic. It includes sections on practical lighting, texture, and color palettes, emphasizing sleek, modern designs and luxurious fabrics. The lighting focuses on sharp contrasts, highlighting the elegance and power of the characters. The color palette incorporates rich neutrals and bold accents, reflecting the film's sophisticated yet edgy tone. Textures like polished surfaces and smooth fabrics enhance the refined, corporate atmosphere that defines the story's world.
This film essay uses a series of archival photos, spanning from my childhood to the present, to explore how we can use personal images to tell a story. The film examines how I, as a person, evoke contrasting reactions in others, while the archival images serve as a visual narrative that reflects key moments in my life. Through this approach, the film demonstrates the power of archival photos in shaping and communicating complex personal histories, showing how images can evoke emotions and insights that help tell a deeper story.
In this film, I replaced the traditional voice-over in the film above with a sound design approach, using archival photos to tell the story through audio. The sound design complements the imagery, creating an immersive experience that conveys the emotional depth of the narrative without relying on spoken words. This approach highlights the ability of sound design to enrich visual storytelling, offering a unique way to engage audiences and enhance the narrative’s emotional impact.
This static shot smartphone film captures a moment in time with a fixed perspective, utilizing the simplicity and accessibility of a smartphone to tell a compelling story. The shot remains stationary, allowing the scene to unfold naturally within the frame. Through this approach, I focus on the power of stillness and the subtle details within the composition.
Below is an academic essay on ‘Unearthing Reality: The Evolution and Impact of Found Footage in Modern Cinema’