New Public i essay: "Who is Un-American?"
45 and others leading witch hunts have always played the victim, using institutional DARVO (denial, attacking, reversal of victim and offender) to stigmatize, criminalize, and punish those challenging privatization and other forms of authoritarian enclosure.
I wrote about a real-life witch hunt going on in the US. Featuring CU hero Mary Lee Sargent, this piece looks at the inequity, censorship, and struggle that have always been part of this country's normalized white nationalism.
(Fellow rebel girl luminaries Elizabeth Gurley Flynn, Silvia Federici, Hannah Arendt, & Jolie Rickman accompany Mary Lee.)
Despite denial, US capitalism's violent profiteering advances structurally, and through fanned vigilantism. My piece argues that we need to look both back and around us right now to understand today's rising fascism, and to stand with those challenging its anti-democratic roots which conspire to choke us into silence (and worse).
Herstory matters. Right-seekers matter. Right-seeking matters. Rights matter. Communication matters.
I wrote an article, and Monthly Review picked it up.
It traces the history of Pride Month in the US, linking past to present. It also discusses how a Midwestern org supporting LGBTQ+ folx is being targeted with defamation from social media-obscured right-wing forces.
People may be encouraged to think the attack on LGBTQ+ people is bounded to certain rogue states in the US.
Not so, I argue.
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WATR, a collaborative art project by Aimee Rickman, Shaheen Shorish, and Sophie Hall, has been released.
WATR is sponsored in part by a City of Urbana Arts Grant. Samples of some pieces below. A public event around this art will be held when gathering is less likely to cause Covid spread.
Physical copies are being shared; recipients of WATR artifacts are asked to refrain from passing on scanned or digital versions online, and to not in any way digitally distribute full pages or images.
Instead, they are encouraged to enjoy this art, and to use it to see and reflect upon cloaked oppressive governance in normalized technologies, to feel beauty and reality, and to gain inspiration to create more art and to work with others to push for legislation and other real protections of people over profit.
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socially-affirmed self-policing that channels accountability away from those responsible for inequity within capitalism. To do so, panopticonning affirms discourses in neoliberal America that ignore structural oppression by identifying common people as the problem. ...
The impact of panopticonning on social media is that it takes away attention from powerful people who are creating unsafe conditions and puts focus on what is framed as marginalized people’s untrustworthiness, augmenting stories told in other parts of US society. A dominant theme in the images we analyzed is that they ignore the patchwork approach to state closures and reopenings, and the past federal government leadership’s refusal to inform the country about the deadly pandemic while delaying ordering and delivery of essential medical supplies and denying support for common people (Levy; Allen, et al.). Instead, these posts center upon the American people as the main threat to public safety by individualizing the source of social unsafety and identifying Americans as outsiders.
April 2 12pm (CST): U.S. Youth and Media Migration talk for the
University of Illinois YMCA's Friday Forum
2020 awardees
With Councilmember Soria
This site provides some general information on my general work. Thanks for stopping by.
Here is a nearby high Sierra lake I like to swim in and watch.